Memories of Morandi

Can I ever draw bottles without thinking of Morandi? Certainly not when I’m drawing the stoneware bottles they keep lined up on the window sills at Filmore & Union in the Redbrick Mill in Batley.

My first commission after leaving college was to spend a weekend drawing at a house, a Victorian vicarage, not far from Oxford. I took down my Natural History Illustration degree show at the Royal College of Art, got on the train to Oxford and enjoyed drawing for a long weekend. My favourite subject was the interior of the potting shed, which included a wooden wheelbarrow, tools, a trug and, of course, stacks of assorted terra cotta plant pots. That pen drawing became the centre spread of the small sketchbook that I produced, which consisted of eight or perhaps as many as a dozen pages, carefully extracted from my Bushey foolscap sketchbook, which they had bound as a slim hardback.

I remember thinking that if this was life after college, I could get used to it, as it was basically a continuation of what I’d done at college, just draw, draw, draw, day in day out, except that now someone was willing to pay me to do it!

Morandi Sketchbook

The man who I was working for had been in the British Army in Bologna during World War II, and had befriended Giorgio Morandi (1890-1964) and, I think, helped him out during a difficult time. Morandi presented him with (or more probably, he bought from Morandi) a small sketchbook of drawings – of bottles, naturally. Morandi had used whatever had come to hand and my memory is that at least some of the drawings were in ballpoint pen on cheap paper.

Earlier this month, on a previous visit to Filmore & Union.

Morandi’s bottles were never as standoffish as the bottles in Filmore & Union, but I guess that’s the reserved character of British bottles compared with Morandi’s highly sociable Italian bottiglie, which were always getting together with boxes, jars, jugs and vases.

When I was a student, my favourite painting in the National Gallery was Vuillard’s La Cheminée but probably, if I had the choice today, the painting that I’d most like to live with would be a small Morandi.

The Old Town Hall

clock
The Town Hall really does have a Toy Town look to it; that double chimney looks as if it could have been constructed from Victorian wooden building bricks.

Wetherby Town Hall is like the town hall you’d find in an old fashioned children’s story or a Wallace & Gromit adventure but, despite the doll’s house simplicity of its facade, I always find it difficult to get just the right angle when I’m drawing the pediment.

As it’s such a symmetrical building, drawing the facade is like drawing a portrait and small changes in an angle can change the expression on its ‘face’.

facadeIt’s a problem that I don’t mind coming back to. I drew the window during our coffee break – which included a wholemeal scone and honey – at Filmore & Union on the way to Knaresborough yesterday and the pediment after a walk by the River Wharfe at brunch today – when I opted for the healthy pancakes with coconut milk, seasonal fruit, maple syrup and Greek yoghurt.

Urban sketching can be so tough.

Link: Filmore & Union

Wallace & Gromit