Waterbirds and Fungi

greylag goose

I LOVE the 30x zoom on my new camera. There’s an element of luck in what the autofocus chooses to latch on to but you can take several shots and hopefully one will catch something. The 4600 pixel wide images give plenty of scope for cropping in to find some suitable composition, like this Greylag keeping a wary eye on me.

canadas

tufted duckblack-headed gull divingI knew the Canada Geese would head for the water if I got too near. Having the zoom on maximum flattened the perspective and emphasised the pattern of black and white, like musical notes on a stave.

If I can get such close ups as this in a few minutes just ambling along the lakeside path imagine what I might be able to do if I spent a morning in one of the hides at a wetland reserve.

black-headed gull diving

crow in willowIt would be interesting to try a catch bird behaviour on film – like this juvenile Black-headed Gull diving into the lake, possibly to catch fish or perhaps even small freshwater mussels. A series of images might provide some clues. The camera has a continuous mode for capturing movement.

Water birds are good subjects to experiment with as they’re large and usually not hidden by foliage so when we saw a Carrion Crow in a waterside willow I tried photographing it.

Grey Heron

grey herongrey heronI was struggling to keep the camera steady when I tried to photograph the Grey Heron preening itself in a willow at the other side of the lake. The image is rather blocky but it would be useful if I was gathering reference for an illustration.

It’s good to see a heron engaged in some kind of activity rather than standing at rest.

Fungi

agaricagaricNot surprisingly after the warm humid weather that we’ve been having there were one or two fungi about. The toadstool with the scaly cap is a relative of the Fly Agaric while the purplish, smooth capped  and much eaten into toadstool (below, right) looks to me like one of the Russulas.

russulaBut today I’m content to get to know my camera. I’m looking forward to using it to get to know the names of a few more fungi in the autumn.

Brown Mottlegill

Drawing of the fungiSummer warmth and a few heavy showers have triggered the growth of some small fungi on our dewy back lawn this morning. They’re going to get trimmed off when I get around to cutting the lawn so I pick them to draw and to take some close-ups using my USB microscope.

The cap which is about a centimetre across is smooth with no trace of ridges. It has dark brown gills, which I’d describe as distant as opposed to close or crowded.

gills

In this photograph the gills are emarginate, meaning that there is a notch where they attach to the stem. But the notch isn’t as clear in this cross section of the cap;cap in cross-section

The circular stem is hollow and there’s no swelling at its base.

Spore Prints

Brown Mottlegill spore printThe pattern of growth, as far as I can judge by this little group, is trooping. I couldn’t see any trace of a fairy ring starting to form.

I’m taking spore prints which might help narrow down what kind of fungus it is.

spores of brown mottlegill

My thanks to Steve Clements for this suggestion;

Most likely a Mottlegill (Panaeolus or Panaeolina) – the commonest one on mown grass round my part of Sheffield is Brown Hay Cap – Panaeolina foenesecii – which is supposed to be slightly hallucinogenic. The spores are blackish, and warted (under the microscope). The gills look mottled under a hand lens.

The Collins Guide calls this species Brown Mottlegill and adds that the ‘dark brown-black’ spores are ‘ellip to lemon-shaped’ which is how they look in 200x photograph that I took with my microscope.

Garden Snail

garden snail, Helix aspersaThe Garden Snail, Helix aspersa, has a thin, lightweight shell but that still looks cumbersome as it explores a fern-filled crevice in an old wall (see previous posts). As I drew it from a photograph that I’d taken this morning I noticed traces of damage to the shell with what appears to be a healed break in the rim and hairline fracture on the ‘back’ of its shell.

I imagine it being surprised, perhaps by a bird, retracting into its shell then falling from the wall onto the pavement below.

garden snail, Helix aspersa

A second snail clung precariously to the base of the stems of Common Ragwort, growing from a crevice near the top of the six foot high wall amongst the fronds of Rusty-back Fern and Wall Rue.

Wall Rue

wall rue, Asplenium ruta-muraria

Wall Rue, British Ferns, 1861
Wall Rue, British Ferns, 1861

Wall Rue, Asplenium ruta-muraria grows alongside the Rusty-back Fern in the crevices of an old wall in Ossett. It is a common fern of walls and limestone crevices.

Leathery leaves and long wiry roots are useful adaptations for conserving water.

Like the Rusty-back it is a member of the Spleenwort family, used as a herbal remedy for diseases of the spleen and also in the treatment of rickets.

Rusty-back Fern

rusty-back fern, Ceterach officinarumrusty-back fern fronds, Ceterach officinarumThe Rusty-back fern, Ceterach officinarum, has rusty scales on the backs of its leaves. These cover the spore-producing sori and probably help prevent the fern from drying out. During dry spells the fronds roll in at the edges.

Growing to just few inches, this fern is found in dry crevices in limestone and in old mortared walls. A small colony grows on a north-east facing sandstone wall on Station Road, Ossett.

It is best grown in a cold frame, potted rather high, among loam mixed with a large proportion of brick-rubbish, and not over-watered.

Thomas More, British Ferns, 1861

Rusty-back or Scale fern, drawn by W.W. Coleman, British Ferns, 1861.
Rusty-back or Scale fern, drawn by W.W. Coleman, British Ferns, 1861.

Rusty-back fern is a member of the spleenwort family and was used to treat diseases of the spleen. Legend has it that Cretan sheep with spleen disorders would greedily devour its rootstock.

It’s scientific name Ceterach is said to derive from the Arabic  ‘Cheterak’ the name that Eastern physicians used for this plant.

Yellow-tail Moth

yellow-tail moth, Euproctis similis
Featherlike antennae help the male track down the larger female.

When disturbed the Yellow-tail Moth, Euproctis similis sticks the end of its abdomen up between its wings. Both male and female have the yellow tip although it is larger in the female.

yellow-tail sketches

Some female moths spread pheromones by raising their tails and the males use their feathery antennae to home in on them.

So why does this male raise his ‘tail’ when disturbed? Is it a way to surprise a predator?

Male yellow-tail moth, Euproctis similis
The male has dark spots on his wings.

It’s the first time that this species has turned up in the moth trap.

The male seen from below.
The male seen from below.

Yellow-tail moth caterpillars have been found on Japanese Knotweed, an invasive garden escape which very few native insects feed on, but they’re more likely to feed on sallow, blackthorn and hawthorn.

Broad-Bordered Underwing

broad-bordered yellow underwingTHERE WERE at least half a dozen Large Yellow Underwings in the moth trap this morning plus some of their smaller relatives but this is the first time that I’ve seen the Broad-bordered Yellow Underwing, Notcua  fimbriata. This is a male; the female is paler.

broad-bordered yellow underwingIt’s more typical of wooded areas than gardens but as the foodplants of its larvae include docks, nettles, brambles, sallows and willows it’s not surprising that it has turned up here.

Fan-foot, Dun-bar and the Silver Y

Silver Y Moth, Autographa gammasilver yAlthough it’s years since I last saw a Silver Y moth, Autographa gamma, I didn’t have any difficulty in putting a name to it, thanks to the conspicuous calligraphic Y on its wing. This is the first time that it has turned up inSilver Y sketch the moth trap and that could be because, as an immigrant each year to Britain, it has taken until now to reach Yorkshire.

Dun-bar

dun-barThere are so many brownish, streaked little moths, both micro and macro, that I find drawing them gives me my best chance of picking out the pattern as I look through the field guide. Taking a close look at this, I noticed that the two bands and the inconspicuous dot made a pattern like a carnival mask, enabling me to identify it as the Dun-bar, Cosmia trapezina, a common moth from lowland Scotland southwards, wherever there are trees.

Fan-foot

fan-foot

While I sketched these moths Barbara went through the book and came up with a name for this obscure-looking delta-winged little moth. It’s the Fan-foot, Zanclognatha tarsipennalis, a common moth of woods, hedges and gardens.

The the three lines on its wing are;

  1. curved/wavy
  2. like a question mark
  3. almost straight

with a row of fine dashes along the edge of the wing.

Orange Swift

orange swift

Lets have an easier moth; the male of the Orange Swift, Hepialus sylvina, has a bright orange-brown forewing. It’s larvae feed on herbceous plants including dock, dandelion and bracken.

Underwings

small yellow underwinglarge yellow underwingThese two underwings are so regular in the moth trap that I tend to ignore them so that I thought it was about time that I made a quick sketch of them.

Early Thorn

Drawn from my own photograph, which can be easier than peering into a bug box.
Drawn from my own photograph, which can be easier than peering into a bug box.

AT FIRST GLANCE you might think ‘butterfly’ as the Early Thorn, Selenia dentaria, is the only Thorn moth to hold its wings up in butterfly fashion.

You might be thinking that late July doesn’t qualify as ‘Early’ but this is a female of the second generation, which  usually has a larger tawny orange patch on its underwing than the February to May generation.

As the name suggests, she might well be looking for a blackthorn or hawthorn to lay her eggs on, there are plenty in the immediate vicinity, but the larvae will also feed on birch, alder, honeysuckle, sallow or bog-myrtle. They’re common in a wide variety of habitats including gardens, hedges and woods so they should feel at home here.

Moth-trapping

moth trapTHIS IS the moth trap that I’ve been using. It’s built from a design that you can find in the Anglian Lepidopterist Supplies Beginners Guide to Moth Trapping, which is available as a PDF from the Anglian Lepidopterist Supplies website. It slots together so it’s easy to dismantle for storage.

blacklightI bought the black light UV bulb in September, intending to have the trap ready for the moths of early autumn but by Christmas I still hadn’t made a start on it so I’m grateful to my friend David Stubbs of Solway Dory who made this for me in his workshop.

He made one modification to the design which isn’t essential but which I’ve found helpful; the original design is apparently open to the ground so he added a plywood base that rests on batons of 1×1 inch timber glued around the bottom edges of the trap. This is useful on a summer morning when I need to move the trap into the shade to deal with later.

A further improvement that I have in mind: I’m checking in charity shops to see if I can find a suitable heatproof glass container, such as a large cafetière, to cover the bulb so that if there’s a shower during the night it will be protected.

I didn’t want to run the cable out of a window so I had an outdoor electrical socket with a circuit breaker fitted on the back wall of the house, which is a useful thing to have anyway.

Mercury Vapour or UV?

A couple of friends who’ve had experience of moth-trapping recommended that I start with a UV lamp rather than the more powerful mercury vapour. Apart from potentially annoying the neighbours in a back garden location like mine, the mercury vapour brings in so many moths from such a wide area that it can be daunting for the beginner to deal with quantity and variety of species caught.

My friend Tim Freed who does moth surveys sometimes runs three traps simultaneously but he stops up all night going from one to the other logging the catch.

I’m happier to be dealing with much smaller samples of the local moth population but I hope that I’ll be able to keep this up through the seasons and gradually get an impression of the bigger picture.

I’ve got a number of moth books but I think the essentials are Field Guide to the Moths of Great Britain and Ireland by Paul Waring and Martin Townsend and Field Guide to the Micro Moths of Great Britain and Ireland by Phil Sterling and Mark Parsons. Both are illustrated by Richard Lewington.

Moths are so variable that its helpful to check out other books and to Google the species and conjure up dozens of images of it.