Fiona Grayson, Liz White’s character in Chris Lang’s crime drama Unforgotten looks very much like the bobble-hatted people we’ve been meeting right through the winter on our regular lockdown walks. In the photograph in last week’s Radio Times that I’ve drawn her from she’s on location in the Peak District. Some of the scenes were filmed at Winnat’s Pass. We’re hoping that, before too long, as restrictions slowly ease, we’ll be able to walk there again.
Fiona is described by RT’s Alison Graham a character who ‘has been trapped by her guilt for most of her life and knows time is running out.’
Writing was a political act and poetry was a cultural weapon.
Linton Kwesi Johnson
That makes it sound as if his work could be a bit tough, but he’s just as likely to get audiences laughing and applauding as he is to get them fired up with indignation or empathic and thoughtful.
Linton Kwesi Johnson, poet and best-selling reggae artist, is only the second living poet and the only black British poet to have his work published as a Penguin Classic.
Mary Creagh was Wakefield’s first woman MP, elected in 2005, so she’s one of my local Women in History. She’s invariably more upbeat than in my drawing but this is from a still from a Channel 4 interview, live from the Palace of Westminster, in December 2019, a week after she lost her seat to Imran Nasir Ahmad Khan, our current MP, who was literally parachuted in – yes, really, landing on a school playing field – to stand for the Conservative Party.
In the interview she reflected that the then Labour Party leader, Jeremy Corbyn had been guilty of ‘preening narcissism’, so here she reminds me of a distraught character in a Samuel Beckett play or as Cordelia, banished by the folly of her father, in King Lear.
Mary Creagh has always taken a keen interest in environmental issues and during her time at Westminster she was chair of the Environmental Audit Select Committee. She’s now chief executive of the national walking charity Living Streets.
Chiwetel Ejiofor directed and starred in his 2019 film The Boy Who Harnessed the Wind and wrote the adaptation of William Kamkwamba & Bryan Mealer’s tale, which was based on a true story. For his role he learnt Chichewa, the local Bantu language of Malawi.
As with the Sherlock drawing, this is from a photograph in this week’s Radio Times.
More March birthdays. This first one is totally unfair to Uncle Bill and to the innovative ‘funky grooves, 80s synth and jazzy piano a go-go’ sounds of Tom’s brother’s indie rock band but the ‘Scotsman playing Baker Street on the trombone’, was an actual incident at a wedding in Edinburgh, which I remember it well: very difficult to forget, actually!
The big birthday recently has been my brother-in-law John. For the past year because of restrictions, he’s been grounded in South Ossett, so Illingworth Park has been his regular exercise walk. Three times around the park is one mile, so during that time we calculate that he’s walked about 300 miles around the park and another 300 getting to and from it, so the full distance of the Pennine Way and back again, with just about enough mileage left over to complete The Dales Way too.
My first version of John’s card included the regular dog walkers and the occasional mums and children who we see in the park, but I thought the numbers would make more of an impact if the park was empty. I added ink washes to establish the tones but this dulled the watercolour wash that I put over it, so I drew the card again.
Ali is brilliant at sewing and was able to run up some stylish face masks in the early days of lockdown when they were in short supply.
It’s been a busy month for birthday cards, this one inspired by my niece, Sarah, who in real life really appreciates the bad boids visiting her feeders.
When Barbara Hepworth graduated from the Royal College of Art, her tutors felt that her drawing was strong but that she wasn’t going to make it as a sculptor. Sculpture at the time typically involved building up a figure as a framework and swathing it in plaster, before casting it in bronze, so it started with a modelmaking process. Barbara preferred to take a block of wood or stone and carve into it.
During her childhood and teenage years in Wakefield, she got the chance to visit the gritstone crags and tors of the Yorkshire moors, carved by natural processes during ice ages and interglacials. On holidays around Robin Hood’s Bay, she saw landforms sculpted by coastal erosion.
There are plenty of pristine-looking sheds about, but I’m not drawing in technical pen with a ruler and set-square, so this much-patched, leaning shed suits my freehand dip pen and Chinese brush better.
I tried four different nibs when starting this drawing but the one I preferred was the Clan Glengarry. I also filled in a bit with bamboo pen.
In the last of this series of live sessions on Sky Arts’ Portrait Artist of the Week, current Portrait Artist of the YearCurtis Holder drew dancer Oti Mabuse.
Also briefly appearing, Curtis’s sleepy whippet and Oti’s little terrier.
Catching up with birthdays today and this character has a walk-on part on one of my homemade cards. Not surprisingly he’s soon asked to walk-off again.
