IT MIGHT BE about a month late thanks to the cold, sometimes snowy weather but at last there’s a clump of frogspawn in the pond with at least 14 frogs, most of them gathered around the clump which is on the sunnier, shallower side of the pond.
IT’S UNUSUAL to be able so see your Victorian ancestors in colour but these two portraits that have been stored away since my mum inherited them in the 1960s give me an opportunity to do that. I’ve decided that, whatever their merits as paintings, it is worth giving them a new lease of life because they’re such central characters in the family sage that I’ve been unfolding in my genealogical research re so I’ve taken them to Robin Taylor in Wakefield for restoration.
Robin tells me that they’re painted photographs. The budget version of this would be a photograph with some of the features such as eyebrows picked out in charcoal by the photographer so these fully overpainted photographs would have been a more expensive option.
These aren’t wedding portraits because George and Sarah were married in the 1870s and the label on the back of the portraits suggests that they were photographed, then painted, in the 1880s.