As I’ve mentioned, my approach to page design is normally to cram as much as I can on a double-page spread but after all the books on typography and graphic design that I’ve read recently and (see previous post) the cereal packets that I’ve studied, I’m trying for a calmer, clearer page layout for my Wakefield Women in History.
I’ve just started reading Helen Gordon’s Notes from Deep Time and the classic page layout struck me as being a pleasure to read, so I’ve been using my layout ruler to measure margins, indents and leading (the space between lines) in the handsome hardback, published by Profile Books.
Dolly Pro
I’d normally go for a familiar, tried-and-tested, roman typeface like Garamond or Baskerville but an article by typographer Dan Rhatigan on Adobe Creative Cloud persuaded me to try a new ‘warm, fairly classic’ alternative for a book typeface, Dolly Pro, designed by Underware. It looks good to me but the test will be when I print a page on paper.
