Back to Black & White

Pacsafe bag

Just taking a break from the imaginative effort required in cartooning to do some simple drawings from life; as simple as possible: I’m also taking a break from adding colour. These are all drawn with my Lamy Vista which is filled with De Atramentis Document Ink Black.

buff

I’ve learnt from the cartooning though: I’m convinced that the focus on character and storytelling is also relevant when drawing from life. Even this Buff has an individual character and hints of having had some history.

Tough camera
chimney

A few months ago, I’d always have this Olympus Tough TG-4 in my bag or pocket but five months ago, just before lockdown, I bought my first iPhone, so I’ve been trying that out. The main place where the Tough beats it is for macro shots.

Over the past couple of weeks it has felt almost like getting back to normal being able to have the occasional coffee out. It’s good to be able to sit at a cafe table and draw again.

Tough TG-4

Sun Hats

hat

But really I’d like to draw a freer more organic shape so our sun hats, which have seen a lot of wear this spring and summer provide me with my next subject.

hat

Sweet Peas

sweet peas

We planted mixed but so far only white have appeared. This is our first picking of them and we’ll keep on with that to encourage them to keep flowering.

sofa
shoe

My shoes are getting thin and worn on the sole, so before a hole appears, it’s time to order some more. You can’t get this kind of cushioned Comfort Vibram sole repaired at the cobblers, I’ve asked. So what sort were they? I can’t find them on the Merrell website and the name on the label has worn away; luckily my blog comes to the rescue, as I drew them years ago when they were new: they’re Merrell Jungle Beluga AC+. How could I not remember that?!

Cream Scones

flowers

Just before the lockdown, I got chance for one last cream scone and latté at Blacker Hall Farm. The restaurant isn’t quite fully open again but you can buy a takeaway coffee and scone at the deli counter in the shop and use their grassy picnic area. I sat on the grass under the shade of a large oak tree to draw some of the plants in the close-cropped turf, including greater plantain, on the right, also known as broad-leaved plantain. It grows low so it has largely escaped the mower and it’s tough so that it can stand a certain amount of trampling. It’s a true plantain, so it isn’t related to bananas and what are sometimes referred to as ‘cooking plantains’, but I always imagine that little seed-head as resembling the bunches on banana plants.

bananas

Tomatoes are red, bananas are yellow, but despite temptations, I’m still having a break from watercolour.

tomatoes

These are Sainsbury’s Taste the Difference Majestic vine ripened Tomatoes but hopefully in a few weeks time we’re going to have lots of our own tomatoes. We planted seeds of beef and little plum tomatoes that a neighbour gave us and ended up with so many plants that the greenhouse now has a jungly look. Plenty of tomatoes appearing but so far they’re all green.

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E C Axford, Ossett Headmaster

E C Axford

You wouldn’t think that The Wicker Man would make a suitable subject for a school play but our headmaster E. C. Axford’s plays were dark dramas with a similar theme.

A People Apart was a tale of everyday village folk who practise pagan sacrifice while in Black Bread the inhabitants of a recently discovered remote island are forced to keep to their medieval lifestyles to please visiting tourists.

My sister Linda had a long speech, standing by the village cross, discussing the philosophical implications of holding back progress but the line that I remember was from one of the island’s disgruntled peasants, played by Clive Simms, who grumbles: “They threw my Morris Minor off the cliff!”

Mr Axford’s literary efforts also included a novel, A Stranger in Allanford, 1960, and a poem that was set to music by the school Madrigal Society.

As a retirement project he wrote about Bodmin Moor for a David & Charles topographical series.

At morning assembly Mr Axford would dip into his notebook of suitable readings. One of them, a tale of charitable deeds, ends with the hero arriving at a musical gathering, probably after giving away his cloak or his shoes. After explaining his late arrival he says to his friends: “And now, let us tune our instruments.”

A great closing line.

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Back to Backs

sketches
profile
market folk

This feels like getting back to some kind of normality: sitting with a latte at a table outside Bistro 42 overlooking Ossett’s Friday market and watching the world go by. I want to just draw what is in front of me rather than, as I often do, taking a mental snapshot of a passing figure, so I draw people who look as if they might stay in position for a few minutes. The men waiting on the bench are the most obliging. I find back views expressive. Rather than slapping a facial expression on a character, you can leave the viewer to work out for themselves whether a character is feeling relaxed or slightly; tense, bored or curious.

The Buried Cliff of Holderness

The white cliffs of Flamborough Head aren’t white all the way to the top. As I learnt on a field trip led by Richard Myerscough, they’re covered by boulder clay – the Skipsea Till – left by the last glaciation to reach Yorkshire.

My notes from the Sewerby field trip.

From Sewerby south through Holderness all the way to Hessle near Hull, the cliff is completely buried by the Ice Age deposits. Not far from Sewerby Steps you can still find the remnants of a raised beach which dates from the last interglacial. The sea level was a metre higher than its present level.

Interglacial fauna

Fragments of bone found amongst the shingle of this ancient beach include straight-tusked elephant, bison, hippopotamus and narrow-lipped rhinoceros.

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Robot

Robot

When you’re starting with a geometrical shape – in this case a hexagon – and your mind goes blank about what to make it into, the traditional robot is a useful character to turn to. My comic in my primary school days was Eagle, which featured Frank Hampson’s Dan Dare, Pilot of the Future on its cover, so I like the style of 1950s science fiction where the rockets, robots and space stations look like a plausible extension of the technology of the period. While drawing the telescreen, I thought about our 405-line black-and-white television and our record player – similar to the classic Dansette – covered in wine-red and cream leatherette.

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Eric Reichbaum

Eric

Eric Reichbaum, photographer on today’s Adobe Live ‘From the Sofa’ with Tony Harmer and Emma Lextrait.

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Geranium and grasses

geranium and grasses

These grasses and the clump of geranium by the pond reminded me of the sort of subject that Frederick Franck would draw in his book The Zen of Seeing, so I decided on a change from my usual pen and colour wash and I’ve stuck with line only. Typically Franck would add a hint of tone by dabbing parts of the drawing with a wet brush or finger tip. I can’t do that as I use waterproof ink.

I had to accept that I wasn’t going to be able to pin down this subject as the grasses were swishing around in the breeze.

Alex Jenkins

Illustrator Alex Jenkins on today’s Adobe Live ‘From the Sofa’ session. I attempted to match his style in Fresco, using the Blake pen and the Natural inker but my line work is never as calm as his.

Alex said that his early influences included Robert Crumb. I was reminded of Glen Baxter and Gary Larson.

Alex

My initial sketch in Conte had a bit more life to it than the coloured version that I drew on the layer above it.

Link

Alex Gamsu Jenkins

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When Cats do Online Quizzes

cat quiz cartoon

Another homemade birthday card, this time for Barbara’s nephew Simon, who we’ve been playing against in an online family quiz.

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Gavin Campbell

gavin

Gavin Campbell, illustrator, on today’s Adobe Live ‘From the Sofa’ session, started his career with a series of portraits and photo-realistic pencil illustrations, ‘drawing’ with the rubber to create the highlights. Watching him working through a composition featuring multiple layers in Photoshop, I could see his pencil-drawing background coming through, for instance in the way he built up the tones. In places where some illustrators might have used a 3D mesh to create a contoured effect across the subject, he preferred a ‘liquify’ option which enabled him to create the same effect through drawing.

I’ve drawn this in Fresco on my iPad Pro, making a lot of use of the cross hatch brush which I was reminded of during one of the ‘Sofa’ live streams last week.

Link

Gavin Campbell on Behance

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