Richard Bell's nature sketchbook since 1998
‘Did you manage to get any gardening done after drawing this and photographing the robin?’, a friend on Instagram asks me. Well yes, Jacqui, you’re going to be amazed at the transformation!
These Olympus Tough macro shots, taken while weeding the potato bed, include a holly blue butterfly.
Just one last art bag, a Jack Wolfskin crossover bag that’s just the right size for an 8×8 inch (approx.) Pink Pig sketchbook. This is supposed to be a more serious version of a natural history art bag, including Olympus Tough camera, hand lens, pocket microscope, a geologist’s grain sorting chart and a monocular, the latter not likely to be useful as I’d always have my binoculars with me on a field trip.
The Winsor & Newton watercolour box is a bit of a work in progress. It is still basically the palette of colours that I took with me on my Richard Bell’s Britain sketching trip over 40 years ago but today I’d replace one of the reds with a permanent rose or magenta and the charcoal grey with a neutral tint or Paynes grey.
Also possibly on the transfer list would be the viridian and the dark greeny blue (indrathone?).
I might try and build up a palette that would be particularly useful for wild flowers, including an alternative violet or purple.
With Storm Eunice lashing the studio windows, this seemed like a good time to prepare for getting out and sketching when the spring weather comes, checking the contents of my main art bag. This was drawn in the 8×8 inch Pink Pig Ameleie sketchbook, using the Lamy pens and the Winsor & Newton professional watercolours that I keep in there.
All ready to go out sketching now , , , when the weather improves.
I upload photographs from my little Olympus Tough or the FujiFilm FinePix bridge camera every couple of days. When they’re not on my desk connected with USB cables to the computer they’re in one of the bags hanging behind me.
I tried out my new Leki monopod/walking pole on Sunday, attaching my Olympus Tough to it to film Janet’s Foss, near Malham. Even with this small camera mounted on it, the pole was useful when stepping over damp limestone boulders to get nearer to the waterfall.
Although a lot steadier than handheld, I found that it swayed slightly as I clung to it, so I used the camera shake adjustment in iMovie to reduce this effect.
The image quality of the Tough isn’t as sparkly as my regular camera (plus I still had it on the macro setting, which can’t have helped) so I tried using iMovie’s ‘romantic’ filter to soften the pixelated effect. This filter adds a soft vignette to the frame. The gradual zoom-in was also added in iMovie, using the ‘Ken Burns’ effect in the cropping tools section.
I’VE HAD my Olympus Tough for a few years and it’s proved as reliable as the name suggests so on a Wakefield Naturalists’ field meeting today, when we were looking at leeches and efts (young newts) in a pond at Potteric Carr, I decided to be brave and reach down into the water to see how it would turn out.
My wildlife photographer friend John Gardner suggested using a flash. I normally prefer natural light but, in the murky depths below the pondweeds, the flash works well.
Leaning out and reaching into the water with one hand I found it difficult to avoid camera shake but at least I know that in principle the camera works underwater. Perhaps a rockpool would make a better subject.