


Richard Bell's nature sketchbook since 1998




It’s easier, as always, to draw my own hand, because I can keep that still.
As I mentioned the other day, I’ve now filled one of my ArtPens with ArtPen ink and I think this is freer flowing than the Noodler’s ink that I use when I’m adding watercolour, making it ideal for a fluid subject like a baby. And of course I can dab the line with with my water-brush for a wash effect, as I did with my drawing of my hand.
I’d like to draw people more but I’d prefer to draw in some public place like at a street market, rather than at a family gathering.




Links; Chipp Walters’ blog
Cornucopia 3D where you can currently download the latest version of Vue Pioneer for free.




After all that work in the garden I felt indulging in another tutorial from Create 3D like a Superhero, making a start on this ‘Dolphin Underwater Recon Vehicle’, simply constructed from ‘primitive’ shapes – squashed spheres, a torus and a skewed cube – which you can melt into each other by hitting the ‘Metablob’ button. Just the canopy and the shark style vents to add and I can take my model to the paint shop.
Much easier than installing a wild flower meadow.


If warm air is forced upwards it’s going to cool, resulting in rain, and if the rain falls through the wedge of colder air, that would, I guess, turn it to snow.
Weather maps show the situation from above but to understand a swirling meeting of air masses like an occluded front, you’d really have to see it from the side or in three dimensions.


Chiffchaffs are now singing in the trees and bushes on the old railway embankment, along with Chaffinches. I sketch a 

The song is so conspicuous that I expect the bird to be conspicuous too; I look in the top branches but, no, it’s singing from half way up in the hedge 12 or 15 feet tall hedge.
I think this must be the preferred height for a song post for Chaffinches because fifty yards along there’s another one, singing from exactly the same height.
I’d usually walk straight into Horbury up Quarry Hill alongside the busy A642 but I decide to give myself a bit more time today, to walk via the quiet towpath, derelict railway and Addingford Steps, returning alongside Slazenger’s playing fields and the riverbank (right). This stile is little more than 10 minutes walk, via Wynthorpe Road and across the bypass, from Horbury High Street. New footpath signs direct you to Thornes downstream or Netherton across the valley.
WE’RE HEADING down the M1 with an urgent consignment of Rhubarb and Liquorice; another batch of my Walks books for the distributor. The spring countryside is looking so inviting for walking so it’s ironic that we have to spend so much time delivering walks books when we’d really like to be getting out to walk ourselves!

When you’re getting into the mood for sketching or taking notes, you sometimes have to start with the abundantly obvious, just to break the ice and get you moving.
Dandelion and Gorse are in bloom and in the fields Oilseed Rape is starting to come into full flower so yellow is the dominant colour but in gardens there’s the dusky crimson of flowering currant alongside Magnolia and flowering cherries. Red Deadnettle brings a touch of crimson to disturbed ground by the roadside verge.

At Orgreave a large Red Fox lies by the road near the extensive open area of the old colliery site.


We’ve been making the most of what might be the last of a spell of dry settled weather which seems to have lasted for the best part of two months. There could even be a bit of snow coming so today I’m finishing painting the edges of the raised beds. It’s never a job that would be top of your list of essential tasks in the vegetable garden but there’s never going to be a better time to do it as not only is it so dry but there are almost no crops in the bed, so I can push back the soil to paint the timber.
It’s like clearing your desk before you start a new project.