Richard Bell's nature sketchbook since 1998
The level of the lake is up compared to last year but tide-marks of dry sedgy debris show that it can rise by another five or six feet. Oystercatchers call at the top, marshy end of the lake.
A dipper perches on the bridge as we get back to the farm then flits off upstream.
On the drive back to Hawes, I see a kestrel fly to the corner of a field barn to enter by a square opening, just below the roofline, which I guess must be an owl window.
A perfect September morning to walk around Langsett Reservoir; through the conifer plantations, across the river Little Don and up onto the moor.
Not such a restful day for the red grouse and the brown trout though. The gamekeepers and beaters were getting in place (you might spot them moving through the trees on one of the shots of the river) to wave flags while walking across the moor whooping and hollering, accompanied by their dogs, driving the grouse towards the guns.
We hurried across the moor before they started and missed out on our coffee stop at the ruined farm known as North America, pausing instead by a lichen-covered rock overlooking the stream on the far side of the moor.
A student in full-length waders emerged from the stream. He explained that he was from the University of Hull, setting up a project to monitor the movements of brown trout by tagging them and installing a couple of electronic sensors, one where the stream runs into the lake, the other further upstream.
Unfortunately my recordings of natural sounds – running water, bird calls and the wind in the heather – were interrupted by the sound of the plastic lens cap, which is attached to the camera by a loop, rattling in the breeze so I’ve added a music track.
My thanks to Silent Partner for making Days are Long available for use on my YouTube video.
If you’ve got a fast connection, Langsett looks good in HD.
Filmed with my FujiFilm FinePix S6800. The shots that I didn’t use my little ‘Spider’ tripod for needed image stabilisation in iMovie.
Link; Silent Partner on YouTube
I’M IN LUCK as one of the ducks that I’d like to get more familiar with is there just in front of the hide at Pugneys reserve lake; I sketch a pair of gadwall dabbling and occasionally upending.
The male looks plain grey but when I get the binoculars on him the finely striped breast comes into focus. The female looks rather like a female mallard.
Most of the other ducks are resting. Pochard and tufted duck outnumber the gadwalls by about a hundred to one but all of them are resting, head tucked beneath the wing. Occasionally they’ll all move away from the willowy bank, perhaps because they become aware of a dog passing by on the nearby path.
They’re not adopting the sort of pose that would be useful in a field guide but I do my best to get the head-tucked-in pose down on paper and to take in their general shape and proportion.
They turn around as they float so that isn’t as straightforward as you might think that it should be.
The shoveller are more active and a small group of males and females crosses the lake, helpfully keeping that field guide pose as they move.
Inevitably my eye is drawn to the striking plumage of the drakes.
I’m not used to seeing the great-crested grebe at this time of year so I take notes about its appearance and check it against the book later.
Usually we see them out on the middle of a lake where they seem larger. This one, that diving close to the hide, didn’t seem much larger than
the black-headed gull which was following it around probably with the intention of stealing any tiddler that it might catch.
The grebe is a white as a penguin beneath when it turns to preen its breast between dives.
A morning walk on the western shore of Lake Windermere, from Ferry House to Wray castle.
I LOVE the 30x zoom on my new camera. There’s an element of luck in what the autofocus chooses to latch on to but you can take several shots and hopefully one will catch something. The 4600 pixel wide images give plenty of scope for cropping in to find some suitable composition, like this Greylag keeping a wary eye on me.
I knew the Canada Geese would head for the water if I got too near. Having the zoom on maximum flattened the perspective and emphasised the pattern of black and white, like musical notes on a stave.
If I can get such close ups as this in a few minutes just ambling along the lakeside path imagine what I might be able to do if I spent a morning in one of the hides at a wetland reserve.
It would be interesting to try a catch bird behaviour on film – like this juvenile Black-headed Gull diving into the lake, possibly to catch fish or perhaps even small freshwater mussels. A series of images might provide some clues. The camera has a continuous mode for capturing movement.
Water birds are good subjects to experiment with as they’re large and usually not hidden by foliage so when we saw a Carrion Crow in a waterside willow I tried photographing it.
I was struggling to keep the camera steady when I tried to photograph the Grey Heron preening itself in a willow at the other side of the lake. The image is rather blocky but it would be useful if I was gathering reference for an illustration.
It’s good to see a heron engaged in some kind of activity rather than standing at rest.
Not surprisingly after the warm humid weather that we’ve been having there were one or two fungi about. The toadstool with the scaly cap is a relative of the Fly Agaric while the purplish, smooth capped and much eaten into toadstool (below, right) looks to me like one of the Russulas.
But today I’m content to get to know my camera. I’m looking forward to using it to get to know the names of a few more fungi in the autumn.
IT’S GOOD to be back at Newmillerdam and on a morning like this I can’t resist at least trying to paint a lightning watercolour (below) when we stop for coffee and, as we set off back along the lakeshore, I’m tempted to try to photograph a couple of families of waterbirds.
Much as I like my Olympus Tough, it does struggle with anything animate as several seconds can pass between pressing the button and the photograph actually being taken, so there’s always an element of luck involved.
A few weeks ago we saw one of the mute swan cygnets tucked between the wings of one of the parents as it swam along, a wise precaution as some of the pike in Newmillerdam are enormous and would be capable of pulling a young cygnet below the surface. The other cygnet followed closely in it’s lake with the other parent bringing up the rear and keeping a watchful eye on the family.
I notice in this morning’s photograph that the male, the cob, is leading. He’s got that projection above his bill.
I squat down to see if the coots near the boathouse will feed their young on freshwater mussels again, as they did last month. One of the parents dives down a couple of times but in the short time that I’m watching catches nothing. As I’m kneeling there a toddler, who has just picked up a feather, and his mum come and stand alongside us.
‘Can you tell me how many baby birds there are?’ she asks him.
‘One, two, three, four . . . and two mummy birds.’
‘They could be a mummy and a daddy?’ suggests his grandad.
‘Are you allowed to say that nowadays?’ I ask.
‘It’s not P.C.’ says grandad, ‘but I think with coots we can be fairly sure.’
‘Even a coot is entitled to life choices.’ I suggest.
‘We’re not doing mummies and daddies yet,’ explains mum, ‘just the babies.’
It’s good to hear parents and grandparents encouraging young children to explore the world of nature and not to put them off with too much health and safety.
This brood of coot youngsters have lost their ginger top-knots and the hint of red on their beaks that they had a month ago and they’re now in the sober plumage of adolescent chicks.
Further up the lake we see a single great-crested grebe. We’ve previously seen a pair here and I hope that some day we’ll see them with their stripy young again.
THERE ARE more bare trees and those that are still holding onto their leaves are turning from green to ochre. The first overnight frosts seem to have put a check on the variety of fungi that appeared in October.
Usually Canada Geese are the most conspicuous birds on the lake but today they’re gone. Perhaps it was last night’s frost that persuaded them to head elsewhere. Three red-headed Goosanders (females or juveniles) are swimming near the boathouse, one dipping its head below water, perhaps looking for a small fish. Black-headed Gulls perch in dead trees by the shore.
A RAINY DAY so instead of walking we try a Cross-Lakes route, taking the small passenger ferry from Bowness to Ferry House, the Mountain Goat bus to Hawkshead and the Stagecoach bus to the Waterhead Hotel at the top end of Coniston Water. At Water Head Pier we waited for the ferry Campbell which makes a round trip of the northern end of the lake, stopping at Hoathwaite Landing, Brantwood and Coniston village.
This damselfly nymph was climbing along the handrail at the landing stage at Waterhead. It still had its featherlike tail gills. On this damp, drizzly day life out of the lake must have seemed almost as wet as in it.
This pondweed (below) with filmy dull green leaves about 2.5 inches long and a yellow green stem was growing from one of the timber piles of the landing stage.
Steam Launch GondolaPassengers are asked to raise their hand if they want the ferry to stop, so when we saw one sailing by we tried to flag it down. It continued full steam ahead. It turned out that this was another ferry, the National Trust’s steam launch Gondola; a replica in modern materials of the Victorian original which sailed on the lake from 1860 to 1960 when it sank in a gale.
I had a brief chance to draw Brantwood, the home of John Ruskin (1819-1900), as we returned to Coniston village.
3 pm; Hawkhead from the Poppi Red cafe.
Guide dog on the ferry.
Link; Steam Launch Gondola
WE TAKE the Mallard car ferry to Waterhead then walk along the lakeside path through the woods, following a trail of snack packets as there’s a school party ahead of us, some of whom have brought their own music with them. The way through the woods must be so boring for them without the music and snacks!
For us though, it’s a break for coffee and a scone at the newly reopened National Trust property Wray Castle. The steam launch Columbine is down at the landing stage as we wait for the ferry to Brockholes.
While a second school party disembarks and heads for the treetop walk (now that does look fun) we decide it’s time for tea and a toasted teacake on the terrace by the house, where I draw this Monkey Puzzle. Monkey Puzzles, Araucaria, evolved at a time when dinosaurs roamed the Earth and you can appreciate that only the tallest sauropod, standing on its hind legs, would be able to browse the scaly foliage on its top branches.
The last time that we were at Brockholes was in 1987 when I launched my children’s book Deep in the Wood. Barbara and I organised the event with the Lake District National Park, informed the local press and booked ourselves into a bed and breakfast at Hawkshead. All the publishers had to do was supply the books and we’d seen them a few days before and their top rep had promised to do that.
‘Have the books arrived yet?’ I asked in eager anticipation when we called in at Brockholes the day before the event.
‘No, no sign of them, have you got copies with you?’
I had yet to even see a copy so we phoned the publishers who told us that, yes, they were going to send them but when they went to the stock room they found that the book had sold out in the first few days of publication, so they couldn’t!
They rounded up a few copies from around the office and sent them on via overnight courier. I think this was when I realised that my future lay in self-publishing!
As it happened, it rained heavily all weekend so we had sufficient books for the few visitors who braved the weather. As a consolation, the Lakeland National Park Authority invited us to take a stall at their annual national show at Chatsworth. Princess Diana opened the show and on her tour of the marquees took a brief look at our stall. But she didn’t buy a copy of the book for William and Harry. She seemed rather shy but we’d been instructed not to talk to her unless she spoke to us first. I was equally nervous; I’d been determined to be drawing when she came to the stall but I just froze as she stopped to take a look. This awkward moment ended when a child, peeking in through a gap in the canvas behind our stall, waved at her. Diana smiled and moved on.
In fact the only person who she talked to in the whole marquee was a watercolourist, who was the only exhibitor who had her back turned to the public, as she was working on a painting. Diana leaned over to take a closer look and confided to her; ‘I’m hopeless at that!’ (unlike Prince Charles who has painted watercolours for years).
Birds at the feeding station included Nuthatch and a juvenile Great Spotted Woodpecker.
Langdale from Brockholes landing stage
The return ferry, taking an anticlockwise route around the northern end of Windermere via Ambleside back to Bowness gave me an opportunity to draw the landscape, and add some watercolour.
Hills to the north east of Ambleside
Western shore of Windermere, Ambleside to Bowness.
Bowness on Windermere, Cumbria, 5.35 pm 1/7/12 OS REF. SD 402967
VIEW FROM our 2nd floor room at the Belsfield, looking south to Storrs (108 metres above sea level), the little knoll below the Jackdaw to the left of centre of my sketch, two miles (3km) away, on the eastern shore of Lake Windermere. I’ve heard it said that Storrs means ‘the stony place’ but the Old Norse storõ refers to a young plantation or wood, a common element in Pennine hill-country. It makes sense here because this Storrs is flanked by Birk Head wood on it’s eastern (here left) shoulder, Black Beck wood on its western (lake) side slope.
A Jackdaw flying over the flat roofs of the apartments doubles back and drops down to join two more Jackdaws on the top branches of a sliced-off conifer. One of them turns to it in begging pose, lowering its head and wing-flapping. This begging bird appears from this distance to be an adult so perhaps this is a female demanding food from her mate.
We stopped at Gargrave (left) for lunch where I drew the view towards the river from the Dalesman Cafe. I was just starting to add colour when I noticed the ink ran immediately as I started adding the grey wash for the sky. I realised, luckily before I washed any of the pen and ink away, that I’d drawn with the ArtPen I keep loaded with ArtPen ink (water soluble) cartridges, not the one I keep filled with waterproof Noodler’s ink.
We stopped at Grasmere in the afternoon where I bought a couple of Hahnemüehle Travel Booklets from the Heaton Cooper Studio. These are to fit in my latest, and smallest ever, art bag; a small format camera case-sized Lifeventure Passport wallet. Even so, one of these 9x14cm stitched booklets only just zips into the case.
You can see in this wobbly first sketch, of the chimney of the Lamb Inn, drawn from the shelter of the Miller Howe tearoom, Grasmere village, that the ‘High Quality Sketch Paper, 140 gsm’, isn’t as white as the cartridge in the Pink Pig sketchbooks that I normally use. A suitably mellow background for my holiday sketches.
These booklets are an indispensable companion for retaining notes, thoughts, stories, impressions, sketches and anything unusual that comes your way.
Says the label. It makes you want to pop one in your pocket and set off on your travels.
This is the view from our table in the dining room at the Belsfield, overlooking the landing stage at Bowness. You can see why we keep coming back!
Links; Hahnemuehle sketchbooks, Belsfield Hotel, Heaton Cooper Studio.