Commissioned for Wakefield’s Rhubarb Festival, my cartoon animation tells the story of rhubarb from its origins in the cold winters and rich moist soils of Southern Siberia, through to the heyday of Yorkshire’s Rhubarb Triangle when a regular night train from Ardsley Station carried 200 tons of forced rhubarb to London.
Along the way we meet Marco Polo, Ghengis Khan’s camels, Nicholas Culpeper and Rhuben Cushstead, head gardener.
After three weeks, I finally finished my Brief History of Rhubarb animation yesterday, just on the deadline. My decision to enliven the Zucca Bar scene by inviting Rhuben Cushstead, head gardener, and all the other characters to the wrap party proved to involve an awful lot of animation. The Chinese doctor seems to have got into an argument about the medicinal properties of rhubarb with Nicholas Culpeper while his patient, the mandarin, is at the other end of the bar evidently suffering from the effects of one too many Rubarbaro Zuccas. The Zucca Bar is in Milan, so it was a bit of surprise to see Marco Polo from Venice bobbing around in the background. As usual Rhuben is propping up the bar, oblivious to the smart signore, who is trying to attract the barman’s attention behind him.
The snippet of music is Rhuben’s theme from the animation. My friend, Karen Chalmers, writes:
‘for the Rhubarb patch, I put together a little ditty on my keyboard, featuring clarinet (which to me, always reminds me of Yorkshire). I added a few train sounds (haha) for your steam train. It should fit together pretty well timing-wise.’
It fitted perfectly. Sorry there are just a couple of bars here, but you can hear the full soundtrack next week: I’ll post the final cut next week, when this animation and another featuring Barbara’s rhubarb cheesecake recipe get their world premiere at Wakefield’s Rhubarb Festival.
No red carpet at the old market hall next to the bus station where my work will be screened alongside that of seven other animators, but there will be a chance to step inside a recreation of a rhubarb shed, candle lit and full of real, growing, forced rhubarb rootstock.
Just in case you were wondering how I conjured up my cartoon character, head gardener Rhuben Cushstead, here’s the inside story, as seen in a timelapse video of the whole process of drawing in Adobe Fresco, from importing some of my sketchbook drawings to create the scene in the Rhubarb Patch, to isolating elements of Rhuben, such as his left forearm, for my animation.
The video lasts one minute. If only I could work at that speed!
In the next section of my video, I’ll draw portraits of Prophet Wroe and Adam Hood, forester, who will then introduce their own corners of the Rhubarb Triangle.
Before I add Marco Polo himself to this scene of a lush growth of rhubarb in the mountains of Tangut, China, I wanted to perfect the waving hand, which in Adobe Animate is a Movie Clip symbol. Having animated the waving hand symbol, the movement is added to the cartoon as a Motion Tween.
Marco’s arm won’t be moving across the screen but my next Motion Tween challenge is two of Ghengis Khan’s camels laden with rhubarb, so I wanted to start with something simple.
Here’s the rough cut version of the titles of my Brief History of Rhubarb animation. There’s lots of little improvements I could make to this but I need to see the whole two or three minute film first before I get into those final touches.
Like so many wildlife photographers, I’ve gone for a bit of slow motion in my opening shot of a mammoth discovering that rhubarb leaves contain oxalic acid and other chemicals as a defence against grazing animals. The slow motion wasn’t deliberate, but I’m still getting used to the timeline in Adobe Animate.
Having sorted out such knotty issues as the mammoth’s trunk, I’m now turning my attention to the titles for my Rhubarb Festival animation. This suitably homespun title introduces the section where we meet the head gardener, Rhuben, leans over his garden gate to talk rhubarb.
I’ve got most of my Brief History of Rhubarb animation in the can and all the artwork completed but I’m still working on the scene where a man picks up glass of rhubarb aperitif. It’s a surprisingly tricky bit of animation to get right but I’m determined not to fudge it and ‘cheat’, so hopefully I’ll get it to work smoothly over the weekend.
In the meantime I’m planning my next animation for the Rhubarb Festival Richard Bell’s Rhubarb Triangle Sketchbook.
My storyboard (above) gives the gist of it, a sketchbook brought to life, with the drawn characters, such as a Middleton collier, telling the story themselves. I’ll then pan around the page for close-ups of relevant pen and watercolour drawings.
I’m using picture maps and pen and watercolour drawings that I drew for my booklet Walks in the Rhubarb Triangle, so I’ve got plenty of material to choose from to tell my story and conjure up an impression of Rhubarb Triangle country.
A man walks into a bar, not just any bar, this is the famed Zucca’s Bar in Milan, and orders the speciality, Rabarbaro Zucca, a rhubarb-based aperitif. But he’s out of luck, I’m only halfway through the tutorial on how a character picks up an object in the Adobe Character Animator tutorial, so he’s going to have to wait until tomorrow to finally get that drink.