A Little Rough

First rough; having got that on paper – or at least on the iPad – I can now improve characters, dialogue and setting as I move on to the next layer and work in pen.

Whenever I think about drawing a comic strip I start to get white page syndrome. If I thought too hard about this little idea, inspired by the gargoyle that I drew last week, I’d likely break off to research the historical setting and the costumes.

After my recent experiments in drawing on the iPad in Clip Studio Paint, this is my first attempt at using the program to generate a comic strip, so I’m keeping the layout ultra simple.

Limiting myself to four squares, each with a ruled border around it, means that – if the final strip was ever used anywhere – it could be four horizontal frames or four vertical and if, as I intend, I was to draw five strips on the same theme, as you’d see in a daily paper, they could go together in a four by five grid, for the Saturday morning supplement, in comic strip tradition.

Layers in Clip Studio Paint.

I’ve always struggled with the concept of adding frames in Clip Studio, partly because there are several alternative ways to do that so I’ve gone with the method that I’ve become familiar with, treating each frame as a separate drawing.

The main difference is there’s no photographic reference this time, and I’m enjoying working from my imagination for a change.

Sticky Bud

Flaky bark and even flakier tree recognition: I take a closer look at the tree that I photographed on Friday and, although the bark is flaky, it isn’t as flaky as that of London Plane: it’s Horse Chestnut, which probably explains why the bark is so polished; it’s been climbed by generations of conker collectors.

At this time of year, the swelling buds are almost as distinctive at the autumn conker fruits. The bud scales are red-brown and sticky and beneath them are the shield-shaped scars where last year’s leaves were attached.

The lenticels that dot the twigs are raised pores which allow for gaseous exchange.