If you’re trying to track down one of my books, this bookshop on Horbury High Street is a good place to start. In addition to my local booklets, walks guides and sketchbooks, bookseller Richard Knowles often has copies of my long out-of-print titles such as my first, A Sketchbook of the Natural History of the Country Round Wakefield; I spotted two copies of the paperback version on his shelves recently.
This is the first time that I’ve tried the Adobe Illustrator trace option on a colour photograph. The results remind me of the British Library’s reprints of vintage detective fiction, which often have a period travel poster or similar artwork on the cover, hence my book cover design (all I’ve got to do now is write the mystery novel to go with it).
I could learn something from Illustrator when it comes to being bold and confident in the use of colour. In comparison with this posterised effect, my watercolour is soft and tentative. Not always a bad thing but bold and confident would be good from time to time.
I love the printmaking effect that I can get by converting one of my sketches into a vector graphic in Adobe Illustrator CC 2018. I’ve reproduced this image at almost its full screen size (the original sketch is much smaller) because I didn’t want to soften it by reducing it too much.
I’ve downloaded the program this morning as part of my year’s subscription to Adobe’s Creative Cloud and I’ve been going through the beginner’s tutorials as it’s so many years since I last used Illustrator.
I’d never come across the option to automatically trace a scan or a photograph of a drawing and turn it into crisp black and white vector artwork. I immediately started thinking of how I might use that in my work.
For instance, I’m currently working on a historical article for the Dalesman magazine and I feel that vector graphics could give the effect of a woodcut. Even after a lot of practice, I’m more used to drawing with a pen than an Apple Pencil, so this might be an effective way of combining the freedom of drawing with the graphics effects available on the computer.
In both of the examples above I went for the ‘Shades of Grey’ preset in the Trace Image dialogue.