Coatlap Point

In colour the contrast was the wrong way round from the point of view of atmospheric perspective with a high key background and a monochrome foreground. Converting the image to grayscale reminds me of the high contrast prints that I aimed to make in the darkroom when I developed my own film. Photoshop is streets ahead of anything that I ever managed to do. Although I notice that I’ve over-sharpened the image; pixels don’t behave quite like film grain.

Leave a comment

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.