In the spring of 1996 I’d just finished my book Yorkshire Rock which for several years had involved drawing lots of small illustrations, mainly from reference, so I felt the need to get out to draw from life again.
I took a portable easel and a set of acrylics into Coxley Valley and painted entirely on location, making a point of never finishing anything off when I got back home. I’d had enough of being stuck at my desk, now every brushstroke had to be painted directly from the natural world.
This silver birch grew on the slope directly beneath pylon cables. My theory is that while still a sapling it had been flattened by falling ice or snow but it continued to grow, framing the view beyond.
To keep things simple I took only the three primaries with me, plus white. I used an enamel jug or billy can which I dipped in the beck for my water. I used the billy can itself for cleaning brushes and the smaller enamel mug which served as a lid was for clean water for mixing colours.