Richard Bell's nature sketchbook since 1998
My latest drawing for my Sandal Castle spread if of some of the jars found during excavations.
To quote a caption from Wakefield Museum:
Many small jars or bottles made of pottery and glass, probably for medicines and ointments, were found in the building that used to be the kitchen of the castle. This suggests that wounded soldiers were being treated there in the Civil War.
Presumably the Royalists didn’t employ any of The Diggers, otherwise known as The Levellers, in the construction of Sandal Castle’s English Civil War defensive earthworks because The Diggers were a radical Puritan group keen to claim common land on behalf of the people.
I’ve added a few more figures to my illustration of constructing defensive earthworks at Sandal Castle and now I’m adding flat colours, using a vector brush in Adobe Fresco and the paint-bucket tool to fill in larger areas. I can see why people find colouring relaxing.
I was going to go for red for the cavalier directing operations but I discovered that Cromwell’s New Model Army was issued with red shirts, so I’ve gone for blue instead.
The final section of my proposed Rhubarb Sketchbook animation is all about the pleasures of getting out and walking in the Rhubarb Triangle between Wakefield and Leeds.
Highlights include:
There’s a possible fourth section too: if time (and a little extra budget) allowed, I’d add a short animation featuring the three rhubarb recipes that proved such a popular feature in my booklet of Walks in the Rhubarb Triangle.
For the local history section of my proposed Rhubarb Sketchbook animation, I can draw on a host of colourful characters:
Just dropping a few frames into my storyboard, I realise that I could easily devote a whole cartoon to the life and adventures of Prophet Wroe.
Speeding along the motorway, you can cross West Yorkshire’s Rhubarb Triangle in five or ten minutes but put on your boots and get out walking and there’s so much to discover. For a Creative Digital Challenge for next month’s Rhubarb Festival, I’m putting together a proposal for a short animation. I’m trying to pack a lot into it:
Section one is A Brief History of Rhubarb: From mammoths to Marco Polo; Chinese medicine and herbal cures; Victorian gardens and the Rhubarb Special night train from Ardsley Station, which, until 1966, carried 200 tons of rhubarb to London.
The cars in the car park were the final details that I added to my Sandal Castle illustration. The car park looked too empty without them but I tried to draw them fairly sketchily so as not to distract attention from the main subject, the castle ruins. Also included a few visitors – dog walkers and a lone pushchair pusher – in the positions they were in when I took my reference photographs.
The advantage of having drawn this in Adobe Fresco is that if I change my mind about the figures and cars, I can delete them and redraw them as I like because they’re on a separate layer.
It’s hard to believe that we’re already two decades into the twenty-first century.
Six long-tailed tits visit the feeders at breakfast time. They tend to come as a group either early or late. Before Christmas we had eight of them gathering around the edges of the two half coconuts, pecking at the fat as the light faded.
It’s that time of year again: the Mute Swans are starting to establish their territories. On Nostell’s Middle Lake this morning, the resident pair with their six cygnets are up at the top, shallower end of the lake but they’ve got competition because at the other end of the lake two pairs of swans are circling each other, wings raised in a threat display.
Twelve swans on one small lake isn’t going to work. In the next two or three months, the grown-up cygnets will spread their wings and leave, or be persuaded to leave, and the three rival pairs will have to fight it out.
There are another eight swans on the Upper Lake, one standing by the sluice that connects with the Middle Lake. Another possible contender in the contest to claim the territory.
Beneath the hollies near the house, the first winter aconites are beginning to show. A nuthatch investigates the branches of a lakeside tree.
A few gadwall have joined the regular mallards on the Lower Lake and we see a single drake wigeon there. Goosanders seem to prefer the deeper waters of the Middle Lake and we’ve noticed that they sometimes dive alongside the swan family. I wonder if they’re attracted by the chance of catching small fish that have been disturbed by the activities of the swans.
On one of the colder days last month we had a small tortoiseshell butterfly fluttering around in the dining room and decided that the best place to release it would be in the cool shelter of our garage.
A few days later it had emerged and it perched motionless for a day or two on the outside of the up-and-over garage door. It must have eventually flown because I then saw it fluttering about at the back of the house, caught on a strand of spider’s silk in the top corner of my studio window. I released it and it flew off across the garden. Ideally I should have offered it sugared water, to allow it to replace some of the energy that it has lost.
There was no frost this morning and today a few insects were active. A tiny black fly drifts around in the kitchen and a small ichneumon wasp (or possibly a sawfly?), perhaps a centimetre long, climbs up the bedroom window. I catch it in a bug box and take a few macro shots as it goes through a grooming routine.
December was a warm month and I regularly noticed an orb web spider run out to despatch some tiny insect that had been trapped in its web in a corner on the outside of our living room window.
Working in from the edges, I’ve finally made it to the centre of my Sandal Castle aerial view, finishing off the Barbican: an impressive internal gatehouse between the castle’s bailey and the Keep.
I’ve been working on this illustration as if it was a jigsaw, making a point of going around the edges of the Sandal Castle site, drawing the trees and hedges before turning my attention to the centre. This afternoon I’ve made a start on finishing off the centre by redrawing the ruins of the Great Hall. That’s working pretty much as I imagined it, although I think that it now needs a suggestion of a shadow, to look more three-dimensional.
Sandal Castle is rarely this lonely, so I also need to add those cars, dog walkers and visitors. And perhaps a table or two outside the cafe.
I’ve been adding shading and hatching to the aerial view of Sandal Castle to create a more three-dimensional effect. I had intended to fade out the hedgerows around the perimeter but as the earthworks are looking so solid, I think that might be too much of a contrast.
I’ll probably add a few figures for scale and a few cars in the car park. I’m drawing with an Apple Pencil on my iPad Pro, using the program Adobe Fresco.