Instant Meadow

IT MIGHT not look very impressive but after all the planning, weeding and preparation this is my mini-meadow; a small area of turves from a friend’s wild flower meadow surrounded by an area sown with a mix of wild flower and grass seed collected in the same meadow. I’ve left the fringes as they are; a tiny strip of woodland edge where Cow Parsley and Snowdrops are already well-established.

We sowed about a litre of seed, a third of which had been kept in the freezer until today. This should convince it that after a long hard winter spring is really here and it’s time to burst into life.

I’ve seen photographs of my friend’s wild flower meadow in full flower and it appears to be dominated by Red Clover, Dog Daisy and Yellow Rattle. The latter is important because it is semi-parasitic on grass-roots, so it helps prevent the grasses becoming lushly dominant and shading out the wild flowers.

We’ve covered the seeded area with garden netting because I know our House Sparrows will love to dust-bathe in the fine tilth and they’ll then discover the seeds and start feasting on them.

Metablobs

After all that work in the garden I felt indulging in another tutorial from Create 3D like a Superhero, making a start on this ‘Dolphin Underwater Recon Vehicle’, simply constructed from ‘primitive’ shapes – squashed spheres, a torus and a skewed cube – which you can melt into each other by hitting the ‘Metablob’ button. Just the canopy and the shark style vents to add and I can take my model to the paint shop.

Much easier than installing a wild flower meadow.

Grazing

BISCUIT is grazing his way around the meadow. We’re now into spring and the evenings are getting longer, a couple of minutes each day but when the clocks go forward and British Summertime starts this weekend, it will suddenly seem as if we’ve gained a whole extra hour.

Buds are swelling on the crab apple and the hawthorn hedge is bursting into bright green leaf. We’re intending this weekend to make a definitive start in the garden. Barbara has weeded the three beds so we should be ready to get the onion sets and garlic bulbs planted. The seed potatoes can probably still be left for a while. I’d also like to get a seedbed going with whatever varieties of vegetables it is appropriate to sow now.

 

Shapes

IN MY COFFEE BREAK this morning I watched another You Tube video about animating in Photoshop and here are the results of me trying it out. I’m sure this is going to have a useful end result.

I’d been looking out of the window since this morning thinking that I’d like to do a watercolour of the wood in the mist and later in sunshine but I didn’t manage to get my sketchbook out until 5 pm I’d finished my other work. I dispensed with my usual pen and ink and used 2B pencil for speed. The sharp detail had already disappeared but by sketching quickly rather than drawing carefully, I had time to add some colour, relying one my knowledge where the colours are in my box.

Despite the limitations of this sketch which took little more than five minutes, I still prefer it to my animation!

The Undesignated Countryside

I’M WORRIED about my local patch of countryside. What’s there to worry about, you might ask;  the old railway marshalling yards at Healey Mills were featured on a BBC Natural World film as a superb example of butterfly habitat; the Strands and the Wyke made it into the national press as a unique wetland area (the first place in Britain that wild White Storks have nested after an absence of 600 years) and, crucially for biodiversity, these Calder Valley habitats are linked to the Yorkshire Wildlife Trust’s nature reserves at Stoneycliffe and Stocksmoor by Coxley Beck – the only stream in the area with a population of bullheads – and the much-loved woods of Coxley Valley.

Well that’s just how naturalists like myself, local people and the national media see it. This particular stretch of the Calder Valley is also a literary landscape; it features in the novels of the late Stan Barstow who was born in Horbury. Addingford Steps on the path down into the valley take on a symbolic significance in a couple of his novels where characters move from their everyday urban existence to an inkling of a new life with a deeper meaning. I think that’s what a patch of countryside on our doorstep does for a lot of us. It gives us somewhere to think, to forget our everyday concerns for an hour or so.

The valley was where I roamed with my friends as a child and where I set out with my sketchbook as an art student to draw plants, birds and animals.

So much for stories and inspiration; planners and politicians take a different view:

How a Planner might see the Calder Valley

There’s currently a major review of planning legislation in England. We need to get the country’s economy back on it’s feet so the suggestion is that any planning application that can be shown to promote sustainable development should be approved unless it has environmental implications.

But the habitats that I have described above don’t enjoy any special protection. In that sense, they have no special significance in planning legislation. On paper there would be no environmental implications; we’re not talking about a National Park or a Site of Special Scientific interest. None of these habitats, despite their national fame, is recognised as a Local Nature Reserve (not that they enjoy any special legal protection). Approval of applications would, presumably, be automatic.

In the south of England the most biodiverse nature reserve in the country is on brownfield land. At the Olympic site in London, efforts have been made to integrate meadows and watercourses into the design.

We can encourage biodiversity in planning but only if local people, who know the area best, are encouraged to contribute to the planning process. The presumption in favour of development would make it almost impossible to save habitats like these.

Spring Gentian

 DREW THE bluest of the gentians on Männlichen, the Spring Gentian, Gentiana verna, then set out again on the Panoramaweg in what we thought would be a brief shower but which turned into rain. We dried out by stopping at a mountain restaurant for soup and a roll.

1.30 pm, Kleine Scheidegg station.

The Alpine Choughs have very dark eyes, which don’t show up at any distance like those of our Jackdaw. Perhaps the dark pigment in the eye acts as a U.V. Filter.

2 then 3 or 4 choughs descend on plates of noodles and spaghetti as soon as they are left, casting plastic forks and paper serviettes aside before throwing the paper plate itself onto the ground.

We take the train down to Grindelwald Grund then return back up via the gondola to Männlichen. We can’t resist fitting in our marmot-spotting journey just one more time.

A buzzard circles in a clearing amongst the tall conifers, giving us a view from below, then on level with (we can see the details of its eye and cere) and finally from above. As we glide past in our gondola it’s like being in a wildlife documentary where they film at treetop level from a microlight.

Some of the conifers are the height of our electricity pylons and in proportion as long and thin as slender pencils. Very long slender pencils. Some have bunches of long purple cones, similar to the weights on traditional cuckoo-clocks.

We spot only one marmot, sitting like a sphinx, looking uphill but as a final bonus a red kite gives us a fly-past just as we near the upper station. Like the buzzard it gives us a perfect, unhurried diagnostic view, enabling us to see the shallow ‘V’ of its wings as it glides towards us, then the markings as it dips below us.

No Chamois today but flock of Alpine Choughs dip down to the cable car, as if in a farewell salute, then fly off over the crags.

6.30 pm, After all the travelling around, looking at wonderful scenery during this wonderful two week holiday, I realise that I would have been equally happy to have been fixed in one spot, taking a close look at the birds, butterflies, flowers and fossils. Perhaps next time I should go to a small island!

I draw these wild flowers in the meadow by the children’s play area in Wengen. It’s on an embankment with a retaining wall, so I don’t even need to bend down to draw them. My varifocal spectacles are perfect for this kind of work with flowers and my sketchbook both comfortably in their focus zones. I find myself using a fine no.1 tipped Pilot Drawing Pen and adding small-print notes to my drawing, as I did 30 years ago when compiling my Richard Bell’s Britain sketchbook.

The flower on the left is a bellflower, Campanula rhomboidalis, which is found in the Alps and the Jura up to 2200m in meadows and on grassy banks.

On the right is a species of scabious, either small or shining, S. columbaria or  S. lucida.

The Spiked Rampion, in the middle, is a member of the bellflower family but it lacks the showy bells of its relative. Instead it has this plume-like flowerhead.

Grindelwald

Monday (Montag), 6 (seches) June (Juni) 2011

WE’VE GOT just one ‘big trip’ still to do during our stay here; we want to visit Jungfraujoch, the ‘Top of Europe’ but today isn’t the day to go up there as cloud is swirling around and down below us even here at Wengen. This is the view looking up Lauterbrunnen Valley from the station at 10.15 am, as we wait for the train.

We arrived in cloud on Wednesday and the next morning, when the cloud cleared partially to reveal the mountains at the head of this U-shaped valley for the first time, it was as if the curtains had been raised on a great scenic theatrical spectacle.

A man cuts back the scrub on a steep banking by Allmend station, the next on the line as we travel uphill from Wengen. Alder scrub is one of the habitats recreated at the Alpine Garden at Schynige Platte.

It looks as if the cloud will hang around for a while so we take the next train down the other side of the slope from Kleine Scheidegg to resume Saturday’s walk down to Grindelwald from Brandegg, where we finished up the other day.

A St Bernard, much larger than the Swiss Mountain Dog I drew yesterday, is one of our fellow passengers.

There’s time for a coffee break at Brandegg Restaurant before we start. I settle down to draw the musical cows in the surrounding pasture and, feeling a little more confident with my phrasebook German order:

‘Drei cafes mit milch, bitte.’

Which I think is German for ‘Two coffees with milk, please.’ It isn’t; the waitress brings three coffees! But she kind enough to take one away again, much to the amusement of the staff.

Sheep have smaller bells than the cows. A group of 9 or 20 were slowing grazing around an old barn in the flower-rich meadows above Grindelwald.

Cowslip

HUNDREDS OF small Cowslips are in flower on the grassy plateau in the centre of Walton Colliery Nature Park, just 2 miles south-east of the centre of Wakefield. I’m impressed by the transformation that has taken place during the past 20 years or so from grey spoil heap to copse, heathy meadow and pond. Now a Local Nature Reserve, it’s probably the best place to see Grass Snake and Adder, although I’ve yet to see either, and for insects, such as the rare Short-winged Conehead bush-cricket which astonished conservation volunteers when they came across it last summer; this species had previously not been recorded in Yorkshire for 80 years. It shows how creating the right habitat (with perhaps a bit of help from global warming!) can benefit wildlife.

This particular Cowslip, Primula veris, growing at the foot of the slope, was bigger those in on the plateau. The lusher growth might be the result deeper soils, resulting from rainwash on the slope and it may be that, down here in the dappled shade of a copse of sapling broadleaf trees, there’s more shelter from wind and sun.

Cowslips are typically found on limy soils. I always imagine that former colliery spoil heaps would give rise to acid soils but there’s more to the coal measures than sulphur-rich coal; sometimes shale can be lime-rich. Mussel bands from the coal measures, as the name suggests, can be stuffed with lime-rich fossil shells. However, growing amongst the Cowslips was Sorrel, typical of acid soils and with leaves that have an acid taste.

As I was drawing the Cowslip, a Brimstone Butterfly, Gonepteryx rhamni, flew past and rested in the sun on a nearby Dandelion. Speckled Woods were amongst the other butterflies to be found in the patchwork of grassland and copses at Walton Colliery Nature Park.

Earthballs

These three fungi are – I guess – earthballs that have burst open to distribute their ochre-coloured spores. They’re growing on the plateau in a sunny, grassy corner sheltered by  a copse amongst the leaves of Yarrow, Achillea millefolium, and fine glossy leaves of grass (Wavy-hair?).