
Happy birthday (yesterday) to Bass Rocker Liz.

Richard Bell's nature sketchbook since 1998

Happy birthday (yesterday) to Bass Rocker Liz.



Curled dock, Rumex crispus, growing at the edge of the car park at Newmillerdam, is a common weed of rough ground, farmland and the sea shore.
Nearby another weed of rough ground, hogweed, Heracleum sphondylium, was starting to unfurl its leaves from large, hairy sheathes.

At a Yorkshire Owl Experience at Horbury Library we were introduced to Amba, as scops owl from Central Africa, and Caspa, an Indian eagle owl who was in the process of moulting but I drew three of our native owls: barn, tawny and little owl (Jack, Dusty and Charlie).


6th May: I picked up a dried up sycamore leaf from a shady corner of John’s garden and found this brown-lipped snail, Cepaea nemoralis, hidden beneath attached to the leaf. We had a dry April so the snail might have settled down to a period of inactivity known a aestivation.

Two little clusters of spiderlings, hanging low down by our front door.

When I went in close with my Olympus Tough, I must have caught some of the surrounding strands of silk because the spiderlings started to disperse. They soon clustered together again.

Cuckoo flower grows at the edge of the pond and in our closely trimmed garden hedge there are a few small clusters of blossom.

My thanks to Keith Bosley (1937-2018) for letting me have a copy of his poem of a visit he made to Horbury over half a century ago.

Is this the church we asked the caretaker where there is a plaque to William Baines? It is, he said. We had travelled north all day to Yorkshire, to smell and taste the soot of Wakefield, to see the pitheads, the slagheaps the houses facing two grey ways at once, to hear people with grit on their tongues giving a civil answer a guarded edge: we had come to find what was left of a boy in the village where he lived fifty years ago - this stern suburb, Horbury hugging the hillside above the city. We had read old journals proclaiming his debt to Debussy and Skryabin (the sea and the fire) calling him a genius and reporting his death at the age of twenty-three: we had met distant relatives who told of meagre schooling of work with his father playing in the picture palace and the Primltive Methodist chapel and of consumption and poverty that kept him in the garden shed till the hospital at York could do nothing for him. We had studied tattered scores long out of print from Paradise Gardens where he walked at sunset to Pool-Lights, whose last phrase rises to silence taking his bearings meanwhile from his own Flamboro' Head and sailing out alone beyond the beacons where no one was to follow. This is William Baines but the caretaker unlocked the door and showed us into gloom. Upstairs he sald. We trod, fingered grime and there it was with laurels and flaming torches carved in oak an inscription in the taste of the time and at the bottom a scroll in bronze with a piano Prelude engraved in full chosen for its brevity and because they called it the Amen Prelude. He fetched us a triptych of photographs from the organ loft: - a printed title page with two corners turned down and shaded - a dark young man with plain strong features creased down the middle - A page of manuscript marked Labyrinth a deep sea cave. Call him up, call him back from the lonely places: here in his England his Yorkshire where men have died for a hard living let this fiftieth autumn flare in his honour, for here is small treasure, here is filigree of iron. Keith Bosley



I am working for my Pianoforte recital at Horbury (Nr. Wakefield) which is on the 16th of this month — how I look forward to these occasions. Oh! music — what a delight you are to me — it is one thread between man — & spirit.
For “bread money” — I play as “relief pianist” at the Electric Theatre (Picture House) (York) — hours 4.30 to 7 o’clock.
It does not take up too much of my time — what a blessing! !”
William Baines, 1899-1922, in his diary for Wednesday, 2 January, 1918

Baines biographer Roger Carpenter thought that William Baines’ 16 January 1918 recital would have been only the second public recital that the 18-year old composer gave. I’ve met people who remembered William playing at the Primitive Methodists’ Ebenezer Hall, so probably that was the venue.

Tomorrow lunchtime at a recital in Ripon Cathedral Robin Walker performs William’s Tides, two sea pieces for piano, The Lone Wreck and Goodnight to Flamboro’ in a program that also includes performances of William’s Five Songs.

Fifty years ago, for my ‘major project’ at Leeds School of Art I was organising a Baines exhibition and a biographical leaflet. Looking back through my file today I like the inky roughs that I produced on layout paper. Unfortunately the finished publication was in two colours only, so I didn’t take those any further.



Meadow buttercup, creeping buttercup and pendulous sedge in our back garden (plus one stray nettle leaf).

Garlic mustard and bracken in the clearing at the far end of the main car park at Newmillerdam. On our return journey via Seckar and Woolley Edge we saw lots of garlic mustard on the verges alongside bluebells and dandelions, growing beneath roadside oaks.