Turner’s Watercolour Box

watercolour box

At the current Harewood House exhibition Austen and Turner: A Country House Encounter I got a close look at this watercolour box that belonged to Turner, dating from around 1842, so possibly a set he used on one of his visits to Harewood.

watercolours

As in so many watercolour boxes, it’s the darker earth colours that have been neglected and he’s gone for the reds, blues and yellows.

Watercolour cakes were something new but I’m wondering what the three white trays – two of them all but empty – are made of. In a modern box they’d be plastic but these don’t look to me like ceramics or enamel.

When Carr met Adam

display panel

There’s not a lot of room for any backstory in my phone box gallery display to mark the tricentenary of John Carr but ‘Antique Architect’ Robert Adam, who he worked with at Harewood, was a big influence so he gets to make a walk on – well swagger on, this is Robert Adam! – appearance in the Redbox show.

Redbox Gallery display

Harewood Grand Lodge

Grand Lodge drawing in colour

Rather than go for regular architectural drawings I’ve used the exercise of drawing without lifting the pen from the paper for this facade of Harewood’s Grand Lodge for next month’s John Carr anniversary show in Horbury’s Redbox Gallery.

The split complementary colour scheme comes from my experiments with Procreate.

Harwood Grand Lodge pen drawing

I’m going to experiment with 3D versions, building up the facade in card.