Author: Richard

Heald Wood

A morning walk on the western shore of Lake Windermere, from Ferry House to Wray castle.

Windermere looking north to Wansfell. The tree provided a frame and a lead-in to the panorama.
The fallen tree has lifted fragments of the flaggy bedrock.
In colour the contrast was the wrong way round from the point of view of atmospheric perspective with a high key background and a monochrome foreground. Converting the image to grayscale reminds me of the high contrast prints that I aimed to make in the darkroom when I developed my own film. Photoshop is streets ahead of anything that I ever managed to do. Although I notice that I’ve over-sharpened the image; pixels don’t behave quite like film grain.
After we’d photographed the tree we turned to see this bullock standing precariously on an adjacent rock.
The bullock soon decided that the shoot was over. I think that he could be a crossbreed with some Jersey in him
I couldn’t resist attempting this rock crevice with saplings but I knew the strong contrast of sun to shadow would be too much for the dynamic range of my camera.
I had to stand in the stream to photograph the sunlit ripples without casting my shadow across the frame.
Warmth and wet had brought out fungi in Heald Wood including these growing on a tree.
A perfect clump of fungi further up the same tree as the previous photograph.

Soda Bread

soda breadsoda breadI FOLLOWED Hugh Fearnley Whittingstall’s Family Cookbook recipe when I first made soda bread yesterday, halving the ingredients as there were only two of us. We didn’t want any leftovers as it’s best eaten warm from the oven but even half quantities made a substantial little cob (left).

So today I cut down the quantities a bit more so that we had just enough for three small scones (above). Doing it this way you get more of the rough crispy crust and you can be sure that it’s baked all the way through. The centre of the larger cob had turned out a little bit doughy, although it’s supposed to be soft and moist on the inside, so that’s what you’d expect.

We decided to add chopped fresh chives and a couple of tablespoonfuls of grated double Gloucester cheese, saving a sprinkling for the top of each scone.

Yogurt provides a mild acid for the bicarbonate of soda to react with, producing the bubbles of carbon di-oxide which makes the bread rise.

Cheese & Chives Soda Bread Scones

  • 50g plain flour
  • 50g plain wholemeal flour
  • ¼ tsp salt
  • ½ tsp bicarbonate of soda
  • 90ml plain yogurt
  • 2 tbsp chopped fresh chives
  • 2 tbsp grated cheese

Turn to oven to 230°C.

making soda bread1. Seive the flour, salt and bicarbonate of soda into a bowl.

2. Add the yogurt and stir.

3. Using your fingers bring the mixture together into a smooth dough. If it turns out too sticky add more flour. Add the chives and three-quarters of the grated cheese and mix them in too, but don’t overwork the mixture. No kneading is necessary.

baking soda bread
4. Divide the mixture into three balls, place them on a non-stick baking sheet on a baking tray. Score each of them deeply with a cross to allow them to rise and press the remaining grated cheese on top of them.

5. Put them into the oven for 5 minutes then turn the oven down to 200°C and bake for another 5 minutes or so. They’re ready when if you turn one upside down (being careful to avoid the melted cheese!) and tap the bottom it sounds hollow.

Great with homemade tomato soup. We’ve got a bit of glut of tomatoes at present and, thanks to my inconsistent watering in the greenhouse, many of them had split their skins so soup was the best thing to do with them.

Focus on Fungi

birchbrack2

IT’S ABOUT a month since we last walked through the woods at Newmillerdam and it now feels as if autumn has arrived. Bracket fungi are starting to sprout from the fallen silver birches with shapes that remind me of the cream-filled meringues of my childhood.

A Finger on the Button

Like most digital cameras my new FujiFilm S6800 focuses on whatever is in the centre of the screen when you half press the shutter button. But what if you’d prefer to have your subject off centre?

As I should have worked out long ago when using previous cameras, if you keep button half-pressed you can then move the camera to get the composition you’re after but the focus of the lens will stay as it is, set to your subject.

birchbrack1

I think that having the main subject at the junction of thirds, rather than slap in the middle of gives a better composition. Central can sometimes be too obvious, like a passport photograph.

Throwing the background out of focus also gives emphasis to the subject.

stumpfungi2

As a record shot to help with identification it wouldn’t matter if the subject was central or the background in focus but I feel that by moving the subject to one side you introduce a little bit of narrative, a bit of expectation perhaps, and keeping the background out of focus goes a little way to building up that feeling of mystery that you get when you see fungi emerging in autumn woods.
stumpfungi

Second Nature

stumpfungi3

Inspired by the new camera, I’ve been reading Doug Sahlin’s Digital Landscape & Nature Photography for Dummies. I’m making an effort to get thoroughly familiar with its controls, so that they become second nature to me. With previous digital cameras I’ve had such good results with the auto or programmed settings that I’ve never got around to trying manual settings such as aperture priority and shutter priority.

rowan berriesIt’s the photographic equivalent of making the move from marker pens to watercolour in sketchbook work. There’s nothing wrong with in-your-face boldness in photography or in illustration but when it comes to trying to express a more enigmatic mood I think you need to develop a more subtle technique.

High Street Windows

cat in a windowTHAT’S JUST what you need; a cat wondering around your gallery, knocking the paintings over. The lady who exhibits in the window of her house on Horbury High Street tells me that the cat insisted that she leave a space for him to sit in the windowsill so she had to remove one of the paintings.

Nuzzling the edges of the paintings as he wove its way through the exhibits, the cat succeeded in knocking over the watercolour of badgers. Other subjects in this unique little cottage window gallery include sketches of the characters who can often be seen sitting on the benches opposite.

Mackay and PeasonAcross the road, Mackay and Pearson, jewellery makers, have installed a suitably summery seaside window based on a 1970s public information film about HM Coastguards. This film was shown so often on television that I can almost remember the dialogue:

‘Ooh look Doris! That man in the dinge-y is waving to us!’

Wood Chip Paths

WE WERE busy over the bank holiday weekend. Going through the process of shovelling and sieving again and again I thought that it would be good practice for me to make a little step by step YouTube video.

It took about ten goes for me to record a commentary that sounded reasonably coherent!

Sparrowhawk by the Pond

FujiFilm FinePix S6800

I HAD AN OPPORTUNITY to try the zoom on my new camera, the FujiFilm FinePix S6800, the day that I bought it (14 August) when a Sparrowhawk made a kill in the back garden.

At full zoom, 30x, I struggled to keep the camera still but as the Sparrowhawk seemed so intent on picking up every scrap of its kill I had time to get a tripod set up and I took about 20 minutes of film.

I missed the kill itself and missed filming the moment when the hawk finally flew off, perching briefly in next door’s sumac. It left only a few feathers, not enough for me to guess what its prey had been.

Hoof Fungus

Hoof fungus or Tinder Bracket, Fomes fomentarius

HOOF FUNGUS, Fomes fomentarius, is also known as Tinder Bracket because strips were used for starting fires. ‘Ötzi’ the ice man carried four pieces of this fungus with him 5,300 years ago.

Here it is growing near the ground on a Silver Birch at Newmillerdam.

Batley Baths

Batley baths

THIS SKETCHBOOK drawing was made from the life drawing studio in Batley School of Art, probably in the winter months of 1968, looking down on Batley swimming baths. I came across it this morning when I was looking through some of my teenage holiday journals in the attic.

The box on the windowsill is one that we were set to design and make in the college workshop. In it I can identify a pen knife, pen holder, compass and ruling pen, the tools of my trade as a foundation student, and beside it are bottles of blue, yellow and green Indian ink.

The yellow box on the left contains children’s wax crayons; ‘Noddy’ crayons, branded with the name of the Enid Blyton character.

Batley bathsRubbing these crayons on my sketchbook page laid the foundations for a kind of poor man’s scraperboard which I then, with difficulty, painted over with India ink which I could then scrape through to produce highlights such as mouldings, mortar and leaded windows.

This is a long and laborious way to produce a drawing but it’s evident that I enjoyed building up the textures.

It’s successful in bringing back to me the drabness of Batley at that time when smokeless zones were a recent innovation. I love the dour stonework and the glowering skylights which you can’t imagine would ever allow fresh air and sunlight filter down into the changing rooms below.

I never swam in these baths.

 

Waterbirds and Fungi

greylag goose

I LOVE the 30x zoom on my new camera. There’s an element of luck in what the autofocus chooses to latch on to but you can take several shots and hopefully one will catch something. The 4600 pixel wide images give plenty of scope for cropping in to find some suitable composition, like this Greylag keeping a wary eye on me.

canadas

tufted duckblack-headed gull divingI knew the Canada Geese would head for the water if I got too near. Having the zoom on maximum flattened the perspective and emphasised the pattern of black and white, like musical notes on a stave.

If I can get such close ups as this in a few minutes just ambling along the lakeside path imagine what I might be able to do if I spent a morning in one of the hides at a wetland reserve.

black-headed gull diving

crow in willowIt would be interesting to try a catch bird behaviour on film – like this juvenile Black-headed Gull diving into the lake, possibly to catch fish or perhaps even small freshwater mussels. A series of images might provide some clues. The camera has a continuous mode for capturing movement.

Water birds are good subjects to experiment with as they’re large and usually not hidden by foliage so when we saw a Carrion Crow in a waterside willow I tried photographing it.

Grey Heron

grey herongrey heronI was struggling to keep the camera steady when I tried to photograph the Grey Heron preening itself in a willow at the other side of the lake. The image is rather blocky but it would be useful if I was gathering reference for an illustration.

It’s good to see a heron engaged in some kind of activity rather than standing at rest.

Fungi

agaricagaricNot surprisingly after the warm humid weather that we’ve been having there were one or two fungi about. The toadstool with the scaly cap is a relative of the Fly Agaric while the purplish, smooth capped  and much eaten into toadstool (below, right) looks to me like one of the Russulas.

russulaBut today I’m content to get to know my camera. I’m looking forward to using it to get to know the names of a few more fungi in the autumn.

Publish 2013 Online

Publish 2013 Online

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On Friday I’m looking forward to taking part in Publish 2013;

‘This online conference is for inspiring and equipping both children and adults to discover how writing works in the real world. See how your life experiences, passions, and creativity can become a springboard for becoming a published author or artist!’

My session will be on nature journalling. For more information and to book tickets or to sample the three free preview sessions please follow the link above.