Dishevelled Sunflower

sunflower

A suitably dishevelled end-of-the-season sunflower which has grown from a spilt sunflower heart from the nearby feeders and which we’re now leaving to go to seed for the birds.

The feeders attract the local sparrowhawks and yesterday fluffy breast feathers were scattered across the lawn and the pond, probably marking a kill, the victim of one of our regular wood pigeons, which often peck around beneath the feeders.

A blue dragonfly whizzes past and makes a quick search by the cordon apples then returns and heads over the hedge into next door’s garden. From its predominantly blue appearance, I’m guessing that this was a migrant hawker.

Sunflowers

sunflowers pen and ink

I like drawing sunflowers because of their obvious structure. Despite the repetition, each petal and sepal is slightly different so in drawing them you get into a rhythm, rather like practicing letterforms in calligraphy.

Near the bird feeder in the border we found one sunflower growing from a spilt seed. A few weeks ago it produced a single large flower-head, which has now gone to seed. Meanwhile five or six smaller flowers have appeared.

Sunflowers

Sunflowers thrive in the rich soil of our border. Last year we tried daisy-like cosmos flowers here, which we’d grown from seed from a Gardeners’ World magazine. They grew tall and leafy but by mid-autumn they’d put out just a handful of flowers. I feel that we would have had more success in getting them to flower if our soil hadn’t been so rich.

sunflowers drawing

As Storm Ellen swept across Britain on Friday, one of the sunflower heads snapped off and another looked as if it would be next to go. We brought three heads in as cut flowers.

sunflowers

Because they do so well in rich soil, we’ve decided to try growing sunflowers on our revamped meadow area next year. We’ll grow plenty of them from bird seed and hopefully there will be enough flowers for me to draw but plenty left of the plants for the insects and birds.

Sunflower

sunflowerI’ve always preferred to use cartridge for sketchbook work and to save the more expensive watercolour paper for my finished work but I’ve recently moved over to Pink Pig’s Ameleie watercolour sketchbooks, which I think is a step in the right direction.

sycamore trunksToday as I set out to a golden wedding garden party I grabbed an A5 landscape format Langton sketchbook. Langton is traditionally mould made fine grained 300 gm (140 lb) ‘Not’ paper. ‘Not’ means cold rather than hot pressed. I thought this might be too absorbent and textured for ink but there’s no sign of bleeding, which makes a welcome change from my current ‘Wainwright’ sketchbook.

The ‘hammered’ surface of the paper is enough to give a slight stippliness, which adds character to a watercolour wash.