Richard Bell's nature sketchbook since 1998
With Storm Eunice lashing the studio windows, this seemed like a good time to prepare for getting out and sketching when the spring weather comes, checking the contents of my main art bag. This was drawn in the 8×8 inch Pink Pig Ameleie sketchbook, using the Lamy pens and the Winsor & Newton professional watercolours that I keep in there.
All ready to go out sketching now , , , when the weather improves.
I stuck to black and white at Newmillerdam this morning – a B-nib Lamy filled with De Atramentis ink and a Pentel brush pen.
When people are wearing bright yellow or blue, it’s tempting to add that as a flat wash but I’m experimenting with black and white for my werewolf comic, to create an inky gothic atmosphere.
Also as an experiment, I scanned these at 600 dpi (dots per inch) in ‘1 bit B/W’, reducing everything to either pure black or white.
I hadn’t realised how abstract and scribbly my artwork was in close-up until I scaled this drawing of Addingford Steps. I drew a grid over my A4 print, but the original is just six inches tall.
It was like doing a jigsaw: the individual squares sometimes didn’t look like anything at all, also, because I’m working on A1 foamboard in portrait format, I turned the artwork on its side, so that it was easier to reach, and painted it in two halves, so some things, such as the perspective of the foreground handrail, didn’t make any sense to me until I saw it right way up.
Just the watercolour to add now, which is a a quick job compared with reconstructing my drawing.
Testing out my new Lamy nexx M fountain pen with the De Atramentis Brown ink, I drew the Habitat mug on the coffee table in front of me, then rounded up the available fruit: this time a lemon and two Royal Gala apples. The apples are British and in these days of tense Brexit negotiations, I’m pleased to say that they are flying the Union Jack the right way up on the label, I’ve just checked.
You can see that there’s no problem with the ink running when I add the watercolour wash. Compared with my first drawing of my feet yesterday, the pen is settling in and producing finer lines, which is what I want.
Bananas don’t survive long in this house but here are some that I drew at the beginning of the month, resisting the urge to add colour in this case. These were drawn with a Lamy Safari loaded with De Atramentis Document Black ink.
You might be wondering how my attempts to improve my handwriting are going. Not too impressive so far, but showing slow improvement. These long and short downstrokes improved as I got down the page. In the next exercise, I get to practice real letterforms, ‘hb’ and ‘hp’, as the authors of Improve Your Handwriting point out, these are ‘closely related letters that share the same lines and arches’.
