Rhododendron Fruit

The fruit of the Rhododendron is a woody capsule which splits to release small seeds which can remain viable in the ground for years.

This fruit had fallen from one of the Rhododendron bushes by the Middle Lake at Nostell Priory.

A Victorian visitor gives us a description of Nostell Park in its Victorian heyday:

“The noble avenue of elms, stretching like giant sentries almost as far as the eye can reach from the house, the green sward dotted here and there with herds of deer ; the waterfall, its silvery cascade gleaming brightly through a network of green ; the lake, with its ripple dancing in the sunlight, and bordered by the rhododendrons, varying in shade from deep red to pale pink and white,—all went to make a collection of pictures it would be difficult to equal.”

Leeds Mercury, 22 June, 1888

Fruits of Rhododendron.

 

Published
Categorized as Drawing

Bottle and Bananas

Our plans for the weekend are put on hold as we head for the hospital to visit a relative (he’s doing much better now). I’ve spent many hours waiting in hospitals but, as usual, I’ve brought my sketchbook and pen with me and this time a tiny pack of crayons. They’re a very limited range, just seven colours, but working out how to represent the range of colours reflected and refracted in the bottle of Harrogate Spa water takes my mind off a worrying situation.

Lenticular Clouds

Ingleborough sunsetLate afternoon and I pull in at the viewpoint to photograph the cloudscape as we cross the moor top between Hawes and Langstrothdale.

Lenticular cloud
Lenticular cloud

“I think those clouds are caused by air rising as it moves over a hill,” I suggest to the man who has pulled in just behind us to photograph them on his iPad, “I’ve been reading The Cloudspotter’s Guide, but I can’t remember what they’re called.”

“Lenticular clouds?”

“That’s right; you are a cloud spotter?”

“No . . . just nutty!”

Just as I’ve got myself back in the car and out of the cool breeze, I notice another cloud-spotting feature to the left of the lenticular cloud that is hanging above Ingleborough and I grab my camera.

Sun Dog

Sun dog
One of these bright patches is not the real sun.
Sun dog
Sun dog

“Have you seen the sun-dog?” I ask the man with the iPad; “They’re caused by ice crystals in high clouds refracting the light and they always appear at a certain distance from the sun – I think it’s something like 23 degrees.”

“I wonder if that’s because we’re at 53 degrees north?” He surmises.

I wasn’t too far out, it’s 22° but the phenomenon is a halo effect caused by tiny ice crystals in translucent cloud, so the effect is independent of latitude.

Sunset over Langstrothdale

With 'sunset' setting.

Half an hour later I take the opportunity to photograph sunset over the top end of the dale from the first floor window of our barn conversion accommodation at Nethergill Farm.

sunset langstrothdale

It’s the first time that I’ve tried the ‘sunset’ setting on my camera. It might have warmed up the colours a little but it’s more successful than the camera’s default setting which attempts to adjust the exposure to make the scene resemble regular daylight.

Links

Nethergill Farm

Cloud Appreciation Society

Art Bags

art bags

It so good to be back in my studio and working again. I’ve just e-mailed my latest Wild Yorkshire nature diary off to the Dalesman, so it’s high time that I caught up with this online diary, which provides most of the raw material for my Dalesman articles.

It’s a month since my studio floor was taken up but there’s been a lot of work for me varnishing the new tongued and grooved timber floor and putting back my plan chest, art materials and book stock just as I’d like them (and there’s been even more work setting up our new kitchen in the room below, which is looking great).

The ‘Goldilocks’ Sketchbook

Improvements in my studio include these four Ikea Blecka hooks (above) for my small, medium and large art bags, which are hanging there ready for me to grab when I set off on a small, medium or large adventure, each complete with a selection of art materials and an A6, A5 or a square of the narrow side of A4 (that’s 8 x 8 inches) Pink Pig sketchbook. Like Goldilocks, I tend to feel that the middle sized bag is ‘just right’.

Tough Decision

On the fourth hook my new digital SLR is hanging, plus a camera bag holding my new macro and telephoto lens. It’s an Olympus OM-D E-M10II which has great possibilities for nature photography. I sold my trusty pocket-sized Olympus Tough muji on e-Bay and I’m missing it already but I’m holding off buying the latest Tough to replace it as I want to get thoroughly familiar with my digital SLR.

bamboo pen

The drawing is in bamboo pen using Winsor & Newton black Indian ink. I wouldn’t pack this combination in my art bags as the ink, where it has formed a blotty pool, takes days to dry.

Floorless

image

This is a first for me: writing and uploading a blog post on my iPad as my studio is out of action for a couple of days and my wall-mounted iMac is taking a well-earned break, lying on the bed in the back bedroom. We hadn’t realised that revamping the kitchen downstairs would involve taking up the floor upstairs in the studio to fit the new LED lights. This gave me the ideal opportunity to get Simon, the joiner fitting our kitchen, to replace the chipboard floor in the studio with tongued and grooved boards. It will all be worth it and the old kitchen is already looking more sparkly.

Sketchbook

My scanner is out of action for a few days too so here’s an iPad photograph of the latest spread in my A6 ‘Travel Journal’ sketchbook with sketches from a rainy morning at Nostell, a train journey to Leeds and from the centre of Wakefield.

Like Trees in November

Like Trees in November

I used the typeface Bondini Italic (just visible through the layout paper) as the basis of my font.
I used the typeface Bondini Italic (just visible through the layout paper) as the basis of my font.

As a starting point for this hand-drawn font I’ve taken a character from Watership Down: Cowslip, an effete but vaguely sinister rabbit, given to reciting poetry, including ‘Like Trees in November’, which provides the title for the Cowslip’s Warren chapter in the Richard Adams’ book.

I got to know this character when I spent two or three months drawing the backgrounds for the Cowslip’s Warren scene for Martin Rosen’s 1978 movie. I drew in dip pen in Indian ink, which I felt answered the brief of ‘creating the atmosphere of a claustrophobic Victorian vicarage’. Another background artist added the colour.

Filling in.
Filling in.

TypeTool

Hand=drawn fontInspired by Tony Seddon’s book, Draw Your Own Fonts, I’ve just succeeded in drawing, scanning and digitising – using Photoshop, Adobe Illustrator and a program called TypeTool – five sample characters which I’ve added to my computer as a TrueType font.

Draw Your Own Fonts

Draw Your Own FontsIt will be useful to have my own hand-lettered font when I draw a comic strip or a picture map for a walks booklet but I’m going to try something a bit more ambitious too. Seddon encourages you to have fun in the process and to see a font as a series of illustrations with a theme running through them.

The illustrators and designers who provided the fonts for the book took as their starting points subjects like  knitting, earthworms, buildings, spaghetti and origami. Their spontaneous approach soon got me thinking up  ideas of my own, for instance, the capitals above are based on a character from a story, a disturbed visionary character . . . but – for the character that I have in mind – I need to make the typeface look more willowy and windblown.

First Hand

Hand-writing fontHere’s my first effort at a complete hand-drawn font, put together from some hastily drawn letters, but at least creating those 26 capitals and 26 lower case letters has enabled me to get thoroughly familiar with the basic process.

Strangely enough it was the full stop that I had most difficulty digitising!

Links

Draw Your Own Fonts by Tony Seddon

TypeTool by FontLab, a fairly simple program for digitising fonts.

Carnosaur!

  • Dilophosaurus

When drawing dinosaurs, I get all the reference that I can find together and reconstruct the animal by drawing a rudimentary skeleton and working up a particular pose but wouldn’t it be great if I could set out with my sketchbook and draw the living breathing animal? That would probably be unwise when it comes to the carnosaurs but I had the chance to do the next best thing back in October 1997 when the Carnosaur! exhibition of animatronic dinosaurs was showing at the Yorkshire Museum.

Link: The Yorkshire Museum

The Harrogate Train

Harrogate station
Harrogate station

phone manUsually, as soon as I start drawing a commuter, he or she will change position or get on to a train but I thought that I had a chance with this man, sitting nursing his luggage and thoroughly absorbed with his phone. After five minutes our train started moving away but I’d made a mental note of the colours and I quickly added them. I like plain inky drawings but usually I feel that sketches like this come to life when I add a bit of colour; there’s so much more information in a drawing which includes colour.

‘You are now entering a great crested newt site’ a notice on the trackside near Hornbeam Park informs us.

Drab, Dry and Dusty

hill houseThe countryside has a late summer look to it. Oaks near Horsforth now look drab, dry and dusty. The flowers of creeping thistle have largely turned to downy seed heads. There’s a decadent feeling that the party is almost over, frothy creamy white flowers of Russian vine and trumpets of greater bindweed are festooned over fences. The waste ground flowers that I associate with the end of the summer holidays have appeared: Himalayan balsam, rosebay willowherb, common ragwort, goldenrod and, looking rather dull and mildewed even at its freshest, mugwort.Leeds sketches

park bloomIt’s the first time that we’ve visited Harrogate for years but we’ll certainly return. We walk up through the Valley Gardens then through the pinewood on Harlow Hill. We don’t get chance to walk around the Royal Horticultural Society gardens at Harlow Carr because we spend so long queuing for a leisurely lunch at the deservedly popular Betty’s Tearooms.

Waiting Room Sketches

watch and fasteningshandWe’ve got an appointment at the doctors’ this morning. As a change from drawing my hand, I start drawing the clasps and fastenings on my art bag and the back of my watch, which is the type that recharges its battery kinetically.

We’re back again in the afternoon. This time I revert to drawing my hand. I prefer drawing something organic to something mechanical.