Mother Goose

handWe got so much done this morning before heading off to my audiology appointment. Unfortunately I’d left my letter pinned on the pinboard and as they run a no-login ‘wait until called’ system it wasn’t until thirty-five minutes later that I realised I’d turned up forty-five minutes late.

Not surprising after a week of meetings. But things at last seem to be settling down.

last spreadThe wait did give me more than the usual amount of time  to do one of my innumerable waiting room drawings. I was particularly pleased to make as start on this page as this is the last spread in my Wainwright sketchbook. Yippee!

pepper and saltI never liked the paper but its shortcomings have forced me to try crayons again because watercolour bleeds through. I’m so looking forward to a fresh sketchbook. It couldn’t have come at a better time with spring and fewer commitments ahead.

I wouldn’t normally draw that cliche of drawing journals, the pepper and salt pots, as we waited for our meal in Frankie & Benny’s but I was keen to bring the Wainwright sketchbook to a conclusion. I started it in the dentist’s waiting room, drawing the goldfish, on 23 May 2013. I feel as if I’ve spent half my life in waiting rooms since then!

audience

 

I knew that it would be easy to finish off this last spread this evening at the pantomime, bringing the book to a suitably upbeat conclusion.

The scenery worked well, our attempts at perspective created a sense of stylised space and I liked the way the cottage, made from a couple of small canvas-covered panels, extended the scenery into real space, allowing for a slapstick routine using its door and window.

But, if anything, the perspective painted door on the backdrop, with its gleaming rivets and chunky black hinges, looked more realistic than the real door on the cottage.

You can’t believe anything you see in a pantomime.

mother goose

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