Tag: Sherlock Holmes

Irregular Holmes

Holmes

“A sandwich and a cup of coffee, and then off to violin-land, where all is sweetness and delicacy and harmony.” 

Arthur Conan Doyle, The Adventures of Sherlock Holmes

Henry Lloyd-Hughes‘ Sherlock Holmes in Tom Bidwell’s The Irregulars, appears to have indulged in stronger stimulants than ‘a sandwich and a cup of coffee’ on his journey to ‘violin-land’.

My thanks again to the Netflix team, including costume designer Edward K. Gibbon for the ruffled, threadbare portrait in this week’s Radio Times. The magazine is stuffed with beautifully turned-out, well-scrubbed celebrities, but obviously Holmes after an overdose of his seven-per-cent solution is more appealing to draw with my Lamy Vista and De Atramentis Document Ink.

The Irregulars

Leopold, Bea and Jessie
Leopold Harrison Osterfield), Bea (Thaddea Graham) and Jessie (Darci Shaw)

Sherlock Holmes’ streetwise Baker Street Irregulars were adept at making discrete searches of riverside wharves and back alleys and the new gang in Tom Bidwell’s The Irregulars, launching tomorrow on Netflix, shouldn’t have any problems blending seamlessly into the crowd, provided they’re making their enquiries during the height of London Fashion Week.

Spike, Watson and Billy

Royce Pierreson’s ever-discrete Watson has dug out his old service revolver – perfect for undercover work – while Billy (Jojo Macari) walks softly and carries an enormous drumstick. Spike (McKell David), a character who appears to be as moody as Heathcliff but who dresses like Harpo Marx, favours a large blunderbuss.

The Irregulars

The cast in costumes designed by Edward K. Gibbon appear in this week’s Radio Times, as does Sherlock (Henry Lloyd-Hughes) himself, who doesn’t appear until several episodes into the series.

Sherlock

Lloyd-Hughes looks very much as I picture the original Sherlock. Benedict Cumberbatch as Holmes also features in the article.

Sherlock: Jeremy Brett

As does the actor who appeared in more screen adaptations of Sherlock Holmes stories than anyone else, Jeremy Brett. We were lucky to get to see Brett alongside Edward Hardwicke as Dr Watson in The Secret of Sherlock Holmes at Bradford’s Alhambra Theatre. The Irregulars have a tough act to follow, but it looks as if it will be a lot of fun.

Link

The Irregulars on Netflix

Sketching Sherlock

RETURNING TO my Sherlock Holmes book project after an inspiring visit to the Reichenbach Falls, I’ve decided to get back into the swing of things with some drawing rather than with writing or research.

Previously I’ve been thinking of illustrating Sherlock in black and white but I’m starting to realise that colour will make the book more attractive and will help me capture the mood of the story that I’m telling.

As with so many books and screen versions of Holmes, my starting point is the original illustrations by Sidney Paget that appeared in The Strand Magazine. This doesn’t entirely limit me to black and white; The Complete Facsimile Edition, published in 2006, also includes 15 colour plates.

The colour is muted in my first drawings, after Paget’s illustration for The Adventure of Silver Blaze, as Watson and Holmes Holmes are dressed for a day at the races. In place of his trademark deerstalker hat Holmes, like Watson, has gone for a top hat.

A small detail; Holmes wears brown leather gloves, while Watson’s are grey.

Yellow Loosestrife

Despite  its name, which might be a mistranslation of the Greek, this member of the primrose family isn’t renowned for its calming properties. Culpeper recommends it for wounds, sore-throats and as a fly and gnat repellent.

The Sherlock Holmes Museum

THE ATTRACTION of the reconstruction of Sherlock Holmes’ study at 221b Baker Street, London (which I drew in September), is that you can walk around it but the tantalizing fascination of this meticulous reconstruction, housed in the basement of the small Sherlock Holmes Museum at Meiringen, Switzerland, is that you can’t walk around it. Hermetically sealed behind a glass wall, which is punctured only by bullet holes spelling out the initials ‘VR’ that Holmes has made in the wall during an idle moment, you feel as if you’ve been transported, by some kind of out of the body experience, to a place where ‘it is always 1891’ and that you’ve only just missed Holmes and Watson who, minutes earlier, have set out on an adventure.

To complete the period atmosphere, the BBC drama department supplied a CD of the sounds of 1891 – including the clatter of hooves on cobbles – which plays in the background. Through the bow windows, you can see Georgian town houses across Baker street; contrary to popular belief, the commentary informs us, it wasn’t always foggy in Victorian London.

In my photograph the ‘ghost’ of a headless policeman stands guard at the deal table where Sherlock performed his chemical experiments; he’s a reflection from one of the display cases in the corridor behind you. The audio guide points out that while the British bobby carried a truncheon, his Swiss counterpart at that time (the one in the reflection) carries a cutlass.

The museum is housed the town’s former English Church, the airy nave of which on the ground floor, serves as an art gallery. From here you can look out to the wooded slopes of the valley to the west and the gorge of the Reichenbach Falls, where Holmes and his arch-enemy Professor Moriaty fought to the death in Conan Doyle’s story The Final Problem.

Today we’re looking towards the Falls over the big top of a travelling circus, hopefully one that is less prone to disaster than the circus described in The Adventure of the Veiled Lodger.

The Reichenbach Falls

I take the chance to do a little drawing when we take the funicular railway up to the Falls as I’ve got my own Sherlock Holmes project to complete. I’ve been working on it off and on for nine years so I hope that I’ll be inspired to finish my book by visiting the ledge where Holmes fought the Professor.

‘He is the Napoleon of Crime, Watson’, says Holmes, ‘the organiser of half that is evil and nearly all that is undetected in this great city…’

The criminal mastermind is still at work today in Meiringen; returning from the Falls, Barbara and I are about to follow a narrow walkway alongside some roadworks when the wind starts toppling the barrier and its sturdy posts from the far end towards us in a domino effect. A narrow escape!

This gasogene, a Victorian soda syphon, is just one of the authentic period details in Sherlock’s study. My drawing has turned out even more wobbly than usual, possibly due the effect of looking sideways in low light my new varifocal glasses. Or was it the narrow escape we’d just had . . . or the effects of being on a rather slender budget and being unable to fortify ourselves by sampling one of the famous Meiringen meringues!

Standing on the sideboard by the gasogene (far right in my photograph above) – and also tantalizingly out of our reach – is a tantalus; a stand for decanters which can be locked up while remaining visible.

Graham Moore’s novel The Holmes Affair starts at the Reichenbach Falls and ends with a note recommending that, if the reader should ever find him, or her, -self in Meiringen, that they should visit the Sherlock Holmes Museum and take a close look at some of the exhibits.

I’d second that.

Swiss Mountain Dog

You can’t see the Falls themselves from Meiringen station but you can see the cliff of the gorge and the star that marks the place on the ledge where Holmes and Moriaty fought.

I draw some of the crags as we take the train back alongside Lake Brienz (Brienzersee) to Interlaken.

This morning, as we waited for the train at Wengen, I drew this Swiss Mountain Dog. That isn’t brandy in his barrel; he carries his own supplyof water and, in two small panniers, his dogfood.

Barn on the slopes to the east of Lauterbrunnen station.