Or the least worst of the bunch. Drawing bananas is one thing but drawing them foreshortened is tricky. I found myself triangulating the black flower scars, as if I was looking for the pattern of a constellation. The repeated curves are more difficult to relate to each other.
I turned them around and tried an easier angle.
Wetherby market last Thursday
The banana is, botanically speaking, a berry, as is the kiwi fruit. The onion is a bulb.
I got a chance to draw an old cherry and a Ficus benjamina (an artificial office plant version) on my travels recently.
There are now only three double-page spreads to go in my old sketchbook, then I can make a fresh start for the spring!
I like to keep life simple and my sketches are usually line first, then colour. And that’s it. But here I wanted to indicate form too. I’m not good at multitasking so could I simplify the process to three discrete stages; line, form then colour? It didn’t quite work out.
Using the Tower Pen nib in the dip pen and brown Noodlers’ Ink, I drew the orange pepper first then added a tonal wash in paynes grey. Blue sits opposite orange on the colour wheel, so I guessed that a wash of orange over the greenish-blue Paynes grey would add form without throwing the colour off-key. The Paynes grey should theoretically work as an neutral shade. It’s not such a bad solution to the problem but the drawback is that I’ve lost the transparency of the orange. I’d like something more luminous.
For the tomatoes I remembered the advice of botanical illustrator Agathe Ravet-Haevermans; lightest colours first. The tomatoes started as an overall pale golden yellow, omitting only the highlight. The calyxes and stalks started as an ochre yellow. I prefer this approach because what I might lose in sculptural solidity is made up for in more luminosity. The white of the paper is still able to show through. A tonal under-drawing of Paynes grey would be more suitable for an architectural subject.
Bananas have long been problem for me. What colour is dark yellow? Again I started with an all over pale lemon yellow and instead of having neutral shadows I looked carefully to try and see the hints of green and sepia reflected in the yellow.