
As we wait for our cinnamon toast and lattes, I draw siskin and coal tit.
Richard Bell's nature sketchbook since 1998

As we wait for our cinnamon toast and lattes, I draw siskin and coal tit.

However many times I see it fly over, I don’t think that I’ll ever get over the excitement that I feel when I see a buzzard. Even when it’s flying over our suburban street, that circling silhouette conjures up wild places for me.


Aged of nine or ten I already had big ideas about the kind of books that I’d like to write and illustrate. The gold label and ambitious title suggest that I was aiming for something authoritative.
I was struggling to work out how to produce the stand-out illustrations that I saw in books and on the Brooke Bond tea cards that I collected. Using large hogs-hair brushes and school powder paints wasn’t going to help.

The method used for teaching joined-up writing or ‘real writing’ at my junior school was to keep the pen in contact with the paper throughout the word then go back to dot the ‘i’s and cross the ‘t’s. By the age of nine I’d already given up this method for my personal projects, preferring more compact block capitals which allowed me to fit my text in amongst my drawings. 


Not the most promising of material but this bird’s going for it anyway;
‘How d’ya feel?
It’s six-thirty.
How d’ya feel?
It’s six-thirty.
How d’ya feel?
How d’ya feel?’
Although it isn’t six-thirty, it’s still only quarter to five! Just to make it more interesting he tries adding a couple of quieter warbling notes in between; ‘Nearly finished’. But he hasn’t.

Luckily for us, after five or ten minutes 

A cormorant laboriously takes off flying upstream, into the icy wind before veering around and heading off down the valley.

One more colourful item bobbing along on the Aire; Barbara’s wooly hat which blows off as we come to a wind-gap between the riverside blocks of flats. It’s close to the bottom of the eight foot stone embankment but as the nearest available branch is just three feet long we have to leave it, blown downstream by the icy wind.

This morning ground frost on a section of pavement that I’d cleared resembled a thin coating of snow.

On Christmas Eve, a coffee stop at Create cafe in the Wakefield One building gave me a brief pause to sketch the skyline to the southwest towards the Emley Moor transmitter.
But we did manage one trip further afield before Christmas. On the 17th we made a delivery to our book suppliers before Christmas, zipping down the motorway to Orgreave but coming back via the Peak District.

There’s more fighting over food as we walk along the lane at Castleton. Two sheep are head-butting each other over the last scraps left in the feed bucket.
My thanks to my friend David Stubbs for taking over the camera and filming these visitors to our bird feeders. Most birds dash quickly in and out but the nuthatch seems for confident and stays put for ten seconds or more, giving David more chance to focus on a particular perch.
I recorded a ‘wildtrack’ of ambient sound but the occasional clicking of the feeders and background bird calls didn’t really register. Thinking what kind of music might suit the continuous dipping and diving of visiting birds, I searched the YouTube music catalogue for a jig and came up with Spirited Jig NoMel-Ah 2 Music from the ‘Ah 2’ Filtered Music Catalog, so my thanks to the performers for making that available.

As the sun sets, more gulls are making their way down the valley towards Pugneys country park lake, which has long been a gull roost.


A ragged row of trees by a car park on the edge of the city has now turned to full autumn ochre.

The heron is a regular morning visitor, perching halfway up one of the trees on a quiet bend of the beck.



At last I’ve seen a peregrine in Wakefield!
As we came out of the Apple dealers at Trinity Walk I looked up at the blue sky and got a good view of it flying at just above rooftop level.
A few pigeons were disturbed as it disappeared in the direction of the cathedral and when we got to the precinct Barbara spotted it on a crocket – one of the decorative projecting stones – half way up the spire.

‘Come away!’ says one dog-walker, ‘not everybody likes dogs!’
Well, you’d have to be very anti-dog not to like this quiet, wide-eyed, little white terrier – looking freshly shampooed and as if it’s going to a fancy dress party as one of Bo-Peep’s little lambs. It doesn’t want to walk past without pausing to check what I’m up to. Not to fuss me, or to yap but just to take in what I’m up to as I sit on the park bench.
I assure Ms Bo-Peep that it depends on the dog and, to be honest, I would have done a quick sketch of it if I’d had time but it does illustrate why I find that I can be more productive heading for Old Moor bird reserve for the day. I can sit amongst the herbage and get absorbed in my work.
Don’t get me wrong, I really like breaking off to chat to passers-by but there are only so many hours in a day for drawing.
I was ten minutes early for an appointment and driving past the park and thought why not have a ten minute break at the duck pond rather than arriving early. So, I’ve only spent a single minute of my precious time chatting but scale that out across a day and I could happily while way 10 percent of the time available!