Maris Bard

Maris Peer potatoes

Maris Bard are first earlies, so in six weeks time, by the beginning of June, we should have a crop ready to use.

Maris Bard potatoes
Maris Peer second earlies ready to plant

We bought the potatoes back in January or February but we’ve been waiting until now, when there’s less risk of a heavy frost.

Pizza Noir

Rivers Meet Cafe, Methley
Rivers Meet Cafe, Methley
pizza sketch

I’m reading Shawn Martinbrough’s How to Draw Noir Comics so I’m on the look out for seedy characters and bleak urban settings on the mean streets of Methley and Birstall.

He suggests that you should take photographs of characters, cars and ‘still lives’ – plants, tables and chairs. Set the camera to black and white because that gets you looking for compositions in dark and light.

There were several diners in Pizza Express who would have made suitable characters but I didn’t have the nerve to ask them if they’d mind being photographed and opted for a discrete sketch instead.

Erik ten Hag
Football manager Erik ten Hag gets the noir treatment.

Paul’s Pizzeria

Pizza cartoon

Happy birthday to Paul. Who isn’t actually a pizza chef, but if he wanted a change from his day job he’d look the part in the uniform I’ve designed for his cartoon alter ego.

Every Sofa will be Famous for Fifteen Minutes

I used the ‘Image Trace’ function in Adobe Illustrator on my iMac to convert my pen and ink drawing of a sofa into a vectorised image. On a layer below I used the pen tool and – my new favourite – the blob brush to add a few areas of solid colour.

You can then re-colour the image either by changing colours individually or selecting the whole image and going for an alternative scheme from a colour theme library. Here I’ve used ‘Pop Art’, ‘Prehistoric’ and ‘Ice Cream’ (the one in chocolate and pistachio).

A Shed in the Snow

shed in the snow

I converted this sketch of our shed in the snow in Illustrator for iPad. Instead of ‘Image Trace’ there’s a very similar vectorise function, which can convert it into something nearer to a woodcut or lino-cut.

Ink Sketches

I’ve just read Marcos Mateu-Mestre’s tale of medieval mercenaries, ‘Trail of Steel’, so I’ve tried to put a bit of his swashbuckling mayhem into my drawings of a sofa, a cruet and various piles of books and CDs.

I’ve been doing so many birthday cards recently that I’ve run out of De Atramentis black so I’ve moved on to the brown.

Junction Box

junction box

I drew this trackside junction box from a photograph in Adobe Illustrator. There’s a lot more planning involved in the process and mapping out shapes with the pen tool seems more like cutting shapes for a collage than drawing.

cruet

So far manipulating anchor points on the outlines of shapes seems rather random to me. I find it easy to inadvertently delete an anchor point and lose a section of the shape. Converting between an anchor that results in a straight line and one that results in a curve seems equally obscure.

The only way that I’ll learn is to keep practising.

Survival Kit

survival kit cartoon

Just those bare necessities. Happy birthday to Daniel who last autumn located a log cabin with attached Boc Beag real ale beer pump at the head of a Scottish sea loch.

The Rotunda

We walked across the deer park to the Rotunda at Wentworth Castle this morning before heading up beyond the house to Stainborough Castle, built as a folly by Thomas Wentworth in 1731.

The bird highlight of the morning was before we set off, as we were packing the car. A woodcock flew up the road, flying about 8 feet above the centre road, as it would along a woodland ride. A few doors up it diverted between the houses, still at the same height, heading towards Coxley Woods. I’m guessing that it might have been hunkered down somewhere in the lower end of the woods but had been disturbed.