Inky Workings Out

pen, chinese ink and brush

I’m experimenting with pen and ink and Chinese ink and brush, partly to free up my drawing but also because there’s a possibility of an inky project coming up over the next few months.

Werewolves

It involves Victorian werewolves, so a pen with a Victorian nib would be appropriate and Chinese ink is unpredictable enough, especially in my hands, to add some gothic texture and mystery to the drawings.

werewolves

I can’t work out how a werewolf could wear a top hat but I don’t think a character like the sly fox Honest John in Disney’s Pinocchio is the way to go. I’ve been reading Isabel Greenberg’s Glass Town and The One Hundred Nights of Hero and I think something more in the realm of graphic illustration and European folk tales would suit the subject but I’ve also been reading up on Nick Park’s Wallace and Gromit so I’m not discounting something more homely.

Pen, ink and brush drawing my Vivo Barefoot shoes.

Pen & Ink

pen and ink

Just half an hour with the Adobe podcast this lunchtime, so I stuck with pen and ink (Lamy Vista and Noodler’s) for my desktop drawing.

Clearing the Desk

FinePix S6800
AFTER THREE WEEKENDS away and another catching up, I’m finally getting back to ordinary life. I’ve just sent my latest article off so it’s time to clear my desk and get started on the backlog of drawing and writing that I’ve got in mind to do. But first, to draw a line in the sand after all that frantic activity, I decide to draw my cluttered desktop.

I feel that random compositions are often the best so I don’t rearrange a thing before starting. As a change from fountain pen I decide to give myself the challenge of working with a dip pen and Indian ink, starting again from scratch as it were, and this nib certainly gives a scratchy effect compared with the rounded nib of my fountain pen.

desktopI’m amazed how badly I flounder on proportions and positioning with a captive subject like this. My struggles are most obvious on the one of the few diagonals in the drawing, the handle of the tripod, but books and magazines also get out of proportion, probably because I’m not allowing enough for the effects of perspective which are an important factor when you’re so close to a subject, about four feet from the nearest pile of papers in this case.

Also I’m happily listening to Radio 3 as I work so I might have been better giving my full attention to my drawing.

But at least I’ve made the attempt and I’m hoping that now we’ve settled down I’ll be able to take the odd hour off to draw again.