Tag: Through Flood and Flame

Flame, Flood and Were-Wolves

Baring-Gould in Horbury

In 2024, the Baring-Gould Centenary year, we’re celebrating – in artwork and animation – his work inspired by the time he spent as a young curate in Horbury: the hymn ‘Onward Christian Soldiers’, his folklore study ’The Book of Were-Wolves’ and his semi-autobiographical novel, set in a thinly disguised version of Horbury, ’Through Flood and Flame’. Cue thwarted love, dramatic disasters and the villainous Richard Grover, man-monkey and firebrand preacher.

Special thanks to local historian Keith Lister, author of ‘Half My Life’, the Story of Sabine Baring-Gould and Grace, my main reference for this Redbox Gallery show.

Characters from the novel

3D cut-outs of Annis, the Nightwatchman, Richard Grover the ‘Man-Monkey’ and our hero, Hugh Arkwright, should make a dramatic centrepiece for my Baring-Gould Centenary display.

I was hoping to squeeze in a few were-wolves too but Baring-Gould’s lively research into folklore but they’ll be stars of the short animation that I’m starting work on today.

Hugh Arkwright, ‘Through Flood . . .’

Hugh

Meet our hero, Hugh Arkwright of Arkwright’s Mill in Sabine Baring-Gould’s thinly disguised version of Horbury in his semi-autobiographical novel of 1868, Through Flood and Flame. I’ve gone for him encountering peril number one, the flood.

I based the action-hero pose on an Indiana Jones movie poster but as Indy is holding his trademark bullwhip and our hero Hugh was negotiating the flood walking along a garden wall clinging onto a clothes line to keep his balance, I’ve shown him in a later scene which involves a rescue by boat (although in that case Hugh is catching the lifeline rather than throwing it).

Hat, frock coat and necktie, along with the character himself, based on Timothée Chalamet’s version of Willy Wonka.

Annis Greenwell, Mill Worker

Annis

Despite the melodrama and the larger-than-life characters, Baring-Gould’s novel Through Flood and Flame was semi-autobiographical. Annis Greenwell was closely modelled on Grace Taylor, a young worker at Baines’s Mill, who – in real life – he met, fell in love with and, a few years later, in May 1868, married at St Peter’s, Horbury.