Out of the goose feather quills that I’ve cut, my favourite is the thinnest and most flexible, so it’s quite suited to the curvy shapes of ducks, willow branches and alder leaves, drawn this from a fishing platform at Newmillerdam.
But it isn’t practical for field work because the ink goes on so thickly that I can’t close the sketchbook. Over three hours later I’ve put it on the scanner and blots of ink have stuck to the glass.
Even carrying back my open sketchbook I managed to leave my thumbprint on the wet ink of the drawing. It’s part of what makes drawing with a quill more spontaneous than drawing with my usual fountain pen, but for field sketches, that’s what I’ll be going back to.