Month: July 2021

Horseshoe Geranium

pelargonium

The horseshoe geranium, more accurately known as the zonal pelargonium, is a hybrid species whose wild ancestors grew in Mediterranean climate zones. Because it wasn’t suited to surviving our winters, gardeners used to keep it going through the winter as stem cuttings. This can mean the expense of heating a greenhouse and there is the possibility of plants being susceptible to virus, so it’s more usual these days to grow it from seed.

Our neighbour has grown some this year and gave us this plant as a small seedling. It wasn’t too happy growing on our kitchen windowsill and its leaves turned red. We’ve discovered this was probably because it was getting too cold at night. It’s thriving now though in its small pot. Apparently if you give them too large a pot, they put their efforts into vegetative growth instead of flowering.

pelargonium flowerhead

The flowers have no scent but the leaves have a pungency that reminds me of dustiness. This probably dates back to my childhood experience of geraniums, which were often leggy plants growing on dusty windowsills in primary schools.

flowers from the garden

The cold hasn’t just affected our indoor geranium: the sweet peas have been very slow to start flowering and the three stems in this bottle are the first we’ve picked.

basil
Basil: we did grow some from seed earlier in the year, but this is a plant from the garden centre that we’re growing on.

The View from the Boathouse

Newmillerdam
Drawn with my new Lamy nexx with the EF nib, in brown De Atramentis ink, watercolour added later, as Barbara rang me to say that she and her brother had had to abandon their usual circuit of the lake.
swallow

The best place for me to draw at Newmillerdam on this rainy morning is the Boathouse Cafe, sitting looking out of the 200-year old gothic mullioned window with a mug of latte.

geese

Swallows swoop and glide low over the glowering grey surface of the lake. Thirty pink-footed geese – probably two or three families combined – progress sedately across the placid waters, making surprisingly little noise, considering how excitable geese can be.

coot family

There’s a family of coots with three youngsters, now almost adult size but in charcoal-and-white penguin-style livery, instead of the jet-black of the adults

On the coots’ nest by the outlet of the lake, an adult is sitting tight. This is a popular little nesting platform, now with it’s own mini-garden of herbage, and I think several families of coots must have been raised here over the last few months.

duck

In the shallow film of water cascading over the top course of masonry of the outlet, mallards are dabbling. The lake has its backwaters, opaque and eau-de-nile today, but here there’s always a flow, so always the chance of some invertebrate or seed being washed down.

Two ducklings are swimming nearby. I’ve seen smaller ducklings stuck below the horse-shoe cataract of the outlet, unable to make the leap back up again, but these two seem just about old enough to escape the dangers.

duckling

The Watchers by the Pond

cut-out figures
speech bubble
First rough for a speech bubble.

More unusual visitors at our garden pond and although my cut-out characters now bear little resemblance to the Patrick Stewart and Richard Tolan as Joby and his dad in the Yorkshire Television version of Stan Barstow’s Joby, they have the folksy quality that I was after for my Redbox Gallery show.

They’ll be sitting on a riverbank, a folding screen of two A1 sheets of foamboard. Time to get out my largest brush, a varnish brush, to add the indigo blue of the Calder.

river artwork

Dandelions and Double Yellows

Oxford ragwort

Helen Thomas’s paintings at the opening of her Dandelions and Double Yellows show at Wakefield Cathedral celebrate street flowers, such as the willowherb, sow thistle and Oxford ragwort that I spotted at Bank House on Burton Street.

Professor Mike Collier introduces Helen Thomas’s ‘Dandelions and Double Yellows’.

We were on our way to the Museum at Wakefield One to take a look at another inspiring exhibition, also opening this weekend, which brings to life the letters of Charles Waterton in a suitably Victorian combination of paper craft and magic lantern show, with narration and readings by Sir David Attenborough, Sir Michael Palin, Chris Packham, Liz Bonnin and Waterton Discovery Centre countryside ranger, Dave Mee.

Helen Thomas
Helen Thomas

Heads Up

grids for copying drawing

It may seem obtuse to turn my artwork upside down as I enlarge my characters from A3 to A1 with the aid of a grid, but with such a large sheet of foamboard, it’s easier to reach the top this way. When it came to the faces, I drew a tighter grid to help me get the details in proportion.

Besides, as Betty Edwards points out in Drawing on the Right Side of the Brain, upside-down drawing helps you make the shift to ‘R-mode’, so that the logical left side of the brain isn’t continually saying ‘Ah, I know what this is . . .’ (a nose, for example) ‘so don’t need to look so carefully now’. When you switch over to your right side, she suggests, you draw the shapes as they are, without preconceptions.

Even so, when I came to the eyes of these characters, I could feel myself thinking, no, that’s not right, that doesn’t feel as if I’m drawing an eye.

Look forward to turning the board right side up.

Pellucid Fly

This pellucid fly, also known as the pellucid hoverfly, obligingly sat on an umbel of hogweed as we photographed it. It’s one of Britain’s largest flies so although I hadn’t brought my DSLR and macro lens, it still made a good subject for my iPhone.

It’s larval stage lives in the nests of bees and wasps, scavenging its way through waste products but also turning carnivore eating the larvae of its hosts.

This is our first visit to the High Peak since before lockdown and we’re on our regular circular walk between Hope and Castleton.

We see are a couple of fresh-looking red admirals, half a dozen meadow browns and a blue dragonfly with a greenish thorax hawking back a forth over a little backwater pool on the bend of this stream, Peakshole Water, downstream from Castleton.

But it wasn’t just us watching insects, unknown to me as a photographed this valerian further downstream at Hope, the insects were watching us. When I downloaded the photograph I spotted this wasp, which must have been hovering within a couple of feet of me, with a ‘what are you doing?’ expression on its face. So rather like the lamb I attempted to photograph stealthily earlier on.

sketches

We’re walking rather than sitting and sketching, but I do get a chance to try out my new pen, a Lamy nexx an EF nib, as we wait for lunch at the Castle Inn.

On the Grid

I’ve started on the main characters for my Redbox Gallery, with a cloth-capped Patrick Stewart as Joby’s father and Joby himself, played by Richard Tolan.

rough for Joby illustration

I’ve gridded up my A3 drawing, ready to transfer to A1-size foamboard.

My little rough yesterday was sketchy enough to suggest the figures but now I’ve started defining them more, I’m going to have to tidy things up a bit, hopefully without losing the liveliness of the rough.

stork cut-outs

And what’s this, down at our garden pond? These foamboard cut-out storks might seem too big for a phone box-sized gallery but I’ve checked that out with my little scale-model mock-up and they should fit in nicely. Being white, they should show up well in what can be a rather dimly-lit space.

Boxed In

mock-up of phone box display

This morning we took a look at a gardening display in the old telephone box at Horbury Bridge, which included a small selection of items – a tomato plant, a pair of gardening gloves and a trowel – to tell its story. It made me realise that the simpler and bolder my display for the Redbox Gallery, the better.

My main characters were always going to be Joby and his dad from Stan Barstow’s novel and I realise that including historical characters, such as railway and canal engineers, will overload the display.

Watching the closing scene of Yorkshire Television’s 1975 production of Joby on YouTube, I’ve found a perfect exchange of dialogue which will work as the keynote for my show. I’d been thinking of phrases to sum up Addingford such as ‘just ten minutes walk from this phone box’ and ‘Horbury’s unofficial nature park’, which would be fine but I don’t want too many text boxes. People often skip reading labels but dialogue is more compelling.

As we’re trying to get people to stop briefly and peer into the box, we need something eye-catching – like the pocket cartoon amongst the articles in a newspaper – to hook passers by.

Redbox Mock-up

Addingford Steps

I’ve added a light watercolour wash to my sketch map and to the Addingford Steps A1-size pen and ink artwork, keeping it light so that it shows up when viewed through the windows of the Redbox Gallery.

sketch map

These two panels are the backdrop and the cut-out figures that are the main event.

mock-up
scale model

I’ve printed small scale versions to try for size in my mock-up phone box.

I feel that the Redbox is more like a shop window than a regular gallery. Five minutes wouldn’t be long to spend wander around a small show in a regular gallery, but five minutes peering into a phone box would be a lot to ask.

Steam and Star Wars

Star Wars characters visit Grosmont

From a galaxy far, far away . . .

(Grosmont)

At first they welcomed the surge in interest but soon the good people of Grosmont began to regret that Hans Solo had told all his friends about the great time he’d had visiting Yorkshire.

Yoda and his 900th birthday cake.

Happy birthday to Iris (who fortunately doesn’t need as many candles on her cake as Yoda.

And I should explain that Hans Solo himself was recently spotted filming on the North Yorks Moors Railway. Although on this occasion Harrison Ford was playing Indiana Jones.