9.20 a.m., Market Place, Ossett, 52°F, 13°C: A town pigeon perches on the antenna on the town hall roof then flies off in a stiff winged display flight. A stubble of rush-like spikes prevents these feral pigeons, descendants of the rock dove, from using sills, mouldings and cupolas as cliff ledges but the strings of Christmas lights still festooned across the facade provide an alternative perch. One has found a niche on a jutting corner.
It’s not much more than a year since the building was given a major restoration but already two elders have sprouted and are blossoming in crevices in the stonework.
A black-headed gulls flies over and a swift soars around hawking for insects.
A buzzard circles near Woolley Edge Services; by the picnic benches rooks gather crop-fulls of scraps.
Calling at a motorway services when we live just five miles away, I feel as if we shouldn’t really be here but we’re meeting with an old friend and her husband who are taking a break here on their journey north.
Driving along some roads in the district, I feel as if every last patch of ground is being built on but heading out this way, I’m astonished at how much countryside we’ve managed to hold on to and how beautiful it looks in the late afternoon sun as woods and hedges burst into fresh leaf and blossom.
On our morning errands, we take a break at Starbuck’s, Calder Park, next to junction 39 of the M1 motorway. We’re on the verge of spring but in the view from our table the only area of green is winter wheat on the far side of the Calder valley at Lupset.
Black-headed gulls, now with neat chocolate brown masks, flap and glide in random search mode above the car park. A town pigeon zooms off on more urgent business.
11.10 a.m., 49ºF, 9ºC, Wakefield Cathedral; A flock of town pigeons circles and chacking jackdaws return to the belfry ia the louvred shutters, unperturbed by the presence of a peregrine preening on a crocket, halfway up the north-east side of the spire.
It’s wonderful to be able to sit on a bench in the precinct and sketch a peregrine. When I started birdwatching in the late 1960s and early 1970s, the first peregrines that I saw were in a remote glen in Scotland and on the far south-west corner of Wales, on the Pembrokeshire coast.
Over much of the country they had been wiped out through partly through persecution but probably more because of pesticide residues in their prey species, which caused a thinning of the shells of their eggs.
When we drop our car in for its annual service in Hunslet we like to walk alongside the River Aire to Leeds and make a day of it. Over the years on the river we’ve seen goosander, mallard, teal, cormorant, moorhen and kingfisher. We’ve seen goldfinches feeding on the cones of the riverside alders and a wagtail flitting about on a landing stage. Last year we saw our first warbler of the season, just flown in from Africa.
One year we met a knight walking his charger along the riverside path. This was at the time that the Royal Armouries Museum at Clarence Dock staged regular jousts in a tiltyard next to the museum.
I sketched the Birds of the Aire (left) on our first walk into Leeds from the garage, eleven years ago (on the same date, the 9th, and the same day of the week, a Wednesday).
Rain all day means that, for the first time, we miss out on our annual riverside ramble and content ourselves with dodging in and out of the shops in the city centre for a few hours. The art material stores of my college days in Leeds, Dinsdales and Jowett and Sowry have now moved out of the city centre so we were delighted to come across a new(ish) art and craft materials store, Fred Aldous, behind Leeds Market as you head towards Leeds Parish Church (now restyled as the Minster).
Naturally I have to buy a sketchbook. Will the acid free paper in the pocket-sized Leuchtturm 1917 notebook prove more sympathetic to watercolour than the Moleskine sketchbooks that I was using last year? It’s going to be a while before I get around to trying it as I’m currently using my Derwent Black Journal as a pocket notebook, carrying it in my pocket along with a Lamy Vista pen and a small wallet of children’s crayons. I used it when drawing the trees as we waited for our car after its service at the Luscombe’s Suzuki.
Wetherby Town Hall is like the town hall you’d find in an old fashioned children’s story or a Wallace & Gromit adventure but, despite the doll’s house simplicity of its facade, I always find it difficult to get just the right angle when I’m drawing the pediment.
As it’s such a symmetrical building, drawing the facade is like drawing a portrait and small changes in an angle can change the expression on its ‘face’.
It’s a problem that I don’t mind coming back to. I drew the window during our coffee break – which included a wholemeal scone and honey – at Filmore & Union on the way to Knaresborough yesterday and the pediment after a walk by the River Wharfe at brunch today – when I opted for the healthy pancakes with coconut milk, seasonal fruit, maple syrup and Greek yoghurt.
Perhaps the reason that I find cars so difficult to draw is that they’re almost human. Headlights can be like eyes, so, as when drawing a portrait of a human, if you don’t get the shapes or proportions right, you can lose the likeness. If I drew cars often enough, I might get to the stage where I could take liberties and come up with a caricature.
The first car got driven off just before I got a chance to add colour. As I added colour to the second, a Fiat Punto, I realised that because a car is so shiny it mirrors its environment with a reflection of the sky highlighting the roof and the reflection of the tarmac adding to the shadows below.
Was this outbuilding at the Ship Inn at ‘the Brig’ (Horbury Bridge), a barn or a stables? As there is a pulley to the left of the upper door/hatch could it have been a warehouse? Perhaps it was connected with the woollen or rag trade?
The lean-to, if we can judge by that matching window, appears to be part of the original building but the extension at the back looks like a later addition.
Twenty or thirty years ago the upper storey was used as a loft for fantail pigeons. The entrance hatch and landing platform are still there in the middle of the upper door.
As I said the other day, there’s supposed to be a unique ladder or staircase inside but, from this side of the surrounding fence, I haven’t been able to spot it as the demolition continues.
I can see that the inner wall is modern-looking brick, the roof timbers sawn timber, so it is probably early twentieth century rather than early Victorian or Georgian. We can be sure that the stone-built, flag-roofed Ship Inn is at least 150 years old because it gets a mention (an unfavourable mention!) in Baring-Gould’s account of Horbury Bridge in 1864.
Middups and Shippon
What a shame that they’re demolishing this building that has been part of the townscape for so long. This was originally the rear of the inn, as you can see in the map below. The present main Wakefield to Huddersfield road through Horbury Bridge dates from the mid-twentieth century.
The field behind the Ship Inn was known as the Middups. Perhaps, like the place name Midhope this meant a secluded field in the middle of a valley.
It was in this field that local weaver and talented musician David Turton calmed a bellowing bull by tuning up his bass viol and playing a chorus from Handel.
The Ship sounds a likely name for an inn next to an inland waterway but alternatively it might refer to a shippon or cow shed.
Horbury Bridge 1906
My thanks to Paul Spencer who pointed out, via Twitter, that there was a blacksmith’s close to the old ‘barn’. He sent me a copy of the Ordnance Survey map of Horbury Bridge for 1906 which I’ve superimposed on a present day aerial view. The ‘barn’, which I’ve highlighted in yellow, isn’t shown on the 1906 map but its footprint doesn’t overlap the older building – long demolished – immediately to the north, so it could be a century old.
I’ve always wondered exactly how the Old Cut, abandoned and filled in during the twentieth century, fitted in to the layout of the Brig.
The river bridge of the early twentieth century was narrower than the modern version and crossed the river at a slightly different alignment.
Link; Account by Baring-Gould ofthe story of David Turton and the bull. This doesn’t mention that this took place in the field known as the Middups. My source for that was Horbury man Bernard Larrad, born (c. 1895-1980), who also told me that he had a photograph of himself as a baby sitting on Baring-Gould’s knee. Why he was so honoured wasn’t explained. As far as I remember, Bernard didn’t claim to be related to Baring-Gould.
No dawn chorus this morning or if there is we’re not going to hear above the whistling, rattling wind but at 4.30 we hear the recycling bin, which we’ve put out on the pavement, blow over. I don’t want any paperwork I might have put in there blowing down the road so I pull on some jeans and grab my jacket and wedge it back under the lamp-post. But it blows over again 15 minute later so I have to trot out again and bring back to the shelter of the porch until breakfast time.