

It’s so long since I drew in the snow (as opposed to drawing it as seen through our patio windows) that I record the scene in a photograph and submit it to the BBC Weather Watchers website.


Link: BBC Weather Watchers
Richard Bell's nature sketchbook since 1998


It’s so long since I drew in the snow (as opposed to drawing it as seen through our patio windows) that I record the scene in a photograph and submit it to the BBC Weather Watchers website.


Link: BBC Weather Watchers

It’s a still, sunny morning with a clear blue sky but although the temperature has risen to 50ºF, 10ºC, there’s still thin ice along one side of the pond.
There’s a jingly song from the next garden which I take to be a dunnock:
‘pwik – kiwik – pwik – chEE’

‘Time still weaves its web. Cold winds blow across the country – but blue sky, the occasional sight of flowers are the essence of future hope. Soon the green fire will be bursting from all the hedgerows . . . and the stagnant pools will become animated with life . . .’

The letters and diaries of William Baines (1899-1922) reveal the way the composer drew his inspiration from the Yorkshire landscape. His impressionistic piano pieces conjure up pictures of coast, woodland and moor.
The Yorkshire of William Baines, my final project for a Diploma in Art & Design course at Leeds coincided with the 50th anniversary of his death. I started by talking to his surviving friends and relatives and went on to produce a publication, two concerts and an exhibition that at the Harrogate Festival in 1972. As a result of all this work, Roger Carpenter invited me to provide the illustrations for his biography of Baines, Goodnight to Flamborough.

I’m reminded of that ‘green fire’ quote when the hawthorn leaves start to appear in the wintry hedges. This winter was the warmest on record for central England, and records begin in 1659 so, uniquely as far as I remember, we’ve had a few green leaves in the hedge throughout the winter.
Link: William Baines, composer and pianist




As it was directly under the fat ball feeder which hangs from the washing line we did at first consider that it might be a brown rat digging a bolt hole as close as possible to a source of food but no exit holes ever appeared so this is a subterranean creature; it must be a mole. At the moment there are plenty of molehills just like this on grass verges and alongside the woodland path.


Wetherby Town Hall is like the town hall you’d find in an old fashioned children’s story or a Wallace & Gromit adventure but, despite the doll’s house simplicity of its facade, I always find it difficult to get just the right angle when I’m drawing the pediment.
As it’s such a symmetrical building, drawing the facade is like drawing a portrait and small changes in an angle can change the expression on its ‘face’.

Urban sketching can be so tough.
Link: Filmore & Union


It’s a good time of year to start trying to learn bird songs and one that I always struggle with is the dunnock. It doesn’t belt out its song like the wren and it’s not as clear and wistful as the robin; it just hurries through a short jingle. I try to remember the song by sketching it as a series of notes.

‘a not unmusical hurried jingle of notes, shorter in duration and less powerful than the Wren’s.’
Alan J Richards, British Birds, A Field Guide
In the Complete Birds of Britain and Europe, Rob Hume describes the song as ‘quick, slightly flat, high-pitched, fast warble with little contrast or variation in pitch.’ That verdict sounds like a lukewarm put-down from one of the judges on a television talent contest.
Link: Sketch Bird Songs, a field session with John Muir Laws in the Sierra Nevadas


The larger leaves in the bottom right corner of my drawing are ground elder. Ground elder was introduced to this country by the Romans who cooked the leaves like spinach. While the right-hand leaf of the ground elder has been well nibbled there is very little sign of damage to the leaves of the dog’s mercury which, like the spurge, is poisonous.


‘Did I hear the man on the phone describe this hill as Cardiac Hill’, I ask three passing dog walkers.
‘No I’ve never heard that one!’
‘It would be a good name’, I suggest, ‘the way it gets steeper and steeper as you get towards the top.’

‘Very wise!’
I return to finish my drawing of the old ash stump. It is growing on a south-facing bank that is supported by a drystone wall. The small rabbit is back, same time, same place: on the grassy slope next to the tree.

2.25 p.m., 43ºF, 8ºC, still and sunny: I spotted this ash stump growing on an old stone embankment wall when we visited the Go Outdoors store, Middlestown, yesterday. I’d gone looking for grippy gloves because the welt on the fingerless mittens that I’ve been using gets uncomfortable if you’re drawing for a while. My knuckles have been getting red and raw, drawing when it’s close to freezing.
I found the various gloves with gripper pads a bit cumbersome but we spotted some in pure silk which aren’t the warmest available as they’re mainly intended as lining gloves but they’re better than having exposed fingers. It’s easy to grip pen, water-brush and paintbox.
I found myself rushing to complete my drawing of Caphouse Beck yesterday so, today, when I sketch the rabbit which suddenly runs up the grassy bank and check my watch to record the time, I decide that I should allow myself more time so I’ll return tomorrow to finish off and add colour.
|
Mitten (acrylic) |
Trekmates silk glove |
Links