

41ºF, 5ºc, pressure 998 mb, 29.4 in, sunshine and fairly heavy showers
Richard Bell's nature sketchbook since 1998


41ºF, 5ºc, pressure 998 mb, 29.4 in, sunshine and fairly heavy showers



A grey squirrel has been leaning over to reach our solid-looking ‘squirrel proof’ sunflower heart feeder. As it hangs upside down from the pole, it rotates the feeder with its front legs, always in a clockwise direction. Eventually this unscrews the feeder from its hook and the lid comes off as it crashes to the ground. I pick 


The golden saxifrage is dotted along the waters edge like dapples of sunlight in this rare un-trampled corner of the wood, alongside bramble, nettle, lesser celandine and bluebell (not yet in flower) which spread further onto the banking amongst holly, hazel and hawthorn.
Blackbird and robin are singing, a pair of wrens perch on a log and flit off into the undergrowth. There’s a clatter of wings in the top of an ivy-covered alder as one wood pigeon harasses another.

As a change from the little wallet of children’s wax crayons that I’ve been slipping into my pocket recently, I’ve brought a selection of Derwent Watercolour pencils which I bought some years ago at the Pencil Factory in Keswick at the top end of Derwentwater. They came in a plastic pod which didn’t survive long in my art bag but they fit equally well into a long thin ArtPen tin.
I haven’t brought my water-brush so, after I’ve added the crayon to my drawing, I crouch by a puddle and use a wet finger to spread the colour about.


Link: Movement of brown trout in and between headwater tributaries and reservoirs (PDF), J.D. Bolland, L. Wallace, J.P. Harvey, M. Tinsdeall, J.L. Baxter & I.G. Cowx, University of Hull


There’s a passing shower but I’ve brought my fishing umbrella so that isn’t a problem. I start adding the watercolour, lightest tones first, and, just when I’ve got those in, the sun comes out again and I’m able to mix in some neutral tint and paint in the shadows.


It’s a good time of year to start trying to learn bird songs and one that I always struggle with is the dunnock. It doesn’t belt out its song like the wren and it’s not as clear and wistful as the robin; it just hurries through a short jingle. I try to remember the song by sketching it as a series of notes.

‘a not unmusical hurried jingle of notes, shorter in duration and less powerful than the Wren’s.’
Alan J Richards, British Birds, A Field Guide
In the Complete Birds of Britain and Europe, Rob Hume describes the song as ‘quick, slightly flat, high-pitched, fast warble with little contrast or variation in pitch.’ That verdict sounds like a lukewarm put-down from one of the judges on a television talent contest.
Link: Sketch Bird Songs, a field session with John Muir Laws in the Sierra Nevadas

A grey squirrel climbs into the trees to cross the stream where the branches of the willows meet.
I find that I’m rushing to complete my watercolour in the time that I’ve allowed myself and it doesn’t help that on my three-legged stool I keep feeling rather unstable as I perch on the the steep bank by the beck! I withdraw to a more level vantage point halfway up the slope when it comes to adding the watercolour.

I call this bend in the beck Willow Island but it’s only after heavy rain that this overgrown side channel fills with water. Wellies are essential when I’m drawing here as I have to wade along a 20 yard stretch of the beck. I proceed with caution as on one constricted bend the stream has scoured out a channel that looks more than wellie deep.



Buttercups are at their best, some of the currently ungrazed pastures almost rivalling some of the buttercup meadows we saw in the Dales last.
The causey stone path has narrowed since we last walked along it as the mixed hedges the cow parsley close in on it.

It’s joined by a second bird, which trots off up the grassy bank while the first bird continues downstream.
