Janet’s Foss

I tried out my new Leki monopod/walking pole on Sunday, attaching my Olympus Tough to it to film Janet’s Foss, near Malham. Even with this small camera mounted on it, the pole was useful when stepping over damp limestone boulders to get nearer to the waterfall.

Although a lot steadier than handheld, I found that it swayed slightly as I clung to it, so I used the camera shake adjustment in iMovie to reduce this effect.

The image quality of the Tough isn’t as sparkly as my regular camera (plus I still had it on the macro setting, which can’t have helped) so I tried using iMovie’s ‘romantic’ filter to soften the pixelated effect. This filter adds a soft vignette to the frame. The gradual zoom-in was also added in iMovie, using the ‘Ken Burns’ effect in the cropping tools section.

Return to Willow Island

It might the shortest day but there’s just time before the light fades to get into the wood. The days will be getting longer from now on so I feel that after a difficult and disrupted autumn there couldn’t be a better time to get back to nature and to creative work. There isn’t time to sit and draw in what’s left of the daylight but, after enjoying the black and white photography challenge last month, I’m keen to push my skills in another direction and have a go at making little movies again.

These still photographs were taken on my FujiFilm FinePix S6800 digital camera, the background sound recorded in one take using my iPad Mini and the whole thing put together in iMovie.

I used the Alon Dictaphone app for the recording. It’s free but the file transfer extension is a £1.69 in app purchase and I felt it was worth another 69 pence to remove the advertising banner which floats annoyingly in the foreground as you’re holding your precious iPad inches above a babbling eddy in the brook!

Links; Alon Dictaphone

Caphouse Nature Trail

  • Canker.

Photographed this morning on the nature trail at the National Coal Mining Museum for England, Caphouse Colliery, Overton, West Yorkshire.

Jack Snipe

jack snipe

Reedbed Hide, RSPB Old Moor, 10.30 a.m.

jack snipes

Six jack snipe, bills tucked in, are resting right by the water’s edge, blending in perfectly with the dry reeds. They appear to be about the size of a starling.

It’s a good example of how useful it can be to have other birdwatchers about as we would never have picked them out and our binoculars don’t bring out the detail that the telescope, set up and trained on them, gives.

gadwallWhat I could see of the eyestripe doesn’t look very conspicuous but the stripes on the back showed up well, even through my binoculars. They’re white beneath with a dull brown breast that I’d describe as mottled rather than speckled like a thrush.

Jack snipe breed in northern Europe and join us in the winter.

Two pairs of gadwall are dabbling nearby.

golden plovers

golden ploversA large flock of lapwings and two hundred or more golden plover wheel around. A marsh harrier has been hunting over the reedbeds but we don’t catch sight of one today.

The golden plover do their own version of the famous murmurations performed by flocks of starlings, though not in such tight formation. As the flock decides on what direction it will head, a V-shaped chevron forms along its margins.

They pass directly overhead, filling my field of vision as I look up.

teal drake

wigeonTeal are dabbling around a little island.

Wigeon have come ashore to graze on a spit of land that divides the lakes.

wigeons grazing

shelducks

We’re surprised to see a pair of shelduck upending on the wader scrape lagoon. In the background there’s a smaller, squatter drake shoveller, which sits lower in the water, so we have a chance to compare these two conspicuous ducks.

wigeon

Rain Dance

A FEW MORE photographs from last weekend: this is the stream that joins the River Ness just below Ness Islands in Inverness.

There had been heavy rain on the Friday night and with the ground already soaking, this Herring Gull on the grassy banks by the Aquadome at Bucht Park was having some success with its ‘rain dance’. It was poddling the sodden turf, producing an effect which to any unfortunate earthworm below would have felt like heavy rain, prompting it to make its way to the surface to escape being drowned it in its burrow. The gull apparently caught two or three small earthworms in the few minutes that we watched it.

Tunnel Network

Something, a paving stone or a metal plate about two feet square, had recently been removed from a grass verge nearby revealing this tunnel network. A Yew tree grows close to it and the tunnels are full of Yew seeds.

You can see that many of these have been split open. Most parts of the Yew are poisonous but some birds eat the ‘berries’ (Yew is a conifer so it would be more correct to call the fleshy envelope of the seed an aril) and here, I guess, voles or Wood Mice have been collecting the ‘berries’, perhaps eating the red sticky flesh and storing the seeds, some of which have been split open. I guess that the seed case is the most poisonous part of the female yew cone but that its contents can be eaten by rodents.

It’s strange to think that one of these seeds might have germinated and grown to be a tree that might have lived to be some 3,000 years old, like the Fortingall Yew near Loch Tay, which might be the oldest tree in Europe, surviving until the year 5011 A.D. or beyond . . . if the vole hadn’t eaten it first!

Puffer

This Clyde Puffer, the S.L. VIC32 from Greenock, one the last coal-fired steam coasters, was moored on the Caledonian Canal at Merkinch. Puffers worked along the west coast, supplying the island distilleries, such as Laphroaig, which stands on the shore at Port Ellen, Islay.

I illustrated one for Stephen Cribb’s Whisky on the Rocks and was so fascinated by them that I made a folksy model for use in a Whisky on the Rocks assemblage – which also included shells, whisky miniatures and so on – that I thought might look good on the back cover of the book. Considering my skill as a model-maker it’s not surprising that they decided to stick with my pen and ink and watercolour artwork.

 

Spring Mill Beck

Spring Mill Beck
Alder, Spring Mill Beck

Working on my latest booklet of local walks, I’m discovering the odd footpath that I’ve never walked on before, then there are others, like the one beside Spring Mill Beck (above), that I’ve known since childhood but walked on only a handful of occasions. Some footpaths don’t connect with any of my regular routes so, although they might be nearer to home than some of my favourites, there’s rarely the opportunity to visit them.

My first memory of this path alongside the beck between Ossett Spa and Horbury, was of walking it with my younger brother Bill in the 1960s when I was in my early teens. We spotted a Toad on the path ahead of us and this was such a rare find that we decided we’d take it home so that it could live in the moist, ferny toadatmosphere of father’s greenhouse. We’d heard that having a Toad in the greenhouse was a natural form of pest control. I wouldn’t relocate a Toad for this reason today!

Carr Lodge play areaBill caught it and carried it home, a mile through the streets of Horbury, in one of his shoes.

Bill and I used to climb up the quarry face at Storrs Hill but today’s children don’t have to go further than the local park to climb. Since the last time I walked through Carr Lodge Park in Horbury these climbing rocks have been erected in the play area. The rock in the foreground isn’t suffering from a mystery virus; those spots are climbing holds inserted in the rock. If no one had been looking I’d have been tempted to give it a try!

Muddy Boots

Busht Beck

muddy bootsIt’s good for me to have a walks booklet to write at this time of year as I’m sure that I wouldn’t otherwise have set out on a six mile walk, crossing some unfamiliar corners of the countryside, and that would have been a pity because I’ve enjoyed the walk a lot, despite the muddy boots!

My ambition in life is to be able to drawn direct from nature but practically on a day like today, in locations that are a muddy half mile tramp from the nearest road, that’s impossible, so I go for the approach Wainwright used when he illustrated his famous guides to the Lakeland Fells; I take plenty of photographs which I can then draw at leisure indoors. Wainwright had to use black and white photographic prints, I can sit at the widescreen of my computer or load a few images onto a memory stick and draw them from our widescreen television downstairs. I feel I’m not being so unsociable with Barbara if I take my work downstairs; she can get on with whatever she’s doing and we can have some music on in the background. The average drawing takes me one CD album to complete.

With the ground so muddy and the paths so trampled, the hedges and woods so stark and bare, I find myself looking for other subjects to suggest how attractive the walk can be. Architectural details look good at any time of year and I also look for untrampled corners like mossy trees trunks and streams, or, even better, the two combined as on this bend on Bushy Beck (above) downstream from Ardsley Reservoir.

I took 83 photographs on this 6 mile walk. Any change of direction in the path, any stile or bridge is always worth recording, just in case I need it to illustrate a tricky point on the walk.