LIKE ME, my pen is a bit of a slow starter after a break. I draw a series of loops to get the ink flowing again.
It’s a cool rainy day, not the sort to encourage me to go out on a research or sketching trip, and it’s a pleasure to be sitting at my desk in my airy studio with the prospect of a whole day devoted to drawing. A rare chance to listen to the radio.
The excuse to draw all day is the main thing that attracted me to illustration as a career, so it’s a shame that so much of my time gets taken up with other tasks.
This doodle (right) starts by looking like frogspawn and ends up looking like a multi-cored cable. I’ve scanned it here half as big again so that you can see the inky wobbliness. I think that both those qualities, the inkiness and the wobbly line, are important to me, hopefully giving a softer friendlier feel to my drawings rather than technically brilliant panache. I must be succeeding to the extent that no-one has ever described my work as technically brilliant.
These are all drawn with my ArtPen with the F, fine, drawing nib, filled with Noodler’s El Lawrence (brown) ink.