Author: Richard

Little Black Journal

black journalI’ve tried all three of my Lamy Safari pens – fine, extra fine and broad – on the 200 gsm acid free paper of my new sketchbook, a pocket-sized Derwent Black Journal, and the one that works best is the Lamy AL-star with the fine nib.black journal

 

chairWith a Bijou box of Winsor & Newton professional watercolours and a Kuretake water-brush, that’s all I need for my everyday drawing.

This is the sketchbook that I’ll use when I have the odd few minutes, such as before the Nat’s meeting starts or as we’re waiting for the train to set off.

Leeds station 13116I started off feeling that I should be bold in my sketches but the broad nibbed pen seems out of scale for the size of the page and the absorbent texture of the paper.

I can struggle even when I’m drawing the simplest chair. I started on a small scale as I drew the back of the chair then when I got down to the detail of the legs I found that I couldn’t fit them in. With a finer pen I could have incorporated the detail into the space available.

After the Flood

From the train near York

In mid-January we spent a day in York, which was still in the early stages of recovering from the Boxing Day floods. Crossing the flood plain between Church Fenton and York was like sailing across a lake. Mute swans and ducks had gathered on the downstream bay of the temporary lagoon to the south of the railway.

We walked half the circuit of the medieval walls but decided to leave the full tour until the weather and the paving stones dry up a bit.

gulls over the floodputtoIt’s the first time that we’ve had lunch at the Georgian Assembly Rooms, now an Ask Italian, where I briefly sketched the plaster bas relief of a harp-playing putto riding on a lion. It’s worth coming back in the evening to see the place candlelit, the waitress told us.

As we walked out of the double glass doors of the Fenwick’s department store, opposite the Merchant Venturer’s Hall, at the Coppergate Centre, we were able to help a woman shopper who was trying to persuade a dunnock to leave.
dunnockWhichever of the doors she held open, it flew to the closed one and fluttered against the glass, so with Barbara on one door and the woman on the other, I acted as beater and stalked around the stairs to guide it out onto York’s Piccadilly.

Poinsettia

poinsettiapepperpotI drew the banana and poinsettia on a visit to Barbara’s brother’s. I decided that on this paper the brown Noodler’s ink didn’t seem crisp enough, probably because the paper is that bit more absorbent than the cartridge that I’m used to in my regular Pink Pig sketchbooks.

bannana

labrador

canvas bagSo I’ve come around to using my Lamy AL-Star with the fine nib, loaded with black Noodler’s ink. Whenever I have time, I like to add some suggestion of colour. I did have doubts that I’d be able to mix the grey of Barbara’s bag because of the way the colour picks up reflected light indoors but, when I got the sketch back into a good light, I found that I wasn’t so far out with my colour matching.

In daylight the bag takes on a neutral grey cast.

charity box

Crayons

bent-wood chairiPadOn a walk through powdery snow at Langsett last week I didn’t bother taking my watercolours but, just in case, I put a credit card-sized wallet of children’s crayons in my pocket.

crayonsNot the ideal range of colours but better than nothing for giving a suggestion when I drew a bent-wood chair at the Bank View Cafe.

Link

Derwent pencils and sketchbooks

Lamy pens

Ask Italian, York

Birdbath

pheasantsrobin3.45 p.m.: Three female pheasants walk up the wood-chip path to peck at spilt sunflower hearts beneath the bird feeders.

blackbird bathingA robin’s bathing routine is interrupted by a blackbird, a more enthusiastic bather.

Two male and one female blackbird patrol the lawn. The female comes lower in the pecking order and is seen off by one of the males when she darts forward to pick up a morsel.

female blackbird female blackbird

Snowdrops by the Pond

pond sketch view from pop-up tent10.30 a.m.: Snowdrops are at their freshest around the pond so I set up my pop-up tent and start a sketch in the gusting wind and passing showers.

Before the afternoon rain sweeps in I roll up the tent into its dustbin lid-sized bag. I can never quite work out how such as large tent fits into such a small bag but it does, in what seems to me like the most tent folderillogical and inelegant fashion. I resort to grabbing the writhing figure-of-eight coils and pushing them to the middle. I’ll try and practice with it on a regular basis until it becomes second nature.

January Sketchbook

A second gallery of pages which didn’t make it into my daily posts, taken from my Dove Grey A5 landscape Pink Pig sketchbook.

  • New year's day: a morning walk at Nostel Priory.

The Curtains were Drawn

curtainsFor today’s scene for Horbury Pageant Players’ production Sleeping Beauty we’re painting twin curtains to frame a star-cloth background. It reminds me of Spike Milligan’s sketch that begins: ‘The curtains were drawn, but the rest of the room was real . . .’

I grumble to Ken, a member of the cast who is a retired painter and decorator, that after 49 years painting scenery for the society, I still can’t paint a straight line. It always looks ragged when I paint it.

I make a mistake when I’m painting the pillar and end up with the line leaning slightly outwards at the top. I blot out my beige line with the background magnolia and the two colours blend into each other. I decide to use the technique to my advantage by blending the lines into shadows as I’m painting the pillar and the panelling. That way the raggedness of my line helps with shading.

Sleeping Beauty Castle

chateau backdropI’ve visited Château d’Ussé in the Loire, the château that inspired Perrault to write The Sleeping Beauty, but for our pantomime version Wendy the producer wants something nearer to the Disney Castle. We haven’t got the headroom for anything so lofty so for my backdrop I’ve gone for an impressive entrance with a suggestion of a hexagonal shaped castle going back into the perspective.

We’ve got a great team with the girls from the chorus singing one of the numbers from the show as they rollered over last year’s village scene with magnolia emulsion. Once that had dried, I scaled up my rough onto the eight canvas-covered flats, using the cross pieces of the framework, just visible under the canvas, as my grid.

My team followed my outlines, paint by numbers fashion, and by the time I’d finished drawing out at the right hand side, I was able to go back to the now dried out tree silhouettes on the left to add a bit of comic strip style definition by painting black outlines and a few suggestions of foliage.

First Snow

snow sketchSnow settled yesterday evening, the first covering that we’ve had during a mild, wet winter. It brought more than the usual one or two siskins to the feeder this morning: six or more.

Snow is a strange thing to draw. In fact you hardly draw it at all, it’s mainly the white spaces that are left when you’ve drawn everything around it.

Sage Advice

sage sketch

Nostell Priory Lake: A pair of mallards makes careful progress over an expanse of ice between two areas of open water. After a minute or so the female decides that it will be quicker to fly.

Focus on Teapots

teapotWe spot our friend Roger in the cafe, so naturally the conversation comes around to photography. Focussing on a teapot, I ask him how I can get over the problem that when I use my bridge camera, a Fujifilm FinePix S6800, on macro setting I have to get in so close that the proportions of my subject get distorted: the spout looks jumbo sized.

teapotsYou need use a bit of zoom, suggests Roger. That works, the spout is now in proportion with the teapot, but, with my shaky hands, I’ve got a problem: the zoom magnifies any camera shake and the smaller aperture of the lens means that the camera will be selecting a longer shutter speed, again increasing the risk of blur.

FujiFilm FinePix S6800I tell Roger that I’m considering upgrading to a camera with image stabilisation and he tells me that my camera probably has that as an option. He drills down through the menus and sets it to always use sensor shift image stabilisation. It’s a well hidden option and looking back through the settings menu, I can’t now see where he found it.

Depth of Field

rosemarysageBut it works. I hand-held the camera for this shot of rosemary in a stone trough in the courtyard. Introducing a bit of telephoto to a macro shot results in a smaller depth of field than I’d get at the wide angle end of my zoom lens, throwing the background out of focus and giving more emphasis to the subject.

I use the photograph of the sage as reference for my sketchbook page for today. I’m reading a couple of books on botanical art so I decide to try drawing in 4H and then HB pencil before adding the watercolour, lightest shades first, which in this case is the pale yellow of the stipples on the leaves.

lemon yellowsI’ve just replaced the Winsor lemon in my pocket watercolour box. As Winsor lemon is no longer available I went for cadmium lemon.

herbThis green-leaved herb looks like marjoram or oregano. I cropped my original photograph to show this detail because I couldn’t get in this close with the macro. There’s a limit to how far you can zoom in before the auto-focus ceases to work. A red box marked ‘AF’ appears centre screen. I found that I had to zoom back out a little before the auto focus would work successfully.

 

Bonnet Fungus

bonnet fungusGrowing on a lush mat of moss on our front lawn, this looks like one of the bonnet fungi, Mycena.

Buds of winter aconite are swelling in the flower beds in Holmfield Park.

Drawn to the Dales

 

My January Dalesman article

‘It would be a pity if he disappeared to Yorkshire & just wrote for the Dalesman’

That was the typically wry comment of my professor, Brian Robb, head of illustration, as he looked through my folio at the Royal College of Art in March 1975. So, with apologies to Brian, you can probably guess what I’ve been writing for the last three years?

This month's Dalesman includes spectacular photographs of the waterfall at Malham Cove, following persistent rains at the beginning of December. A once in a lifetime event.
This month’s Dalesman includes spectacular photographs of the waterfall at Malham Cove, following persistent rains at the beginning of December. A once in a lifetime event.

With this January article, I’m starting the fourth year of my Wild Yorkshire nature diary for the monthly magazine, described as the parish magazine for the whole of Yorkshire by Alan Bennett. As my deadline is always four or five weeks ahead of the month in question, I’ve based my articles on the observations and sketches in my online Wild West Yorkshire nature diary, which I started on Sunday 4 October 1998.

I’ve kept the focus of my Dalesman diaries on the kind of things that anyone can see in Yorkshire if they get out and about in their local patch and explore gardens, country parks, woodlands, waterside and moor. Now I’m ready to go a little further . . .
Northern EnglandHere at Middlestown, five miles south west of Wakefield, close to where Coxley Beck joins the Calder, I’m well placed for heading for the hills with four National Parks – the Peak District, the Yorkshire Dales, the North York Moors and the Lake District – and I mustn’t ignore the Vales of York, Pickering and Mowbray, the Humber Estuary and the Yorkshire Coast.

I should be able to find plenty of material for next year’s Wild Yorkshire diary!