Tag: Adobe Fresco

Onions

Drawing some of our onions with the new Manga vector mapping pen in Adobe Fresco, using an Apple Pencil, iPad Pro and a sketchboard pro drawing board.

onions

Growing through a dry summer and a heatwave, this year’s onions were smaller than the previous year’s – when we had a wetter summer – but they’ve kept better. One hazard last year was that the local foxes liked to pull up a few of the almost tennis ball-sized onions and stash them under the hedge. Thanks to damage by foxes and a wet spell before we lifted them, many of the onions went soft.

drawing onions
Drawing on the iPad Pro on the Sketchboard Pro drawing board
onions

iPad Drawing

Drawn while watching the New Year’s Eve ‘Sewing Bee’

More experiments drawing on the iPad in Adobe Fresco (above) and Clip Studio Paint.

Trying different pens in Clip Studio Paint

A Walk in the Woods

My first attempt at animation using Adobe Fresco. The man’s walk consists of 8 individual frames and his progress across the screen follows a path added to the man’s layer in the animation.

Masked Mice

mouse cartoons

The tones and textures were added to these pen and ink mice by using a clipping mask in Adobe Fresco. For the comic that I’ve got in mind, Mouse 1, Row 2, is the one to go for, drawn with Fresco’s ‘watercolor wet spatter’ brush. I want to rather dreary and slightly disconcerting look, like a production of Samuel Beckett’s Waiting for Godot. If it was a Victorian story, I’d go to town with the ‘cross hatch’ from the selection of ‘Comic’ brushes.

Digitally Drawn

Sketches Pro

As for once I hadn’t taken my sketchbook with me, I literally drew with a digit yesterday, using a finger on my iPhone screen in Tayasui Sketches Pro (left) as we sat with a mint and lime drink in the shaded courtyard of Horbury’s Flamingo Teapot Cafe but after all the large-scale pen and watercolour work that I’ve done for my Redbox Gallery show, I felt that it was about time I tried drawing with my Apple Pencil on my iPad Pro again.

The man in the hat and the sumac were drawn in Adobe Fresco, using its virtual ‘Blake’ pen for the drawing.

Paperlike

Would I find it easier if I used a matt screen protector, like Paperlike, on my iPad, to give it a more natural feel? Or a rubberised tip for the Apple Pencil, to give it a hint of resistance as it moves over the glass screen?

Adobe Fresco sketch

Drawing on the iPad is never going to be as familiar to me as pen on paper but I’m keen to have the best possible image so I’d have to avoid any matt screen protector because it adds a very slight amount of colour fringing to the image.

Heron King

heron

You can see that I’ve struggled to draw one of my Dalesman nature diary illustrations in the same grungy style as my first Adobe Fresco drawing on my iPhone, but really that’s the point of it. This heron, which touched down on the greenhouse last January, was probably checking out our garden pond for the first frogs. It looks suitably regal and, for our frogs, dangerous, so I thought of the Aesop’s fable of the frogs who ask Zeus for a king but soon tire of log that he throws down for them and request a more impressive leader. They soon come regret their request.

Drawing Rhuben

Just in case you were wondering how I conjured up my cartoon character, head gardener Rhuben Cushstead, here’s the inside story, as seen in a timelapse video of the whole process of drawing in Adobe Fresco, from importing some of my sketchbook drawings to create the scene in the Rhubarb Patch, to isolating elements of Rhuben, such as his left forearm, for my animation.

The video lasts one minute. If only I could work at that speed!

In the next section of my video, I’ll draw portraits of Prophet Wroe and Adam Hood, forester, who will then introduce their own corners of the Rhubarb Triangle.