Tuesday: The corn on the cob has swollen a little since I last drew this sweet corn in a veg bed in the library garden a week ago.

IT’S STARTING to spot with rain as I sit on a bench waiting for the bus and sketch Ingham’s Handyman Shop at the bottom end of Queen Street, Horbury. Using a folded scrap of laser printer paper resting on my knee isn’t going to give the best results, but it’s a drawing that I wouldn’t otherwise have done.

It’s been a scrappy week altogether for drawing. This sketch of Tilly the bookshop border collie was drawn with a Q-Connect Fineliner, a 0.4mm fibre tip pen which is designed to give you 1,800 metres of writing, ruling or stencilling.

 It isn’t 100% waterproof, so I tend to use other pens, but it works well enough for quick sketches as it flows so freely, at least it does until the tip gets worn down, which happens long before it reaches the 1,800 metre mark the way I use it.

I inadvertently scanned this lightning sketch of Tilly (below) curling around in her grooming routine at a higher resolution than I intended but I like the way you can see the variety in the lines when you see it at this scale, about four times the original size:

Like all my drawings this week, it’s a bit on the scrappy side but as Tilly was moving so continuously during her grooming session there wasn’t an option for a measured drawing.

I can see that I’ve reverted to a kind of scribbly nonsense writing to represent her curly black hair on her back. You could almost read it as ‘lattélllls’.

And we have had a lot of lattés this week. After so many pen sketches, this morning at the Waterside Kitchen at Newmillerdam as we waited for our lattés I went straight into watercolour – no initial drawing, not even in pencil – sky first then, after letting that dry, the trees.

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