Category: Urban

House End

WE’VE BEEN on the move today but without the car, which has taken a while to get through its MOT test, as things keep cropping up. After 12 years, it’s time to change it, so we took a test drive today in a small car that proved a little too small for me.

On the return journey from the dealers I sketched passengers on the bus. There’s something that you can’t do while you’re driving a car.

Curiously if both Barbara and I are travelling together it works out cheaper to go by taxi as we did on the outward journey. Most bus travellers buy a season ticket but for short journeys without a season ticket we’d always do better going in the car (which we feel we have to have to run our book business).

Once when we were without a car we had to take the bus to make a delivery on the other side of Wakefield and the bus fares of £16 or £17 more or less soaked up any profit we might have made on the order. Having a coffee when we arrived probably soaked up the remainder!

I’m not sure why we had to go together with the order. Guess it’s more fun with company.

Starlings love the dense foliage of the holm oaks which are neatly trimmed into fat topiary lollipops in the Cathedral Precinct in Wakefield.

Waterside Mill

THE RHUBARB FESTIVAL at the weekend created a great deal of interest and they sold out of my walks book in town and at the Hepworth so we’re here delivering more.

It’s so tempting when we’re calling here to stop for lunch. The tables looking out over the river and Chantry Chapel so we make for the other window where I sketch the old waterside mills.

Gable Ends

THIS IS just the relaxed kind of drawing which I like to use my fine-nibbed ArtPen for. Adding colour, even the subdued colour of old brick and stone and grey winter skies, adds another dimension and more information, and helps to establish mood and atmosphere.

The views are disjointed because I was limited to drawing the details that I could see through the gaps in the vertical blinds at Barbara’s brother John’s when we called to see him and Margaret this morning.

Meals at Meadowhall

THIS AFTERNOON we’re at Meadowhall for my second lesson on my new computer and have a meal afterwards at Cafe Rouge. It’s the chef at Ciao Baby who got into my sketchbook, singing and keeping time with his wok tool. And the Thai food, cooked as you wait looked good.

 

Dewsbury to Leeds

I ADDED most of the colour later to these sketches from an afternoon’s return journey to Leeds from Dewsbury. The bolder line from the fine-nibbed ArtPen works well for drawing on the train or on station platforms.

Chimney Tops

MY MUM had a slightly longer appointment this morning at the opticians, giving me time to draw this chimney on the east end of the old building across the road. I’d guess that it dates from Georgian times and you can see that the chimney appears to have been originally in stone, like the rest of the building, but later rebuilt in brick.

I didn’t get time to finish the colour so I took a photograph and I’ve finished off the colour back here in the studio from the computer screen.

I’m going to finish with my current everyday A5 sketchbook at the end of the year, even if I haven’t filled the remaining 20 pages or so. I’ve been using it since March but I’ve never really taken to it because the cartridge paper in it is too soft for my liking. The second wash of colour that I added bled through to spoil the drawing of the hand that I drew the other day.

Barbara’s brother John had no room for a Christmas tree this year. One of his sons sent him this perfect real miniature tree, which has a dusting of gold on its branches. So now he and Margaret will have somewhere to put their presents, provided that they are very small presents.

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The Wall by the Tithe Barn

I HAVEN’T noticed this inscription before, on a stone on an old wall by the car park on Tithe Barn Street, Horbury. In my photograph of the wall (right), you can just make out the spire of St Peter’s Church in the background. The barn where the church tithes – traditionally one tenth of the village’s harvest – were gathered stood a little to the left of this photograph. Unfortunately the barn burnt down in the early years of the 20th century and all that remains of it are timbers built into a wall behind a brick-built house that stands on the site.

I wonder if the inscription ‘C C 1831’ could have been made to mark a boundary at the time that the common fields of the village were enclosed. The area now occupied by the car park was once Horbury’s cemetery, which I assume was established here at about the time of the enclosures. The original churchyard must have been full to capacity by then. As a schoolboy I remember that the wall extended around the area alongside the road (and had an opening to a urinal built into it). There were old headstones and table tombs in what was by then a rather overgrown cemetery. Many of the remains were re-interred in Horbury’s newer cemetery, opened in Victorian times on Hall Cliffe, a quarter of a mile to the north, when the red shale car park was made in the 1960s but I believe that some of our Horbury ancestors still rest in peace under the car park.

Reception

I don’t know what makes a noticeboard, the back of a monitor and a pile of bags so compelling but I find the view of the back of the reception desk in the health centre an enjoyably absorbing subject to draw.

Ducklings

11 a.m.: MALLARD DUCKLINGS are dabbling and snapping at flying insects or stretching up to peck resting insects from the tall leaves of reedmace in the pond by the occupational therapy unit of Dewsbury hospital. The feathers on their backs look soft and downy but they’re completely waterproof; droplets are repelled ‘like water off a duck’s back’.

Every waiting room should have an adjacent pond: this makes a change from drawing a chair, as I did yesterday morning as I waited for my mum at the doctor’s. And think what all those little ponds would do for our country’s commitments to increasing biodiversity!

It might make us healthier too. I’ve got only 10 or 15 minutes to sit on a rock at the water’s edge but, during those minutes I soon find myself drawn into a timeless world. I’m sure if the medics here hooked me up to one of their monitors they’d find my blood pressure and my pulse-rate going down, my muscles relaxing.

When you climb over the broken wall and walk past the scatter of drinks cans into this little park you enter another world. The watery jungle of reedmace stems is the nearest you’re going to find to a mangrove swamp in Dewsbury. The chicks swimming to and fro are behaving much as the chicks of Hesperornis might have 70 million years ago.

For that matter, the birds are probably behaving much as their dinosaur ancestors might have done down by the waterhole. A Moorhen chases a Mallard duck across the grass. The duck is larger but the Moorhen is more than a match for it.

Perhaps it’s so aggressive because it has young nearby. A couple of small fluffy black chicks paddle across the khaki-coloured waters of the pond towards the reedmace.

It might be protecting young, but on the other hand it might simply be expressing its crotchety character as a Moorhen. Moorhens don’t seem to need any excuse to act aggressively. Whether they’re protecting young, nest building or involved in courtship, they’ll take any opportunity to pick a fight.

Goldsmith on the Water-hen

Where the stream is selvaged with sedges, or the pond edged with shrubby trees, the water-hen is generally a resident there : she seeks her food along the grassy banks, and often along the surface of the water. With Shakespeare’s Edgar, she drinks the green mantle of the standing pool ; or, at least seems to prefer those places where it is seen.

History of the Earth, 1774

 

The Journey Home

OUR JOURNEY home, first by rail; from Wengen via Lauterbrunnen, Interlaken Ost and Spiez to Zurich Airport.

I see a Dipper fly up river where we’d seen them, nesting in a stone embankment wall, on our walk from Zweilütschinen to Lauterbrunnen on Saturday. The morning sun gives Lake Thun and its surroundings  the heightened colour and crispness of a travel brochure as our journey takes us parallel to its shore. We see Red Kites circling and the occasional Buzzard between each tunnel we dip into.

Zurich Airport

Our last Swiss Francs, (our very last, they let us off the small change!) are spent on two mugs of tea at the Marché self-service restaurant at Gate 43, Zurich Airport. You select your fresh vegetables (and they really do look fresh), and meat or fish if you wish, and they’re prepared for you as you wait. There’s stir-fry on one side and oriental soup, also prepared as you wait, on the other.

We’re going to have to come back with a larger supply of Swiss francs if we want to sample the results . . . unless Marché can be persuaded to open one or two of their restaurants in England.

I’m sketching as we go over Switzerland (adding the colour later) and over the fields of France but I’m disappointed to look down on featureless cloud as we approach the Channel.

At 2.30 pm this breaks up into a flock of fleecy clouds and as we reach the coast, then there’s a break, probably because there are no thermals of rising air over the sea.

Over the White Cliffs of Dover

I sketch quickly because I guess that my brief glimpse of the French shoreline might be recognisable from a map; to the east of the plane I see two coastal towns on a promontary then soon, after passing over open water with lanes of shipping, we come to a coast with white cliffs. Not being able to see the view to the west, I’m unable to tell whether this narrow strip of water is an inlet, such as the bay of Mount Saint Michel in Normandy, or the Channel itself.

Looking at the atlas when we get home, I can see that the two French seaside towns must be Wissant and the nearby towns of Audresselles and Ambleteuse so the chalk cliffs are, obviously, the white cliffs of Dover.

We pass over an inlet with salt-marshes, which must be the Thames estuary, then the fields of the Midlands which have a less regular pattern than those of  central France.

As we descend into the grey cloud and rain of Manchester, I realise that we’re crossing the Peak District. There’s no chance of spotting Langsett Reservoir, our regular Peak Park escape, but a small gap in the cloud reveals the three ‘Dambusters’ reservoirs of Howden, Derwent and Ladybower.

If this kind of weather continues, there shouldn’t be the slightest problem in keeping these three mighty reservoirs topped up!

Odd Sketches

ARE YOU sitting comfortably? After cats and views from trains, just to round off the selection from my sketchbook for May, here are some of the other subjects that I drew in odd moments.

The retro chair was in Caffe Italiano in the Ridings Centre, Wakefield, back in mid-May, the chair back and chair legs are probably from one of the waiting rooms that I’ve spent time in.

I think of these chair sketches as being rather poor as I draw them, because they’re always fitted in as I’m waiting for someone and, more often than not, there isn’t the chance to finish them but when I look back at them they don’t look so bad and, for someone who wants to improve their drawing, like me, it’s better than just sitting there staring into space.

Favour or Forfiet

We were in London for an old friend’s wedding, held in the grounds of Ham House, down by the River Thames below Richmond Hill. I’d got the idea that I could be the wedding artist, as opposed to the wedding photographer, but the trouble with weddings is that there are people you haven’t seen for years . . . and food, and drink and dancing and you don’t get the chance to sit and sketch. This wedding also included, uniquely in my experience, a game of pass the parcel, including favours and forfiets in alternate layers. Luckily I avoided a forfiet and ended up with a lei, so I didn’t have to receit Shakespeare or tell a joke or sing a song. Phew!

Jamie’s Italian

The next day we walked alongisde the river from Teddington Lock to Kingston-on-Thames, stopping for lunch at Jamie’s Italian (which I liked, must try and get to the one in Leeds), before continuing to Hampton Court.

The Fastest Milkman in the West

It’s interesting to walk along with a couple of locals – Barbara’s nephew Simon and his partner – and hear stories about the area; Benny Hill was a local a celebrity and you can’t help thinking that it might be true that his ghost still occasionally pops in to the old Thames Television studio at Teddington Lock.

‘Fairy Dairy Land’ was a quote recently used by David Cameron at Primeminister’s question time. It’s from Benny Hill’s hit record Ernie, the Fastest Milkman in the West, which also includes a character ‘two ton Ted from Teddington’ who ‘drove the baker’s van’. The spirit of Benny Hill still roams these mean streets. Simon lives opposite the depot where the milk floats, and formerly the horses that pulled the milk floats, were kept in Hounslow, but the dairy closed a few years ago . . . gone to ‘Fairy Dairy Land’ like so many others.

I’ll finish this odd-and-ends posting from my sketchbook for May with Simon’s sofa.