

Richard Bell's nature sketchbook since 1998




He made one modification to the design which isn’t essential but which I’ve found helpful; the original design is apparently open to the ground so he added a plywood base that rests on batons of 1×1 inch timber glued around the bottom edges of the trap. This is useful on a summer morning when I need to move the trap into the shade to deal with later.
A further improvement that I have in mind: I’m checking in charity shops to see if I can find a suitable heatproof glass container, such as a large cafetière, to cover the bulb so that if there’s a shower during the night it will be protected.
I didn’t want to run the cable out of a window so I had an outdoor electrical socket with a circuit breaker fitted on the back wall of the house, which is a useful thing to have anyway.
A couple of friends who’ve had experience of moth-trapping recommended that I start with a UV lamp rather than the more powerful mercury vapour. Apart from potentially annoying the neighbours in a back garden location like mine, the mercury vapour brings in so many moths from such a wide area that it can be daunting for the beginner to deal with quantity and variety of species caught.
My friend Tim Freed who does moth surveys sometimes runs three traps simultaneously but he stops up all night going from one to the other logging the catch.
I’m happier to be dealing with much smaller samples of the local moth population but I hope that I’ll be able to keep this up through the seasons and gradually get an impression of the bigger picture.
I’ve got a number of moth books but I think the essentials are Field Guide to the Moths of Great Britain and Ireland by Paul Waring and Martin Townsend and Field Guide to the Micro Moths of Great Britain and Ireland by Phil Sterling and Mark Parsons. Both are illustrated by Richard Lewington.
Moths are so variable that its helpful to check out other books and to Google the species and conjure up dozens of images of it.




A slightly better record of another beetle that had blundered into the trap yesterday but which was still there when I emptied the trap because it still had last night’s takeaway with it; a fragment of earthworm. As the trap is boxed in, I assume that it had been flying with it. This is a – I guess – a rose chafer or a close relative of it.
It would normally keep its wings neatly folded beneath its elytra (wing-cases, that are modified forewings). In the rose chafer these have a coppery red sheen when seen from certain angles.

I’d describe its background colour as pale straw with perhaps the slightest tint of lime. 
Playing dead, as it helpfully remained while I drew this, it would be perfectly disguised amongst summer leaf litter.


But having said that it could in fact be the architypical little grey moth, the imaginatively named grey.


IT SEEMS TO BE the rule with moth-trapping that you get one or two spectacular species along with 3 or 4 really obscure puzzlers, the moth equivalent of the birdwatcher’s ‘little brown jobs’. Today’s star was undoubtably this new species for our garden the eyed hawkmoth.
It was restless, repeatedly trying to whirr out through the plastic walls of its bug box prison so I sketched it quickly, took a few photographs when it occasionally paused for a break then released it in what I thought would be a safe and shady in the corner by the shed. But instead of heading for cover it zoomed up in the air and was immediately spotted by a female sparrow who chased it and seemed to make brief contact with it. Fortunately it escaped into the dense foliage of the crab apple and the sparrow touched down on the path near the rhubarb. I checked and she definitely didn’t have a large moth in her beak.
Perhaps she was recovering from the shock of seeing those staring eyes suddenly appear as the moth flew away.
An ingrailed clay. I’ve looked it up and I can’t find a definition of ‘ingrail’ but it is clay coloured. Perhaps you could say it looked as if it has been engraved with stippled markings and lines.This is the only shot that I managed to get of the confused, as it rested in the bug box.
I did a bit better with the ingrailed clay because it hung around on the patio table as Barbara and I riffled through the field guides checking through a bewildering number of clay-coloured moths. But I’m confident that this is an ingrailed because I’ve been able to Google it and helpfully there are plenty of photographs of this variable moth, one or two of them just like ours.
Finally here’s the sooty moth resting on my sketchbook. I haven’t even attempted to identify this one!