Yorkshire Rock

Dalesman article

The July Dalesman arrived in this morning’s post and my ‘Wild Yorkshire’ nature diary has a suitably rocky theme, as this year my British Geological Survey paperback, Yorkshire Rock, a journey through time, celebrates 25 years in print.

Nature’s Palette

Nature's Palette

It’s that time of year again when I realise that I need to improve my plant drawing so I’ve just started Sarah Simblet’s Botany for the Artist and Nature’s Palette, introduced by Patrick Baty. Nature’s Palette was published last month to celebrate the bicentenary of the publication of Scottish artist Patrick Syme’s expanded edition of Werner’s Nomencclature of Colours. Syme suggests a system of 110 standard colours in relation to zoology, botany, mineralogy and anatomy which include ‘Siskin Green’, ‘Flax-flower Blue’ and ‘Gallstone Yellow’.

It’s a book that I need to browse through in a good light, to appreciate the difference between ‘Snow White’ and ‘Skimmed-milk White’, ‘Olive/Clove Brown’ and ‘Liver Brown’.

Grids and Margins

page layout
Page layout created in Adobe InDesign

As I’ve mentioned, my approach to page design is normally to cram as much as I can on a double-page spread but after all the books on typography and graphic design that I’ve read recently and (see previous post) the cereal packets that I’ve studied, I’m trying for a calmer, clearer page layout for my Wakefield Women in History.

I’ve just started reading Helen Gordon’s Notes from Deep Time and the classic page layout struck me as being a pleasure to read, so I’ve been using my layout ruler to measure margins, indents and leading (the space between lines) in the handsome hardback, published by Profile Books.

Dolly Pro

Dolly Pro

I’d normally go for a familiar, tried-and-tested, roman typeface like Garamond or Baskerville but an article by typographer Dan Rhatigan on Adobe Creative Cloud persuaded me to try a new ‘warm, fairly classic’ alternative for a book typeface, Dolly Pro, designed by Underware. It looks good to me but the test will be when I print a page on paper.

Irregular Holmes

Holmes

“A sandwich and a cup of coffee, and then off to violin-land, where all is sweetness and delicacy and harmony.” 

Arthur Conan Doyle, The Adventures of Sherlock Holmes

Henry Lloyd-Hughes‘ Sherlock Holmes in Tom Bidwell’s The Irregulars, appears to have indulged in stronger stimulants than ‘a sandwich and a cup of coffee’ on his journey to ‘violin-land’.

My thanks again to the Netflix team, including costume designer Edward K. Gibbon for the ruffled, threadbare portrait in this week’s Radio Times. The magazine is stuffed with beautifully turned-out, well-scrubbed celebrities, but obviously Holmes after an overdose of his seven-per-cent solution is more appealing to draw with my Lamy Vista and De Atramentis Document Ink.

The Irregulars

Leopold, Bea and Jessie
Leopold Harrison Osterfield), Bea (Thaddea Graham) and Jessie (Darci Shaw)

Sherlock Holmes’ streetwise Baker Street Irregulars were adept at making discrete searches of riverside wharves and back alleys and the new gang in Tom Bidwell’s The Irregulars, launching tomorrow on Netflix, shouldn’t have any problems blending seamlessly into the crowd, provided they’re making their enquiries during the height of London Fashion Week.

Spike, Watson and Billy

Royce Pierreson’s ever-discrete Watson has dug out his old service revolver – perfect for undercover work – while Billy (Jojo Macari) walks softly and carries an enormous drumstick. Spike (McKell David), a character who appears to be as moody as Heathcliff but who dresses like Harpo Marx, favours a large blunderbuss.

The Irregulars

The cast in costumes designed by Edward K. Gibbon appear in this week’s Radio Times, as does Sherlock (Henry Lloyd-Hughes) himself, who doesn’t appear until several episodes into the series.

Sherlock

Lloyd-Hughes looks very much as I picture the original Sherlock. Benedict Cumberbatch as Holmes also features in the article.

Sherlock: Jeremy Brett

As does the actor who appeared in more screen adaptations of Sherlock Holmes stories than anyone else, Jeremy Brett. We were lucky to get to see Brett alongside Edward Hardwicke as Dr Watson in The Secret of Sherlock Holmes at Bradford’s Alhambra Theatre. The Irregulars have a tough act to follow, but it looks as if it will be a lot of fun.

Link

The Irregulars on Netflix

Skelton Lake eBook

Skelton Lake e-book

I’m delighted that my latest book Skelton Lake is now available in 51 territories worldwide, available from Apple Books as a free download. It may just be 11 pages of ‘wild flowers, fungi and autumn photographed on a muddy walk’ around the lake but it looks good on an iPad or desktop, so I feel that I’ve got to grips with the process of designing and publishing and I can tackle something more ambitious.

You should be able to find it on the Apple Books Store by searching for ‘Skelton Lake’ or my name as author. Its Apple ID, the equivalent of the ISBN, is 1542460295.

Skelton Lake in the Apple Books store and - 'Common Puffball' page - as it appears when you open it in the Books app.

Skelton Lake in the Apple Books store and – ‘Common Puffball’ page – as it appears when you open it in the Books app.

Links

Skelton Lake eBook link

Skelton Lake eBook, PDF version (produced using Adobe InDesign)

Apple Books app for iPad and iPhone

Wakefield Words

Wakefield Words

My illustrated compilation of William Stott Banks’ Wakefield Words, ‘A List of Provincial Words in use at Wakefield in Yorkshire 1865’, is featured in my Wild Yorkshire nature diary in the October edition of The Dalesman magazine.

You can order it through your local bookseller or direct from me, price £3.99, post free in the U.K.

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And please let me know if you would like it sent further afield by air mail.

By the way, Yorkshire Rock, featured in the September Dalesman is still available:

Yorkshire Rock

Alpha of the Plough

books
Drawing 3 inches, 8 cm, across

These books are rumpled, written on and one is even charred along its bottom edge: the result a narrow escape when it sat on a metal shelf above a spontaneously combusting homemade hifi system. Every book has a story to tell, or rather three stories: the one in the book itself, the story of the people who read it and perhaps had their lives changed by it and then the history of the artifact, the book itself.

When my mum died five years ago, a friend advised me, if you’re in doubt about whether to keep something or dispose of it, keep it: you can always send it to the charity shop later. I didn’t really need her encouragement because these books had fascinated me since childhood when I browsed through our book cupboard in the hall. The lofty book cupboard had previously been a linen or kitchen cupboard at the time when there were domestic servants in what had been a Victorian mill owner’s villa. It had tall sliding doors and I can still remember the sound as I opened them.

Each of these books which date from my parents’ school days, has it’s own individual story and I’m fascinated to see the hand written comments that they added. Someone, probably ‘E. Sparkes’, a previous owner of the book, has coloured the chapter headings and the portrait of ‘Alpha’ himself, the author of the essays collected in this August 1921 edition in the ‘King’s Treasuries of Literature’ series.

Published
Categorized as Books

Sketchbooks, Local Guides and Walk Books

I’ve been compiling a list of my publications over the last 25 years. I didn’t realise that I’d been so productive.

Having brought all those together, I’ve added four books that I wrote and illustrated between 1979 and 1998: A Sketchbook of the Natural History of the Country Round Wakefield, Richard Bell’s Britain, Deep in the Wood and Village Walks in West Yorkshire. All my other publications were as illustrator only or, on two occasions, as writer only.

Published
Categorized as Books

Developing a Character

character sketch

This week on the Open University FutureLearn Start Writing Fiction course, we’re developing characters. We’re being asked to try ways of doing that which we’re unfamiliar or uncomfortable with.

Letting the character develop from a starting point is the way that normally works for me. I’ve found that, once I’ve established my basic character, whether that’s a tattooed lady, a Hitchcockian gangster or a travelling tyre-fitter, I enjoy imagining the dialogue they’d use and I find out more about the character by virtually ‘listening’ to them. I can always visualise my character quite vividly, so I often make a quick sketch of them.

One rare method, that writer Alex Garland describes in an interview on the course, is of a character coming and tapping you on the shoulder, like a ghost. That’s something that I’d probably find impossible to conjure up. However, I will jot down any ideas that come to me unbidden, just in case a likely character manifests itself.

Getting to know Uncle Joe

As a back up, I’ll try a method that Monique Roffey sometimes uses, of writing a 5-15 page biography. I think that I’d enjoy doing that as it sounds a bit like researching your family tree. However much I know about a character, such as my real life Great, Great, Great Uncle Joe in Victorian times – who survived attempted murder by his wife Mary with a pair of decorating scissors – I want to know more about them:

  • Why were the scissors in the house?
  • Had he and his wife been drinking at the same pub before the incident?
  • Did he ever visit her in prison?
  • What happened when she was released 11 years later and was seen heading back to Sheffield?
  • And, yes, what did he have for breakfast?

The mundane stuff would fascinate me and this is why it’s so interesting if you do come across a murderer in your family tree. The newspaper reports include information that would otherwise never have been recorded, such as Joe and Mary’s sleeping arrangements and the kind of quarrels they had behind closed doors.

‘Ophelia’

As I was reading through the assignment on my iPad, a woman in her early 30s with long dark hair,in camel-coloured coat and purple silky scarf walked thoughtfully up the road holding a little bouquet. She looked like a character from a television drama serial. I decided that I’d have no difficulty writing about such a striking figure, so I’m using her as the starting point for my imagined character.

Any long-haired, thoughtful, youngish woman holding a posy of herbs is sure to remind me of Ophelia, but hopefully I’ll get beyond that archetype as I go through the suggested checklist we’ve been given and build up a CV for the character.

The kind of character I would struggle to elaborate on would be an ‘ordinary’ everyday person doing nothing in particular and looking blank and expressionless, such as a shopper standing in a queue. But I realise that these ‘ordinary’ characters would probably turn out be the most surprising to explore, when you really get to know them.