Back to Langsett

wood sorrelnibbled coneThere are patches and small drifts of wood sorrel alongside the path through the plantation alongside the reservoir at Langsett. On a tree-stump there are discarded scales and the nibbled core of a pine cone, left there by a squirrel.

 willow warblerWe hear our first willow warbler singing as well as a resident wren.

 ducklingsA mallard duck is accompanied by ten ducklings and followed by a second adult female. She gathers her dispersed brood from our shore of the reservoir, where they’re foraging for insects or plant material on the surface of the water and they follow her in single file towards the far shore.

grouseRed grouse are calling on the moor and perching, as they do on rocks and broken walls.

There’s a sandpiper feeding at the water’s edge where the little river enters the reservoir on the southern shore and there more sandpipers on the stone embankment at the dam head.

The Mist in the Mirror

balconyteapotOnly a brief chance to draw the ornate balcony of Matcham’s Opera House in Wakefield before the curtain goes up on Susan Hill’s ghost story The Mist in the Mirror.

You might think that the teapot on the mantlepiece is part of the set but I drew this when we went back for coffee at Richard and Carole’s after the show.

bottleOnce again these are drawn with my new Lamy Safari pen.

Langsett September

A perfect September morning to walk around Langsett Reservoir; through the conifer plantations, across the river Little Don and up onto the moor.

grouseNot such a restful day for the red grouse and the brown trout though. The gamekeepers and beaters were getting in place (you might spot them moving through the trees on one of the shots of the river) to wave flags while walking across the moor whooping and hollering, accompanied by their dogs, driving the grouse towards the guns.

We hurried across the moor before they started and missed out on our coffee stop at the ruined farm known as North America, pausing instead by a lichen-covered rock overlooking the stream on the far side of the moor.

troutA student in full-length waders emerged from the stream. He explained that he was from the University of Hull, setting up a project to monitor the movements of brown trout by tagging them and installing a couple of electronic sensors, one where the stream runs into the lake, the other further upstream.

YouTube

FujiFilm FinePix S6800Unfortunately my recordings of natural sounds – running water, bird calls and the wind in the heather – were interrupted by the sound of the plastic lens cap, which is attached to the camera by a loop, rattling in the breeze so I’ve added a music track.

My thanks to Silent Partner for making Days are Long available for use on my YouTube video.

If you’ve got a fast connection, Langsett looks good in HD.

Filmed with my FujiFilm FinePix S6800. The shots that I didn’t use my little ‘Spider’ tripod for needed image stabilisation in iMovie.

Link; Silent Partner on YouTube

First Quarter

Langsett reservoir from North AmericaIT’S A LOVELY Easter Day and also the last day of March so it seems the perfect opportunity to trawl back through my sketchbooks for the first quarter of the year to pick out the drawings that I never got around to putting online.

My first sketch was drawn from a photograph that I took on our first and sadly so far only walk around Langsett reservoir back in early January. The two stones are gateposts of an abandoned farm called North America.

silver birches at LangsettQuarter of a mile further on you come to a cleared area of plantation sheltered by a belt of silver birches. The habitat has been opened up to encourage nightjars and other birds to return.

A View from the Cinema

M62 from the Showcase, BirstallWe had most of the house decorated in February so I felt that I couldn’t settle down to work at home and as the weather was impossible for getting out drawing I took the opportunity to escape to the cinema a couple of times. This was drawn as I waited for the matinee showing of Lincoln. I wrote;

A few black-headed gulls and a carrion crow patrol the car park. A few tiny patches of snow linger on the fringes of the rough grassland. Dull bare trees shroud the busiest section of the M62 – currently being widened. The valley is more or less snow free, the higher ground snow-covered It’s easy to spot the cars that have come down from higher ground because of the 3 or 4 inches of snow that they carry on their roofs.

Dales Journey

Grassington

Since I started writing the nature diary for the Dalesman I’ve been reading up on the history and the natural history of the Yorkshire Dales and, despite sleety, snowy weather, we managed a shore break, staying at Carperby in Wensleydale at the Wheatsheaf, the hotel where James Herriot and his wife spent their honeymoon. I’ve got out of the habit of packing for drawing trips so I printed out a check list that I’d made when we were touring eastern England a few years ago. One of the items on the list was a clutch pencil, not something that I normally think to take with me so when we stopped for lunch in Grassington I gave it a try. It’s probably marginally quicker than pen and the lighter tone brings the sketch nearer to watercolour than my normal pen and wash approach.

Mill Race tea shop

There’s a walk across the fields from Carperby to Aysgarth falls, where I sketched again in the Mill Race tea rooms. In the craft shop in the old mill there are photographs of Kevin Costner filming Robin Hood, Prince of Thieves at Aysgarth. The production spent four days here filming the encounter between Robin and Little John and, according to the caption next to the photographs, Costner’s wife had admitted that he was terrified when it came to the fourth day and he had to launch himself backwards several times into the foaming waters of the falls (flowing at 100 m.p.h. according the caption!).

Hawes

HawesWe sheltered in the Dales Folk Museum on the Friday, familiarising ourselves with the history of the area and I drew the view from the cafe during our coffee and lunch breaks.

from the Bay Tree cafe

This gave me the chance to return to another medium that I haven’t used much recently; my Pentel Brush Pen. This forces you to work quickly and once dry its waterproof so you can add a watercolour wash.

Bronze age cupThere wasn’t much opportunity to draw as we made our steady progress around the museum and I found it difficult to choose just one item to sketch before we headed back to Carperby. I wrote;

This Bronze Age cup found at Crayke Farm near Hawes wouldn’t have been of any use to drink from as it is perforated by small holes, as if someone had pricked the clay with a cocktail stick around the base.

Wakefield One

Wakefield One celebrations9 March; This morning at Wakefield One, the metropolitan council’s new headquarters, you’re greeted by dancing caymans and wandering minstrels. The smell of freshly cooked medieval food wafts from the booths outside while inside there are the squeaks and occasional pops as balloon are made to order.

I’ve been invited to the opening of the new museum galleries as a thank you for helping out with some of the illustrations for the Charles Waterton exhibit. I squeeze in at the back of the crowd that has gathered on the landing by the library. Some students from Leeds camped out from 5 in the morning to be sure of getting a place but they’ve now had to close the doors to the queues outside.

Councillor BoxStanding next to me is a six year old boy wearing a cayman suit.

‘Have you been dancing?’

He’s overawed at the spectacle but his mum explains that no, he wasn’t one of the dancers but when he heard what was happening he insisted on wearing the costume. He reminds me of the boy in Maurice Sendack’s Where the Wild Things Are.

Councillor Box, leader of the council introduces ‘a man who needs no introduction’, Sir David Attenborough.

Attenborough

 

North America

ON OUR walk around Langsett Reservoir on Monday we took a break at the ruined farm marked on the map as North America. Remote farms and fields were sometimes named after remote locations. Red Grouse were calling on the moor, joining each other on some crest amongst the heather and bilberry before hurtling off elsewhere.

Several flocks of thrushes, fieldfares we think, flew over, all heading west, up the valley of the Little Don.

These days we can’t get my mum to such isolated spots but at least Charlotte’s Ice Cream Parlour, where we headed for coffee and scones, overlooks a broad curve of the Calder Valley, the tops of the Pennines dissolving into the mist in the background. Not the ideal subject for pen and ink but I don’t pack my watercolours in my ‘urban’ art bag.

In this bag for errands around town I keep a variety of pen, most of which, I now realise, need refilling. As my favourite Lamy Safari needs refill I started drawing Tilly at the bookshop in ArtPen but then, when the ink ran out, switched to Pentel BrushPen.

Nightjar

10.30 a.m., Langsett Reservoir, lakeside path through conifer plantation.

THE TWO things that struck me about this bird were:

  1. How grey it was.
  2. That it appeared somehow hunched, almost as if it hadn’t got a head.

As I wrote in my notes, it was ‘grey and blockily streaky, like the bark of a pine tree’. It reminded us in size and proportion of a woodpecker. Barbara has a distinct impression of it having a ‘chopped off’ tail.

We’d seen two hikers walking along the fence bordering the cleared area at the other side of the reservoir and I suspect that this bird had been flushed by them and perched on the banking on the northern shore until we came along and it flew up to the cover of the treetops.

The first thing that the Collins Bird Guide says about the Nightjar, highlighted in italics as a diagnostic feature, is that it is ‘mottled brown, buff-white, grey and black‘ which to me equates well with my strong impression of it being ‘blockily streaky, like the bark of a pine tree’. The ‘headless’ look is also a characteristic of nightjars, which have large heads and inconspicuous beaks. As the Guide says, they’re ‘hard to detect’ when ‘resting lenghtwise on a branch’. So a bird noted for its close resemblance to pine bark.

The area on the far side of the reservoir has been cleared and is being managed in order to encourage birds of heathy, open clearings like the Nightjar and Redstart. Nightjars are summer migrants, arriving in May. Hope this one – if that’s what it was – settles and breeds.

Other possibilities from such a brief sighting are Wryneck – highly unlikely – and Little Owl  which is more of a possibility but it’s a bird that we’ve seen occasionally before and are fairly familiar with. It’s brownish rather than greyish and, even at a brief sighting ‘owlish’. The Little Owl has a ‘chopped off’ tail, but it has a distinctly rounded head.

We saw if fly for no more than 50 yards up the slope, but saw no trace of the undulating flight that is typical of woodpeckers or the ‘bounding’ flight of the Little Owl. It was silent in flight, as you’d expect from owls and nightjars.

Sandpiper

No doubts however about the Common Sandpiper which we got an unusually close-up view of, looking down on it at the water’s edge from the road that goes along the dam wall.

The Edge of the Moor

IT’S TOO WET and windy for us to continue up onto the moors after our stop for a flask of coffee on the bench overlooking the River Little Don upstream from Langsett Reservoir so we take the shorter route back to the car park through the plantations. Some of the tall – but shallow-rooted – conifers have recently been blown down.

There’s a flock of between one and two hundred Redwings in one of the pastures sheltered by the top edge of the wood. Amongst them what appears to be a bird with a much paler version of the plumage. I think the term would be leucistic, which means lacking in pigment – the word comes from the Greek leukos meaning white. This one I would describe as a pale biscuit colour.

My sketch is of a normal Redwing from the earlier years of this diary, which explains its dotty quality as in those days I always scanned at 72 rather than 100 dpi and this is a GIF, a compressed image file that uses a limited range of colours. In those days of painfully slow dial-up connections, I could get away with this kind of image when it was viewed on the lower resolution monitors of that time.

A Nibbled Cone

I picked up this nibbled cone by the side of the track. I’m guessing that this is the work of a squirrel rather than a Crossbill, which we’ve seen here in the past. A Crossbill tends to tweak and twist the seeds from between the scales while a squirrel would eat it like a corn-on-the-cob, discarding the core.

We saw several Grey Squirrels on our walk through the woods, including two pairs. At this time of year the males are likely to be trailing around after the females or giving chase.

Slime Fungus

IN THE conifer plantation at Langsett slime fungus is on the move. About two inches long and as bright as a plastic lemon, it is making its way imperceptably up onto a stone at the edge of the track. They’re normally found amongst decaying plant material, rather the creeping along the footpath beside you.

You can see the trail of slime it has left behind, as it moves along cosuming algae, bacteria and fungi. This free-roaming blob of protoplasm, known as the plasmodium, has multiple nucleuses.

Plant or animal? A bit of both perhaps. The Slime Fungi are grouped in the phylum of Myxomycetes, in the kingdom of Protists, which also includes the algae and protozoa. The Protists are considered to be intermediate between animals and plants but possibly not related to either.

Like a fungus, the plasmodium produces spores.