Drawing Chairs

Drawing this relaxed-looking armchair set me off; whenever I’ve had the odd moment during the last week, I’ve looked around for a chair to draw.

At Frankie & Benny’s, I focused on the chair itself and omitted the surroundings, such as the table leg in front of it.

As has so often happens, I started at the top but didn’t appreciate that I’d need to draw at a slightly larger scale to accommodate the detail of the chair’s back, so it has turned out taller and narrower than it should be.

Every detail of Frankie & Benny’s has been chosen to evoke the atmosphere of a 1950s New York Italian American diner: furniture, fittings and cut-out metal lettering. The F&B logo is brush-lettering, similar to the Walt Disney signature of the same vintage.

In a local independent cafe, Rich & Fancy on Queen Street, Horbury, the lettering on the blackboard is hand-drawn, and the chair is less chic and cosmopolitan.

Pizza Express goes for a retro style that might have earned a Design Council label in the 1960s.

Back in the studio, I was at last able to study a chair which wasn’t partially obscured by a table, a customer or a waitress.

The folding Ikea chair gives me a better chance to observe the negative spaces between the tubular metal framework and the plastic seat and back: triangles and shapes that remind me of a wedge of cheese with the nose cut off.

 

Mini Meadow

When I bought three packets of different kinds of meadow seed mixes three months ago, I wondered if I would ever end up with anything resembling the colourful photographs on the boxes. I’m delighted that all three mixes have done well, sown, each in an area roughly a metre square, on the raised bed behind the pond. On a sunny day the flowers are popular with hoverflies.

I’ll definitely repeat the experiment next year. I think that a lot of these flowers will seed quite freely around the garden, so I’ll try leaving a few bare patches here and there to encourage them, but for the raised bed itself, I’ll sow a fresh seed mix.


What appears to be an all-black bumblebee visits several flowers in the mini meadow, bending the slender stem right over when it lands. A smaller gingery ochre bumblebee is more suited to the size of the flowers.

Amongst the hoverflies is one of the familiar species with the boat-shaped striped abdomen and a small, duller-looking spindle-shaped hoverfly.

I’m typing this post on my iPad as I sit on one of the stones at the corner of the raised bed. It’s the first post that I’ve ever typed, drawn, photographed (using the built-in camera on my iPad) and uploaded entirely on location in the back garden. I wonder how far I can get from the house and still use the wifi in my studio.

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Around the Pond

Like any other part of the garden, the pond needs weeding occasionally. There’s never a time of year when the pond isn’t a vital time for some form of wildlife but, as I’d been trimming around it this morning, I decided to put on my long waterproof gloves to see if I could create a bit of open water by pulling out some of the moss which has grown to blanket most of the surface.

I was surprised how easily I could drag handfuls out, even the floating clump of creeping buttercup came out in several heavy armfuls. I’ve left all the debris close to the edge to give the tadpoles, newt-poles and any other pond life a chance to find its way back into the water. The pond is looking more like a water feature and less like a marsh now that I’ve topped it up.

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Magic Painting

Scanned larger than my sketch which is 6cm x 6cm.

I’m fascinated to see how creative a two-year old can be with a magic painting colouring book, starting by experimenting with dragging, blending and pooling but then opting for a more meticulous approach. This is the Fairy Gardens Magic Painting Book, currently on sale at the National Trust shop.

She’s so absorbed that she completes the book at one sitting. She assigns identities to four fairies winging their way through the herbage:

‘Mummy . . . Daddy . . . Granny and Grandpa’. She adds a beard to Grandpa. I think that purple tutu will really suit him.

Le Yogurt Pot

Scanned larger than the original: actual size, 2.5 x 1.5 inches.

There are eight pots and tins of pens on the end of the bookshelves by my desk; this one brings back memories of travelling to Cologne via Eurostar a couple of years ago: the yogurt we bought for lunch came in glass pots which were too good to put in the recycling.

A Temporary Loss of Vision

View from Charlotte’s Ice Cream Parlour, Monday.

To lose sight of the direction your work is going in can be part of the creative process but to literally lose your sight in one eye, even for a short period, is alarming.

I feel as if I’ve been going through a prolonged period of writer’s (and illustrator’s) block but that’s been partly because every time I sit at my desk I find myself faced with one of the necessary but time-consuming tasks that are involved in the day-to-day running of my booklet-publishing business: accounts, printing problems, fulfilling orders and keeping up with deadlines.

There’s a certain guilty pleasure in taking a break from your core work to indulge in ‘mindless’ activities but I’m now wondering if spending the whole of last Tuesday staring at my computer, trying to design an automated invoice for my book sales, might not have been such a good idea.

In the Blink of an Eye

Start of my loss of vision.

It might have been only for a minute or two but the loss of vision in my left eye was emphatic and at the time – thankfully for a brief period – I didn’t know whether the sight in that eye would be restored or not.

A week later, I’ve had a blood test and an eye-test including an OCT scan of the back of my eye. Later today I’m heading for the new Eye Centre at Pinderfields Hospital for a closer investigation.

So far, so good, and I’m hoping the results will be reassuring for me. I’m so impressed at how quickly our hard-pressed National Health Service were able to deal with my problem.

A Dinner with the Naturalists

Strafford Arms, detail of a drawing of the Strafford Arms, the Bull Ring, Wakefield, c. 1890, by Henry Clarke. Copyright, Wakefield Historical Society, 1977.

Strafford Arms, detail of a drawing of the Strafford Arms, the Bull Ring, Wakefield, c. 1890, by Henry Clarke. Copyright, Wakefield Historical Society, 1977.Strafford Arms, detail of a drawing of the Strafford Arms, the Bull Ring, Wakefield, c. 1890, by Henry Clarke. Copyright, Wakefield Historical Society, 1977, from the original drawings, now held by Wakefield District Libraries.Wakefield’s Strafford Arms was an impressive building in its Victorian heyday with a portico and balcony overlooking the Bull Ring. Wakefield Naturalists’ Society held its Annual Dinner there on Tuesday, 16th May, 1876. Described as ‘an intellectual entertainment’, the evening started with a ‘most substantial meal’ supplied by hosts Mr and Mrs Coggin and rounded off with at least nine toasts and responses; luckily the Wakefield Magistrates had already granted an extension of the licensing hours.

Barnsley Chronicle article, copyright British Library.

Although the Society was established in 1851 we have very few records covering its first hundred years, so an account of the evening in The Barnsley Chronicle gives a rare glimpse of the activities and ambitions of our founder members.

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Sycamore Seeds

Apart from the squirrel-nibbled cone, which is from Nostell, I picked up these seeds and the lichen and the snail shell on a mossy tree-fringed lawn in Ossett.

Some of the sycamore seeds had begun to sprout while all that was left of the lime seed was the pair of wings that propelled it through the air.

The lichenXanthoria parietina, would normally be yellow but it turns greenish when it grows in shade. The insides of the spore-producing cups – the apothecia – have kept their colour.

Wrapping up Winter

View from Blacker Hall restaurant, 12th January.

It’s the last day, meteorologically speaking, of winter but at times it has seemed more like spring today. It’s a good time to go through my pocket sketchbook, to upload the drawings that didn’t made it into my posts.

The View from Brontë Tower

For so much of the winter, we’ve been preoccupied by medical matters, especially in Barbara’s brother John’s gradual recovery from a stroke at the beginning of December. He’s now back home and doing well.

The stroke unit at Dewsbury Hospital is on the fifth floor of the Brontë Tower, with views, on a clear day, of the tops of the Pennines. They were at their most striking one clear sunny morning, after a snow shower over the moor tops.

Shooter’s Nab (on the right).

The School of the Future

Back to the future: welcome to my school for the space age, as envisaged in my art homework in 1965. I was ahead of my time: that airy auditorium reminds me of the Scottish Parliament, which didn’t get built until forty years later. No wonder I felt so relaxed and at home, when we visited Holyrood last summer.

The Writing on the Wall

My high-tec teaching aids are now commonplace in the classroom: projectors, televisions and my analogue version of today’s computer-controlled whiteboards.

Each desk has its own reel-to-reel tape recorder but, typical of school, the pupils have to share: one between two.