Coxley Beck is running opaque with sediment where it passes through an old mill race at Horbury Bridge. I’ve draw this on my iPad Pro, using an Apple Pencil in the Clip Studio Paint program.
I pasted a photograph that I’d taken this afternoon into the lowest layer of my Clip Studio Paint document, then added a layer for pencil above it. So that I could see where I was going with the pencil, I partially faded out the photograph by using the opacity slider for that layer.
I traced the trees and the line of the beck in pencil, then hid the photograph by clicking its eye symbol in the layer palette and drew using the pen tool, using my pencil tracing as a guide.
Once I’d finished with the pencil layer, I hid it and added a new layer for paint. In order not to paint over my pen lines, I added the paint layer below the pen layer.
As I worked, I kept referring back to the photograph layer, now with the opacity slider set back at 100%, and used the eye-dropper tool to sample colour. I couldn’t always get the colour that I wanted, so I also used some of the standard swatches and the colour wheel.
In the odd spots that I hadn’t painted, the default white background of what Clip Studio refers to as ‘paper’ showed through, making Coxley Beck look more sparkly than it actually does this afternoon, so I added a background layer of a suitably muddy brown.
It reminds me of when I painted in acrylic and I’d start by painting the whole canvas in a neutral light grey, so that I wasn’t misled when mixing tones by a brilliant white background.
I used various digital pens, finishing up with the textured pen and various versions of the watercolour brush, including dense watercolour.
I look forward to trying the technique with another subject.