Goose Feather

Out of the goose feather quills that I’ve cut, my favourite is the thinnest and most flexible, so it’s quite suited to the curvy shapes of ducks, willow branches and alder leaves, drawn this from a fishing platform at Newmillerdam.

duck

But it isn’t practical for field work because the ink goes on so thickly that I can’t close the sketchbook. Over three hours later I’ve put it on the scanner and blots of ink have stuck to the glass.

alder

Even carrying back my open sketchbook I managed to leave my thumbprint on the wet ink of the drawing. It’s part of what makes drawing with a quill more spontaneous than drawing with my usual fountain pen, but for field sketches, that’s what I’ll be going back to.

Maris Peer

drawing potatoes

Just harvested half a row – that’s two or three feet across our raised beds – of Maris Peer second early potatoes and decided they’d be a suitable subject for attempting to draw with a Canada goose quill.

quill and feather ink and wash drawing of Maris Peer potatoes.

I tried using the feathered end of one of the quills to add the wash. This is Noodler’s Black Ink.

I’ve been reading books on Hokusai and Quentin Blake, who was one of the tutors during my time on the Illustration course at the Royal College of Art. Birds feature a lot in Blake’s work and he’ll sometimes use a feather to draw and paint with.