Start with a squiggle . . .
Our latest assignment in Mattias Adolfsson’s Art of Sketching course.
Category: Art
Saucy Stand-Ups
Some saucy stand-ups on the open mike night but I’m afraid the Cruets weren’t impressed. They gave the acts a peppery reception: inclined to take things with a pinch of salt was one comment. Even the mustard wasn’t keen and the non-brewed condiment was positively vinegary.
On my Art of Sketching course, Mattias Adolfsson encourages by saying that no idea is too silly to make a drawing. I think that I’ve managed to go a long way to proving him wrong.
Film Formats
Yes, I know 35 mm and Polaroid are enjoying a bit of a revival but Instamatic and 120 roll film for Box Brownies are more nostalgia and nouvelle vague.
That’s supposed to be a pack of Polaroid film on the right, but he does look rather like a mobile phone.
Once again, this is more cartooning for my Mattias Adolfsson The Art of Sketching course.
Penguin Colony
I’m missing our local Penguin colony on the High Street; lined up along their ledges with that evocative smell: fresh paperback. Bright plumage with distinctive orange stripes; a crisp riffle as you browse your way through and, on their backs, to make them even more attractive, each has a unique patch of blurb. I’m concerned because, these days, we don’t see many Puffins. York once had a thriving colony of them, nestling on stacks near the Jorvik Centre.
I can tell that the lockdown has gone on for too long because a few weeks ago I started reading – for the first time – a textbook from my college days Man and the Vertebrates: 1 by A. S. Romer. It was written pre-DNA studies, so really it’s out of date, but it’s interesting to go through a story that I’m familiar with through David Attenborough’s Life on Earth and other books and documentaries, but written from a different point of view. I don’t think that I’ll be going on to Volume 2, which is about human anatomy and evolution. We’ve come a long way since the book was reprinted in 1963 and even further since the original edition in 1933.
The cartoon is my weekend’s homework for my Mattias Adolfsson illustration course.
Animating Waterton . . . and The Nondescript
I’m planning an animation with a Charles Waterton character who will be a Wallace & Gromit-style Plasticine figure in a miniature stage set based on Waterton’s study at Walton Hall. Waterton enthusiastically describes his conservation efforts which are all on a rather grand scale. This is where my second character, Waterton’s sidekick ‘The Nondescript’ comes in: he comes up with simpler, smaller and-here’s-one-you-can-make-at home projects, which we can all tackle.
My version of Waterton’s famous creation is more down-to-earth than the Squire himself. He might be from the Deepest Jungles of South America but he’s no Paddington Bear. He’s part Spirit of the Forest and part trusty retainer, like John Ogden, Waterton’s gamekeeper, but he probably also has a hint of easy going rock star charisma about him (perhaps like Francis Rossi from Status Quo?). He’s developing into an interesting character.
I like the partners-in-crime camaraderie of the pair in my first sketch. I can imagine the duo getting into all sorts of scrapes as they create ‘The World’s First Nature Reserve’ at Walton Park.
I’ve already tackled the story of the nature reserve in one of my pocket-sized local guides, Waterton’s Park, and in Part III: The Defence of Nature in John Whitaker’s Charles Waterton, A Comic Book Adventure. When I drew the comic strip, I thought of it in terms of a storyboard for a live-action film, so this time it’s less period drama and hopefully more like Aardman’s The Pirates! In an Adventure with Scientists, which featured Charles Darwin. That was a lot of fun, right down to the end credits. I must also try and take a look at Chris Butler’s The Missing Link, which featured a Nondescript character coming in from the wilds.
The Wing-Nut Family
Mrs Wing-Nut came from a long line of Whitworth thread coach bolts. Sadly today she’s been cross-threaded. Nothing that a squirt of WD40 shouldn’t be able to remedy.
Enrolling on Mattias Adolfsson’s Sketching course can seriously undermine your grip on reality . . .
Pen v. Pen
Now, I like fountain pens and I like technical pens, but which is best?
Just starting my homework for this week on Mattias Adolfsson’s online course, The Art of Sketching: Transform Your Doodles into Art.
Pony Phobia
Three weeks ago the hawthorn had burst into fresh green leaf and our local ponies were tucking into it. My comic strip is based on actual events: we were following two ponies along the lane, one of which whinnied and backed along a track when surprised by a blackbird bursting out of the hedge.
I was asking the rider of the other pony why hers, which was unruffled by the blackbird incident, kept so close to the hedge:
“It’s the hawthorn, he likes anything he can get his mouth around!”
As we stood back to let the ponies go by, a couple of the people who live by the stables were standing nearby drinking their morning coffee.
“Some of the ponies around here could do to see a psychologist!” I suggested.
“Not just the ponies,” the man agreed, “Some of the people too!”
I’ve struggled with this comic strip. I started drawing on my iPad in Clip Studio Paint, then decided that I’d be better drawing with pen on paper and finally, for the last two panels, I went back to my iPad. As you can see from my rough, I thought about including the blackbird incident and the hawthorn nibbling as panels but then I decided that, rather like a situation comedy, this strip should focus on the relationship between the two ponies on their home turf.
On balance, I probably prefer the extra action in my original rough, but it’s time to leave this strip and go on to a fresh one, and I have got plans to take the characters further afield.
Common Objects
It’s good to have a new sketchbook and to have an aim in mind. Alongside my fantasy pen illustrations for the Mattias Adolfsson’s course, I also need to draw everyday objects, which will be my starting point for more imaginative drawings.
Objects do have a character, a life of their own. This selection from my drawer includes a homemade clinometer, used to measure the angle of dip of strata, which dates back to when I was taking an A-level in geology, but didn’t have the funds to treat myself to the real thing. I bought a cheap plastic geometry set from the Eagle Press in Wakefield, stuck the protractor to an offcut of hardboard from an unfinished acrylic painting and added a plumb line made from a thread with a small nut attached. The larger compass-like instrument in the foreground is a map measurer. It’s so much easier to plan routes for walks in these days; I’m spoilt for choice for digital maps, the Ordnance Survey is my current favourite.
Despite all the advances in technology my Olympus Pearlcorder microcassette recorder still has its uses. Yesterday I recorded a list of plants as we walked along between the hedges of a sunken lane. It was a cool morning but I can operate the Pearlcorder even with my gloves on. In contrast, when I’m using my iPhone, which I love, as a camera I still occasionally brush against some peripheral icon and end up getting a screen with my Twitter feed and messages on it. The Pearlcorder has reassuringly chunky buttons.
When I left art college and set myself up in my first flat, I decided that anything that I bought – for instance a bread knife, a bowl or a bread knife – had to be practical but also drawable, which for me meant the sort of object you might see in a storybook. So instead of going for the latest shiny designer teapot with its chrome and pyrex, I would go for the traditional brown ceramic version. The veg brush on the right has my ideal combination practicality and drawability and it we bought it at what must surely be the most design-conscious retail outlet in the Peak District: the shop at the David Mellor cutlery factory at Hathersage. Look forward to visiting it again after the lockdown.
Crafts
Finally, here are a couple of Barbara’s lockdown craft creations: a tote bag using curtaining material from a bag of remnants from the much-missed Skopos in Batley and, a new venture for her, an embroidery based on some natural forms she’s been drawing recently.
Drawing Pens
As well as the fantasy pens, I’ve been adding to this A3 sheet of pen studies over the last week. The red fountain pen, the Osmiroid B2, is one that I probably haven’t used for decades but I found that I still had a cartridge that fitted it, so I cleaned it out and drew the Osmiroid ‘tipped medium soft’ with it to finish off the sheet.
And here’s the final sketchbook spread of my fantasy pens. I had a space bottom left to fill so I finished off with a Metamorphosis Pen (apologies for my spelling) and Big-Fish-Eat-Little-Fish Food Chain Pen.
I’m looking forward to Lesson 2 of my online illustration course. Luckily there’s no time limit on completing assignments.