



Richard Bell's nature sketchbook since 1998







Despite the breeze we saw ringlet, meadow brown, small tortoiseshell, small skipper and a few marbled white butterflies. Six-spot burnet moths were also active and a hebrew character moth lurked amongst the grasses.
One of the smallest orb-web spiders, Araniella curcurbitina, was making its way across a grassy path. It’s Latin name, curcurbitina, means ‘a little member of the gourd family’; its bright green and yellow striped abdomen looks like a water melon or gourd. It has a scarlet patch on its underside.
We spotted a brown hare in a field in the valley of Kippax Brook to the west of the reserve.
Townclose Hills, Kippax is a Leeds City Council Local Nature Reserve managed by the Yorkshire Wildlife Trust.




In back gardens across the road a song thrush is going through what sounds like an improvised routine of varied thrice repeated phrases. We can probably thank the song thrush for the pristine state of the hosta by our front door; normally at this time of year it is looking very much the worse for wear with leaves stripped to skeletons by snails. A month ago when the song thrushes were feeding young in a nest in our beech hedge, there were broken snail shells scattered around the path, driveway and the flower bed over a period of several weeks. This must have taken a toll on the snail population.

A third species, a small dark hoverfly feeding on the cranesbill flowers, differs from the others in the way it holds its wings when at rest. It keeps them folded parallel along its back rather than angled at 45° like the other hoverflies.

A meadow brown butterfly rests amongst the grass stems.





A small white moth flutters around in a curlicue flightpath around the edge of the pond, a spectral presence. On still summer evenings there are often two or three hovering around.
A small red-tailed bumble bee is systematically working its way around the geranium flowers.

Thank you Jane for the question (see comments for this post) about how I go about sketching. What I was trying to do here was sketch whatever came along during a short session watching the pond but I didn’t want to end up with just sketches so I started writing my field notes straight away, breaking off to draw damselflies, moths and tadpoles as I spotted them.
I didn’t get around to drawing red-tailed bee so I’ve popped in a sketch from a post I wrote six years ago: Summer Evening Sketches


We take a brief tour of the Lake District – we’re well overdue for another break there – by following the shore of Ullswater then heading over the Kirkstone Pass to Bowness on Windermere.

Oystercatchers fly over the surrounding pastures piping at each other.

The track edges on the middle section of our walk from Leaplish to Tower Knowle look like illustrations from a field guide with a greater variety of wild flowers than you’d find many nature reserves.




I draw Craigleith, the bird island three quarters of a mile to the north of North Berwick from the rocky promontory at the end of the harbour. I’m waiting for the catamaran to return from its lunchtime trip around the Bass Rock because on this morning’s trip I dropped my lens cap. Luckily when the boat returns, the crew have spotted it; they say that I’ll find it listed on eBay!




Link: Scottish Seabird Centre webcams
I go for the seat at the edge of the boat on our seabird cruise around the Bass Rock because I want to try out my new telephoto lens but as the catamaran picks up speed on the way there I have to hastily put my non-waterproof Olympus OM-D E-M10II under my coat and revert to the Olympus Tough, but all the sea birds were photographed with the Olympus, with its 40-150mm zoom lens.
Trying to catch gannets in flight was tricky with the limited field of view that you get with a telephoto especially as the boat was bobbing up and down but by cropping in to some of the photographs I’ve been able to get a few close ups. The built in five-way image stabilisation has worked well, even in these challenging conditions.
Giant hogweed grows luxuriantly on the banks of the River Esk at Musselborough. One low-lying field has become a jungly thicket of hogweed, towering over my head to ten or twelve feet. I’ve got no intention of pushing in amongst it: the headline on the front page of our local paper this week was ‘Teenage Boy Scarred by Giant Hogweed’.
This year the Esk at Musselborough is to be the location for the traditional river crossing of the riders of the Border Reivers. The ceremonies include turf cutting at a number of traditional spots: the Reivers’ version of beating the bounds.

As the bus goes through Portobello we get views of misty hills across the Firth of Forth.
Unfortunately no sketching is allowed in the Scottish Parliament, not without the permission of the Presiding Officer. The mace, which is made from silver and gold panned from Scottish rivers, was designed and crafted by Michael Lloyd. It’s the first time that I’ve seen any of his work since my Royal College of Art days. He was in the silversmithing department but we both attended the general studies environment group run by Christopher Cornford and my tutor in natural history illustration John Norris Wood. You can see the influence of natural form in his design for the mace which is more like a giant thistle than the traditional gothic mace in the House of Commons in London.
He has engraved the words ‘Wisdom, Justice, Compassion and Integrity’ on the head of the mace. Not words that we’d normally use when discussing politicians but a great mission statement to aim for.
Link: Michael Lloyd – This is my story – The Silversmith’s Art