A wood pigeon flies in to perch on a branch of the ivy-covered ash. A few seconds later there a puff of ‘smoke’ two or three feet across which drifts off to the right.
When I remember the powdery silhouettes that wood pigeons make when they fly into our patio windows, the most likely explanation is that it this was part of preening routine. Side-lit by the midday sun, the powdery wisp showed up against the dark background of the ivy.
This happened again a couple of times over the next few minutes.
The blackbird that I heard practicing its phrases in the dawn chorus mid-March has added grace notes and decorations to its basic song. At lunchtime today he was giving a burst of song from a perch on top of the telegraph pole next door.
A sparrowhawk swoops down across my mum’s leafy back garden and perches in a tall fir, its head hidden amongst the branches as I draw it. In a neighbouring garden the tall lime trees have yet to start springing into leaf.
Heading back from a book delivery, leaving motorway and ring-roads behind us we once again use the Peak District as the perfect escape route from everyday routine. We’ve called at the Riverlife Cafe at Bamford many times before but today we’re in luck and we spot new bird for our Riverlife Cafe list. A dipper flits downstream to perch on a fallen bough at the edge of the river. It flies a short way back upstream to a partially submerged bough then launches itself into the fast-flowing water. I don’t see it again until it pops up near the fallen bough, five or six metres downstream.
As we wait for our cinnamon toast and lattes, I draw siskin and coal tit.
A buzzard circles above the wood then heads over the meadow and garden towards the house. Looking up through my sloping roof-light window I can see it almost vertically overhead as it passes over my studio, the pancake patterns beneath its wing picked out by the afternoon sun.
However many times I see it fly over, I don’t think that I’ll ever get over the excitement that I feel when I see a buzzard. Even when it’s flying over our suburban street, that circling silhouette conjures up wild places for me.
I saw my first buzzard in the Lake District, aged nine, on Wednesday 31 August 1960. I know the date because I still have the I-Spy Birds booklet that I started on that holiday.
Birds of prey in general made a big impression on me, so much so that I chose them as the subject for a school project.
Aged of nine or ten I already had big ideas about the kind of books that I’d like to write and illustrate. The gold label and ambitious title suggest that I was aiming for something authoritative.
I was struggling to work out how to produce the stand-out illustrations that I saw in books and on the Brooke Bond tea cards that I collected. Using large hogs-hair brushes and school powder paints wasn’t going to help.
The method used for teaching joined-up writing or ‘real writing’ at my junior school was to keep the pen in contact with the paper throughout the word then go back to dot the ‘i’s and cross the ‘t’s. By the age of nine I’d already given up this method for my personal projects, preferring more compact block capitals which allowed me to fit my text in amongst my drawings. I treasured a copy of The Observer’s Book of British Birds which I kept in my gabardine pocket, even though it was unlikely that I’d spot a Montagu’s harrier or a Dartford warbler in the school playground.
Unfortunately I found myself unable to emulate Archibald Thorburn’s elegant illustrations in the wax crayons available to me in Mr Lindley’s class. But I’ve added my own touch with the background; the Lakeland hills and crag where I’d recently seen that first buzzard.
The blackbird in our front garden has made an early start practising his dawn chorus; ‘How d’ya feel?’, a phrase that rises at the end leaving you waiting for the response, which is ‘It’s six-thirty.’
Not the most promising of material but this bird’s going for it anyway;
‘How d’ya feel? It’ssix-thirty. How d’ya feel? It’ssix-thirty. How d’ya feel? How d’ya feel?’
Although it isn’t six-thirty, it’s still only quarter to five! Just to make it more interesting he tries adding a couple of quieter warbling notes in between; ‘Nearly finished’. But he hasn’t.
He tries rephrasing his material, something along the lines of; ‘How feel d’ya?’ or ‘It’s three-sixty.’ Philip Glass has nothing to worry about.
Luckily for us, after five or ten minutes he then flits off to another song post and we’re able to drift back to sleep.
Following the Aire into Leeds, we walk through a snow shower but as it clears and the sun returns we see our first warbler (chiff chaff or willow), just flown in from Africa, checking out the branches and twigs of a riverside willow.
A cormorant laboriously takes off flying upstream, into the icy wind before veering around and heading off down the valley.
The goosanders are diving so close and in such a good light that we can see the bottle-green iridescence on the drake’s head.
One more colourful item bobbing along on the Aire; Barbara’s wooly hat which blows off as we come to a wind-gap between the riverside blocks of flats. It’s close to the bottom of the eight foot stone embankment but as the nearest available branch is just three feet long we have to leave it, blown downstream by the icy wind.
A couple of days ago our barometer reached 1040 millibars, as high as I ever remember seeing it. Another 25 millibars and it would have gone off the scale. High pressure gives us settled weather, in this case cold days and even colder nights, so the inch of snow we had late on Boxing Day has lingered.
This morning ground frost on a section of pavement that I’d cleared resembled a thin coating of snow.
Before the frost we harvested the last of the Howgate Wonder cookers and used them in apple bakewell tarts and a mini apple pie.
On Christmas Eve, a coffee stop at Create cafe in the Wakefield One building gave me a brief pause to sketch the skyline to the southwest towards the Emley Moor transmitter.
Squabbling Squirrels
But we did manage one trip further afield before Christmas. On the 17th we made a delivery to our book suppliers before Christmas, zipping down the motorway to Orgreave but coming back via the Peak District.
At the Riverlife cafe at Bamford in the High Peak, siskin and nuthatch were among the birds coming to the feeders with a couple of squirrels fighting it out for control of the squirrel feeder below. While their fight escalated into a chase, a third squirrel sneaked in and fed in peace. C’est la guerre!
There’s more fighting over food as we walk along the lane at Castleton. Two sheep are head-butting each other over the last scraps left in the feed bucket.
My thanks to my friend David Stubbs for taking over the camera and filming these visitors to our bird feeders. Most birds dash quickly in and out but the nuthatch seems for confident and stays put for ten seconds or more, giving David more chance to focus on a particular perch.
I recorded a ‘wildtrack’ of ambient sound but the occasional clicking of the feeders and background bird calls didn’t really register. Thinking what kind of music might suit the continuous dipping and diving of visiting birds, I searched the YouTube music catalogue for a jig and came up with Spirited Jig NoMel-Ah 2 Music from the ‘Ah 2’ Filtered Music Catalog, so my thanks to the performers for making that available.
A hill across the Calder valley from Wakefield has been created by landfill, taking waste from across the district and beyond. I’ve seen huge flocks of gulls swirling over it but this afternoon they’re gathering in smaller groups on playing fields around the city and near Westgate Beck, which runs alongside the Dewsbury road into town.
As the sun sets, more gulls are making their way down the valley towards Pugneys country park lake, which has long been a gull roost.
The City and Moor
Distant moors are turning bronze-gold as the sun dips behind them. From Pinderfields, looking back to the city across twelve acres of open fields (now earmarked for residential development) you appreciate how Wakefield, a market town at least since early medieval times, fits into the landscape.
Migrating birds travelling north or south across Yorkshire or from east and west across the Pennines, follow similar routes to the Roman roads, packhorse trails, inland navigation, rail routes and motorways that have played such a part in the development of the town.
A ragged row of trees by a car park on the edge of the city has now turned to full autumn ochre.