Richard Bell's nature sketchbook since 1998
Teddy is a puggle – a cross between a pug and a beagle – which, according to his minder (his owners are away on holiday), means that he always looks slightly bad tempered. On the contrary, he keeps his cool when a passing border collie challenges him with a barrage of barking, looking the over excited passer by as he was thinking just what is the matter with you.
Robin Walker tells me that we’ve now got a date for a recital to mark the 100th anniversary of the death of Yorkshire composer William Baines. After the recital I’ll be leading a walk to some of the Bainesian corners of Horbury.
Thanks to Horbury Civic Society and Horbury Methodist Church for their support.
Once known as Four Lane Ends, this is the view as it was in 1967 from Tithe Barn Street looking across Westfield Road to Jenkin Road, with Arnold Tattersfield’s newsagents on the left, Lee & Briggs ironmongers on the right. The fourth ‘lane’ on the near right is Manor Road.
I drew the little sketch that it’s based on while sitting at the Tithe Barn Street back entrance to the old Congregational Chapel (extreme left) while working as a teller when my dad was standing for Horbury Urban District Council. I had to politely ask every voter as they walked in for their number on the electoral roll. Towards the end of the day the local ‘independents’ (really Conservatives) would go around rounding up anyone who had promised to support them but hadn’t yet turned up.
The original of linocut was black on white but I like this reversed version, made by going for the wrong keyboard shortcut in Photoshop (Control+I instead of Control+Alt+I. After all these years I still get that wrong when I’m resizing an image). I’m currently re-scanning drawings of Horbury for a reprint of my local guide to the historic buildings of the town.
I was influenced by Daily Mail cartoonist Trog’s bold pen and ink drawings in the paper’s long-running cartoon strip Flook.
John Haller (1909-1983) once told me that humorist Patrick Campbell (1913-1980) had produced a play The Vigil for our local drama group, the Horbury Pageant Players.
Patrick Campbell is probably best remembered today as Frank Muir’s opponent on BBC’s Call my Bluff but he was also well known as a journalist and drama producer.
In October 1955 John Haller succeeded Campbell, former head of B.B.C. northern drama programmes, as Chairman of the West Riding branch of the British Drama League, when Campbell accepted a post with the I.T.A., the Independent Television Authority, which had been created in the previous year.
The Vigil is a courtroom drama by Ladislas Fodor in which the gardener from the Garden of Gethsemane is accused by the Romans of stealing the body of Jesus.
It seems that the Pageants were disappointed that they hadn’t had more support from Horbury’s churches and chapels.
I am working for my Pianoforte recital at Horbury (Nr. Wakefield) which is on the 16th of this month — how I look forward to these occasions. Oh! music — what a delight you are to me — it is one thread between man — & spirit.
For “bread money” — I play as “relief pianist” at the Electric Theatre (Picture House) (York) — hours 4.30 to 7 o’clock.
It does not take up too much of my time — what a blessing! !”
William Baines, 1899-1922, in his diary for Wednesday, 2 January, 1918
Baines biographer Roger Carpenter thought that William Baines’ 16 January 1918 recital would have been only the second public recital that the 18-year old composer gave. I’ve met people who remembered William playing at the Primitive Methodists’ Ebenezer Hall, so probably that was the venue.
Tomorrow lunchtime at a recital in Ripon Cathedral Robin Walker performs William’s Tides, two sea pieces for piano, The Lone Wreck and Goodnight to Flamboro’ in a program that also includes performances of William’s Five Songs.
Fifty years ago, for my ‘major project’ at Leeds School of Art I was organising a Baines exhibition and a biographical leaflet. Looking back through my file today I like the inky roughs that I produced on layout paper. Unfortunately the finished publication was in two colours only, so I didn’t take those any further.
Auckland’s the opticians on Horbury High Street this morning, shoes and a section of Blue John, a purple-banded fluorite mineral from an inlaid table top at the Rose Cottage Tea Rooms, Castleton, on Sunday. Blue John was, and still is, mined just a mile further up the Hope Valley, from the caverns around Mam Tor.
John Carr’s Corinthian columns give Horbury’s parish church of St Peter & St Leonard’s an air of grandeur, in contrast to the old parish church, demolished in 1791, which, in his talk today, Keith Lister suggests may originally have been a timber building, like some surviving thousand-year old Scandinavian churches.
Keith’s talk as part of Horbury Heritage Weekend is ‘Horbury in the time of Baring-Gould, 1864-7’.
Much as we like our homemade bread it doesn’t keep long at this time of year so while the wood pigeon tucked into that (see the greatest hits from of the 103 selfies it took of itself on my new trail cam in my next post), we enjoyed the roast Mediterranean veg sandwich at the Cafe Capri.
While we’re in Horbury, we check out my Addingford display in the Redbox Gallery in the old telephone box on Queen Street. I’m pleased that the foamboard artwork isn’t buckling too much under the summer sun and that I can see the Addingford Steps artwork and map so well on the back wall, then I realise that the reason that I can see them is because the two stork cut-outs, suspended on fishing line, have fallen down behind Joby’s riverbank.
I’ll reinstate them, but I’ll draw the birds again at half the size, so they don’t blot out the display at they did previously.
Thanks to my scale model, we found that my Addingford and Joby cut-outs just fitted into the Redbox Gallery, although we did have to do a bit of jiggling about with the lengths of 10lb breaking strain fishing line that are holding up the storks cut-out and the speech bubbles.
On Tuesday I drew St Peter’s Church spire from the dentist’s waiting room, which is just around the corner from the Redbox.
My first one-man show for over 25 years . . . and I’ve got to fill the entire gallery! The good news is that it’s the Redbox Gallery on Queen Street, Horbury: the box that appears on the cover of my local history booklet Around Old Horbury.
I’ve seen documentaries about how the Royal Academy prepares for a big show and it involves making a cardboard model of the gallery space, so here goes . . .